But his «painterly» style — with its emphasis on the visible mark and texture of paint - as - matter — resonated most powerfully with
the Venetian oil painters, such as Giorgione and Titian.
The English
painter Walter Sickert, in his memoir of Degas, reports various opinions of the master's — that one should use
oil paint as if it were pastel, or that «the art of painting was so to surround a patch of, say,
Venetian red, that it appeared to be a patch of vermilion.»