Sentences with phrase «vernacular art from»

New York, NY, Marianne Boesky Gallery, Thornton Dial: We All Live Under the Same Old Flag, April 30 — June 18, 2016 / Tarpon Springs, FL, Leepa - Rattner Museum of Art, at St. Petersburg College, Vernacular Art from the Gadsden Arts Center, February 21 — May 15, 2016 / Atlanta, GA, High Museum of Art, Green Pastures: In Memory of Thornton Dial, Sr., February 13 — May 1, 2016

Not exact matches

Among the periods she intends to highlight are the years 1924 to 1943, when the notion of a distinct American folk art came into public consciousness through the efforts of the Whitney Studio Club and MoMA director Alfred Barr; the long decade from the late 1960s through the early 1980s that saw both the publication of Roger Cardinal's 1972 book Outsider Art and Jane Livingston and James Beardsley's groundbreaking 1982 show «Black Folk Art in America, 1930 — 1980» at the Corcoran Gallery; and the near present, with its ongoing conversation about how to contextualize vernacular aart came into public consciousness through the efforts of the Whitney Studio Club and MoMA director Alfred Barr; the long decade from the late 1960s through the early 1980s that saw both the publication of Roger Cardinal's 1972 book Outsider Art and Jane Livingston and James Beardsley's groundbreaking 1982 show «Black Folk Art in America, 1930 — 1980» at the Corcoran Gallery; and the near present, with its ongoing conversation about how to contextualize vernacular aArt and Jane Livingston and James Beardsley's groundbreaking 1982 show «Black Folk Art in America, 1930 — 1980» at the Corcoran Gallery; and the near present, with its ongoing conversation about how to contextualize vernacular aArt in America, 1930 — 1980» at the Corcoran Gallery; and the near present, with its ongoing conversation about how to contextualize vernacular artart.

One of Marks's summer 2015 exhibitions examined the Hairy Who, a faction of Chicago Imagists whose work drew directly from vernacular art, comics, and ecstatic pop culture, and who, in the 1960s, helped introduce Darger, Martín Ramírez, whose drawings appeared this year on a series of U.S. postage stamps, and Joseph Yoakum, a creator of fantastical landscapes, to the mainstream art world.

5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's art, especially when it comes to materials and process.

At a time when artists across the board were turning away from painting and towards photography and conceptual art, Pacific Coast Highway and Santa Monica addresses the history and impact of artistic styles such as Post-Impressionism and Fauvism, all executed in Hockney's signature vernacular.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

Artist Statement In my work, I seek to bring techniques and skills from early modern Europe into the clothing and art vernacular of today.

Open to participants and audiences of the Open Engagement Conference, the dinner will take place within an exhibition curated by AMERINDA — Recovering Memories: Vernacular photography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native American Art.

Over the past 39 years, the gallery has offered significant works in the American vernacular, from the Hudson River School to Impressionist, Modernist, Abstract Expressionist, and Contemporary Art.

A comprehensive selection of his works is presented alongside objects from his collections of vernacular art and religious didactic materials.

A comprehensive selection of his works will be presented alongside objects from his collections of vernacular art and religious didactic materials.

Without formal training (in Lockett's case, deliberately so) and working largely with found materials, Lockett, Dial, Holley and peers like Joe Minter took their visual language from traditional black Southern vernacular art forms like the scrap quilt and the yard show but adapted it to speak of personal philosophies, social issues and the African - American experience.

Whether rough - hewn beauties in earth tones or frenetic explosions of bright color, they reveal influences from southern vernacular art traditions and muralists such as Keith Haring.

Taking Bo Bardi's love of Brazilian vernacular art as her inspiration, and with a nod to the elegant furniture she created for the Casa de Vidro, Neuenschwander presents a set of found, handmade stools — one from a street seller in Bahia, north Brazil, where Lina spent some of the most fulfilling years of her professional life; one found in a carpark; another fished from a skip.

Often without formal training, and facing economic insecurity and racial discrimination, these artists created profound works from both conventional art media and cast - off materials, giving visual power to a highly developed vernacular tradition that enriches an alternative to conventional narratives of modern art.

She mines vernacular traditions for geometric patterns and templates that she can use, extending the options from contemporary art - making while honoring the labor - intensive activities of everyday folk.

But in the vernacular of the folks who used to live in the South of Market area before the arrival of the Botta building — and the Yerba Buena Gardens and Center for the Arts across Third Street from the museum — the disruption is not good, not nearly creative enough.

At opposite ends of the main gallery, but not necessarily of the art world, Alex Brewer (HENSE)'s enormous geometric wall painting and Michi Meko's wood - assemblage wall piece both illustrate the journey from gritty vernacular experience to elegantly shaped contemporary art.

From mounting Jackson Pollock's first solo museum exhibition in 1945 to exhibiting vernacular photographs and championing the emerging Mission School scene in the mid-1990s, SFMOMA has consistently broken new ground, expanding the conventional wisdom of what an art museum should present and collect.

«Rathbone's willingness to embrace a vernacular distinct from the realms of the conventional languages of contemporary art is demonstrated throughout his practice.

Working with unconventional materials and techniques, Uklański resuscitates artistic vernaculars from a number of various historical movements, adopting the idioms or «dialects» of Art Informel, Color Field Painting, Abstract Expressionism and Fiber Art, among others.

Category: ART, PHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, Xaviera Simmons

Kelley's aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious, «by all means necessary» attitude of punk music.

Pasadena Lifesavers Yellow # 5 (1969 - 1970) came out of a liminal point in Chicago's career as she was shifting away from minimalism into a more explicit vernacular of feminist art.

1985 2 Smart Art, Too, 55 Mercer Gallery, New York, USA (Joseph Masheck, Curator) Final Love, Cash / Newhouse Gallery, New York, USA (Collins & Milazzo, Curators) Smart Art: New Work from NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge, USA (Joseph Masheck, Curator) Paravision, Postmasters Gallery, New York, USA (Collins & Milazzo, Curators) Abstract Painting, Wolff Gallery, New York, USA Summer Exhibition, Tibor de Nagy, New York, USA Kölner Herbstsalon, Museum Ludwig, Cologne, Germany Abstract / Issues, Sherry French Gallery, New York, USA (Steven Madoff, Curator) Vernacular Abstraction, Wacoal Art Center, Tokyo, Japan Cult and Decorum, Tibor de Nagy, New York, USA (Collins & Milazzo, Curators) Jay Gorney Modern Art, New York, New York

Working with established cultural tropes, the artist largely disconnects from art world contexts in order to alternate between black and queer vernaculars in his irreverent discussion of the AIDS epidemic and its origins.

«Rossi's fastidious approaches to composition and technique emerged from her practice of intense visual observation, her interest in vernacular devotional images, and her appreciation of art as a conduit of complex mental states.»

Inspired by Mike Kelley's observation that «the mass art of today is the folk art of tomorrow,» The Spectacular of Vernacular reflects an expanded view of the vernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle of the street and the stylistic cacophony of the strip — the totems, billboards, and neon signs of roadsidVernacular reflects an expanded view of the vernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle of the street and the stylistic cacophony of the strip — the totems, billboards, and neon signs of roadsidvernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle of the street and the stylistic cacophony of the strip — the totems, billboards, and neon signs of roadside America.

By juxtaposing their works, A New American Sculpture reveals the confluences of sources — from archaism and European avant - garde art to vernacular traditions and American popular culture — that informed these artists» novel contributions to the history of sculpture.

His subjects are borrowed, singly or in combinations, from several distinct art historical and vernacular styles, in many cases 18th and 19th century grand portraiture, found holiday snapshots and slides from the 1970s and geometric abstraction.

Wieland's utilization of unabashed femininity against a token of patriotic rhetoric is an excellent example of feminist art practices from the time, when artists embraced vernacular elements from womanhood against patriarchal order.

The 529 Arts Building is on the north side of 20th st and houses over 20 galleries, each showcasing a diverse representation of art from contemporary African to Vernacular Art and post war contemporary woart from contemporary African to Vernacular Art and post war contemporary woArt and post war contemporary work.

Ranging from 19th century Bayou School landscapes to Vernacular Art, these exhibitions celebrate the depth and breadth of the Museum's holdings.

The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album.

The quilts in the exhibition are drawn from the collection of Tinwood Alliance, a nonprofit foundation for the support of African - American vernacular art.

Inspired by Mike Kelley's observation that «the mass art of today is the folk art of tomorrow,» The Spectacular of Vernacular reflects an expanded view of the vernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle of the street and the stylistic cacophony of the strip - the totems, billboards, and neon signs of roadsidVernacular reflects an expanded view of the vernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle of the street and the stylistic cacophony of the strip - the totems, billboards, and neon signs of roadsidvernacular posited in Denise Scott Brown, Steven Izenour, and Robert Venturi's Learning from Las Vegas (1972), one that embraces the spectacle of the street and the stylistic cacophony of the strip - the totems, billboards, and neon signs of roadside America.

Borrowing from art history, literature and vernacular culture Donzeaud addresses social interactions and narratives, both virtual and IRL, evolving in a staged environment but ever so close to home.

Opus Hypnagogia: Sacred Spaces of the Visionary and Vernacular is the upcoming exhibition organized by Morbid Anatomy Museum in New York and it explores this particular kind of art, one that emerges from the cryptic, dreamlike experiences.

Performing or sublimating a «fabulous» sense of isolation or disconnectedness, these objects borrow an expressive vernacular from the art fabric movement; a moment where threads were not to be walked upon or worn but could, by contrast, ventriloquize a sense of political urgency and delineate the presence of our bodies and our neurosis.

Edward Cella Art & Architecture presents Vernacular Environments, Part 1, a group exhibition of works selected from the 1960s through present day that explore the diversity of... Read more...

Edward Cella Art & Architecture presents Vernacular Environments, Part 1, a group exhibition of works selected from the 1960s through present day that explore the diversity of tensions between built environments, bodies, and narratives.

Recognized throughout his career with honors and awards, Blackwell received a 2012 AIA National Honor Award and the 2012 Architecture Prize from the American Academy of Arts and Letters for a unique use of design strategies that draw upon vernaculars and contradictions of place to transgress conventional boundaries for architecture.

Like his Chicago Imagist peers, Brown aggressively blended borrowings from art history with the languages of vernacular culture.

Alternative Figures in American Art, 1960 to the Present proposes an alternate history of figurative painting, sculpture, and vernacular image - making from 1960 to the present that has been largely overlooked and undervalued.

The Painted Furniture Sourcebook: Motifs from the Medieval Times to the Present Day by Annie Sloan - Painted furniture and interiors expert Annie Sloan leads the enthusiast through a fully illustrated, international spectrum of decorative styles — American colonial, Dutch folk art, Irish vernacular, Scandinavian neoclassical, Oriental lacquerwork, German baroque and more — all achievable by collectors, decorators and do - it - yourselfers.