Sentences with phrase «various painting languages»

The resulting visual construct and condition is then re-introduced and manifested by way of various painting languages and techniques as its own object / condition, or painting.
Various painting languages are mixed together, including the heaviness of historical elements and lightness of dynamic characters blended in abstractive images.

Not exact matches

A tree in the temple grounds is encircled by brightly painted niches holding golden Buddha images in various different positions, and the grounds also contain a Pali language school which teaches the language in which the ancient Buddhist scriptures are written.
Together they will discuss how visual language is often translated across various media and how meaning becomes encoded within Almeida's vibrant - hued works which make perceptive use of plywood, hinges, LED light, and other non-traditional painting materials.
Following his formal studies Pfaff worked in various media but painting soon became his most recurrent language.
Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.
Her deceptively romantic - naive visual language dissolves distinctions between abstract and figurative art, and her paintings exhibit a whimsical engagement with sources as various as Color Field painting, Pattern & Decoration, children's book illustration and textile design.
Her practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources and exploring the symbolic and material possibilities that reside within language.
When she isn't orchestrating content for her various audiences, Jaime is a talented, self - taught artist who loves to explore shape and colour, using layering as a guide, to create the most beautiful abstract paintings — inspired by her study of Japanese language, electronic music, sci - fi and architecture.
This unique visual language and Hwang's various reference materials allow him to create three - dimensional space within his paintings.
The play between various lines, the use of expressive marks and the drip of the paint in comparison to the repetitive rhythm or creation of a flat and decorative surface, all covey a different understanding of the world and the different, in a sense, sound of the visual language.
For years, at various points in the studio I've fantasized about vandalizing my own paintings with language, but it felt like an irrational, potentially self - destructive thing to do.
Exhibiting internationally since the early 1990s, Suzanne McClelland's practice includes both large - scale paintings and works on paper, often extracting fragments of speech or text from various political and cultural sources, exploring the symbolic and material possibilities that reside within language.
This context encouraged Oursler to break the traditional strictures applied to various media and experiment with cross-pollination between painting, sculpture, video, installation, performance, language, music, and sound.
Various sources, such as shop front windows, are used to create an inner vocabulary of visual language, comprising of; forms, lines and gestures, that can then be recalled automatically during the painting process.
Her paintings have been foregrounded by these various disciplines: by painting, with shows such as «Slow Art: Painting in New York Now,» at P.S. 1 Contemporary Art Center; by feminism, with exhibitions such as «Sexual Politics: Judy Chicago's «Dinner Party» in Feminist Art History,» at the Armand Hammer Museum; and by language, with shows such as «Poetry Plastique,» at Marianne Boesky Gallery in Npainting, with shows such as «Slow Art: Painting in New York Now,» at P.S. 1 Contemporary Art Center; by feminism, with exhibitions such as «Sexual Politics: Judy Chicago's «Dinner Party» in Feminist Art History,» at the Armand Hammer Museum; and by language, with shows such as «Poetry Plastique,» at Marianne Boesky Gallery in NPainting in New York Now,» at P.S. 1 Contemporary Art Center; by feminism, with exhibitions such as «Sexual Politics: Judy Chicago's «Dinner Party» in Feminist Art History,» at the Armand Hammer Museum; and by language, with shows such as «Poetry Plastique,» at Marianne Boesky Gallery in New York.
Recognized for his intelligent and engaging use of paintings aesthetic legacy, Aldrich incorporates his own language into this history through a conceptual correspondence with previous paintings, of his own and of others, and connects them in various series through time.
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