Recent group exhibitions include: «00RR000000 0000ZZ0», Gluck 50, Milan (2015); The Contract, Essex Street, New York (2014); Theater Objects: A Stage for Architecture and Art, LUMA Foundation, Zurich (2014); chatbots, tongues, denial, and
various other abstractions, Bortolami, New York (2014); Whitney Biennial 2014, Whitney Museum of American Art, New York (2014); Pro-Bio, MoMA / PS1, New York (2013); Better Homes, Sculpture Center, New York (2013); White Petals Surround Your Yellow Heart, Institute of Contemporary Art, Philadelphia (2013); Pro-Choice, Kunsthalle Freiburg (2013); Demanding Supplies, Kunstraum Lüneburg (2011).
Larry Clark: they thought i were but i aren't anymore... at Luhring Augustine, New York; Chatbots, Tongues, Denial, and
Various Other Abstractions at Bortolami, New York; Jeff Koons: A Retrospective at Whitney Museum of American Art, New York; Tara Donovan at Pace, New York; Made in L.A. 2014 at Hammer Museum, Los Angeles; Jon Rafman: Hope Springs Eternal at Galerie Antoine Ertaskiran / Projects Libralato, Toronto; Tony Greene: Room of Advances at MAK Center for Art and Architecture, Los Angeles; David Hendren: Echo's Drift at 5 Car Garage and Anna Meliksetian / MJBriggs, Los Angeles.
Not exact matches
The present - day material, on the
other hand, embraces the avant - garde
abstractions of a Godard film, full of deliberate spatiotemporal discontinuities and fourth - wall - shattering «roleplaying,» with Eiko and Wada periodically amusing themselves by stepping into the shoes of
various revolutionary heroes and
other martyrs to the cause.
While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically
abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with
various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among
others.
I would suggest that you check out several pages here, perhaps the pages Post-Painterly
Abstraction, Clement Greenberg, Abstract expressionism and
various others.
Poons's early compositions of rectangles, diamonds, and
other geometric shapes, went against the grain of prevailing tastes at the school, which favored
various forms of late
Abstraction Expressionism, in vogue around the world by the mid-1950s.
The only important difference is that while Richter utilizes
various painterly range from monochrome, minimal color charts, hard edge to gestural
abstraction, as well as his occasional use of croppings and
other mechanical intervention of makings and unmakings, you have always stayed with one basic image and format.
His work has included elements of Cubism, Abstract Expressionism, Geometric
Abstraction, and Non-Objective painting, but it also absorbed
various other styles seamlessly into his work.