Sentences with phrase «varied cultural perspectives»
Varied cultural perspectives are explored through visual arts, music, and film.
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, 1968 Zick Rubin, «The Social Psychology of Romantic Love», 1969 Elliot Aronson, «Some Antecedents of Interpersonal Attraction», 1970 David C. Glass and Jerome E. Singer, «The Urban Condition: Its Stresses and Adaptations — Experimental Studies of Behavioral Consequences of Exposure to Aversive Events», 1971 Norman H. Anderson, «Information Integration Theory: A Brief Survey», 1972 Lenora Greenbaum, «Socio - Cultural Influences on Decision Making: An Illustrative Investigation of Possession - Trance in Sub-Saharan Africa», 1973 William E. McAuliffe and Robert A. Gordon, «A Test of Lindesmith's Theory of Addiction: The Frequency of Euphoria Among Long - Term Addicts», 1974 R. B. Zajonc and Gregory B. Markus, «Intellectual Environment and Intelligence», 1975 Johnathan Kelley and Herbert S. Klein, «Revolution and the Rebirth of Inequality: The Bolivian National Revolution», 1977 Murray Melbin, «Night as Frontier», 1978 Ronald S. Wilson, «Synchronies in Mental Development: An Epigenetic Perspective», 1979 Bibb Latane, Stephen G. Harkins, and Kipling D. Williams, «Many Hands Make Light the Work: The Causes and Consequences of Social Loafing», 1980 Gary Wayne Strong, «Information, Pattern, and Behavior: The Cognitive Biases of Four Japanese Groups», 1981 Richard A. Shweder and Edmund J. Bourne, «Does the Concept of the Person Vary Cross Culturally?»
Fairfax Dorn is the co-founder and artistic director of Ballroom Marfa, a non-profit cultural art space dedicated to exploring varied perspectives and issues through the visual arts, film, music and performance.
Often referencing political and artistic history, including social resistance movements and Dada, Minimalism, and Conceptualism, Pendleton siphons historical and aesthetic content from texts and visual culture to critically examine the resonance of ideas from varied cultural and social perspectives.
Ballroom (Marfa) is a dynamic, contemporary cultural arts space that provides a lively intellectual environment where varied perspectives and issues are explored through visual arts, film, music and performance.
The works of the exhibiting artists illuminate varied perspectives on an object or matter, as is exemplified in the title and the opening date of the show, where the number «13» can be interpreted either as an unlucky number or as a lucky number, depending on the cultural background and historical context.
The artists» cultural backgrounds, as well as geographic diversity, create an opportunity for a provocative examination of varied perspectives of the truth.