Sentences with phrase «venetian renaissance»

Set in the golden age of the Venetian Renaissance, In the Age of Giorgione was a show imbued with mystery.

Venus of Urbino by Titian Interpretation, Analysis of Venetian Renaissance Female Nude Portrait Painting MAIN A-Z INDEX

Trees reflect the fine branches and muddy leaves of a Venetian Renaissance landscape.

Venetian Renaissance painting is as distinctively beautiful as the city that nurtured it.

Elsewhere, the Royal Academy hosts In the Age of Giorgione, an exploration of Venetian Renaissance art that will combine works by Titian, Bellini and others with that of the lesser - known talent Giovanni Cariani.

Giorgione, the key figure in our exhibition exploring the early Venetian Renaissance, remains an enigma.

Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.

NOMA is only the second museum in the US to host Veronese in Murano: Two Venetian Renaissance Masterpieces Restored, following the Frick Collection in New York.

(See the video below for a preview of Veronese In Murano: Two Venetian Renaissance Masterpieces Restored.)

This is a beautifully restored building of Venetian renaissance architecture.

Thanks to artist Lala Ragimov, whose renditions of Flemish Baroque and Venetian Renaissance style paintings include investor caricatures, Index Funds also has outright humor that, again, helps explain each concept chapter by chapter.

Not exact matches

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From the Modern Renaissance Palette, I applied Vermeer all over the lid, Buon Fresco above my crease, Antique Bronze to the second half of my lid, and then used Venetian red to blend the two lid shades together.

Old school Venetians came out in full force to support all around Renaissance Man,...

The 1977 show also included female Old Masters of established reputation: Renaissance painters like the Cremonese aristocrat Sophonisba Anguissola and the Bolognese Lavinia Fontana; eighteenth - century professionals like the pastel portraitist Rosalba Carriera, whose Venetian studio was once as essential a stop on the Grand Tour as that of her male colleague Pompeo Batoni in Rome, and the Swiss - born Angelika Kauffmann, represented by a self - portrait that showed the dark - haired, porcelain - skinned beauty making a definitive choice between painting and music.

Holland Cotter was praising wildly «An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture.»

In writing dedicated to his paintings a reader will find frequent reference to Northern Renaissance and Venetian art, Persian miniatures, as well as more modern touchstones like Francis Bacon and Willem de Kooning.

In a less solemn example, Paolo Veronese, the last in a line of Renaissance Venetian painting and Renaissance allegories, found himself hauled before the Inquisition for his Last Supper.

Rather than the Florentine school of the Renaissance, which stressed drawing (disegno) as the foundation of all art, including painting, Mason is in the Venetian tradition, which espoused color first and foremost.

Golahny refers to Renaissance rivalries between Venetian light and Roman form, before herself placing Pollock in the painterly camp.

In fact, she seems to be simply a Venetian woman posing for Titian, in a painting that breaks the barrier between religious art and real life, and shows why Titian is the most human of Renaissance artists.

The painting and sculpture section spans in time from the Renaissance to present day and is further sub-divided in chronological sections: Late Gothic painting; Dutch and Flemish painting, including works by Rembrandt, Rubens, van Dyck and Jan Brueghel the Elder; Italian Baroque and Venetian 18th century, including works by Domenichino, Canaletto, Guardi and Bellotto; Swiss painting, including Hodler, Segantini, Vallotton, Giovanni and Augusto Giacometti; Impressionism and Post-Impressionism, with masterpieces by Géricault, Manet, Monet, Cézanne, van Gogh and Bonnard; Nordic Expressionism, including a large selection of works by Edvard Munch and Oskar Kokoschka; Modern art, with works by Mondrian, Klee, Chagall, the Surrealists, Léger, Matisse and Picasso; the Giacometti section comprehends the most important museum selection of works by the Swiss artist Alberto Giacometti; the Art since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and Baselitz.

Both Concerts are featured in «Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting,» opening at the National Gallery of Art in Washington, D.C., on the 18th of this month.

David Alan Brown, curator of Italian paintings at the National Gallery of Art, is cocurator (with Sylvia Ferino - Pagden) of «Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting.»

Highlights of the Hermitage include the Faberge jewellery collection, gold artifacts from Eastern Europe and Western Asia, plus masterpieces of the High Renaissance, the Baroque, Flemish and Venetian art, Rococo, Neoclassicism, Impressionism, Post-Impressionism, Fauvism, and Expressionism across all the genres like portraiture, landscape art, genre - painting, still life and history painting.

Not only does Peter Joseph not consider himself a minimalist artist, he sites early Venetian and Florentine painting as influences and subscribes to a methodology usually associated with that of Renaissance painters.

We see the Dutch Golden Age, the High Renaissance's radiant Venetian color, Leonardo's tonal unity, and of course the female nude in the acreage.

«Glass is very demanding technically,» said Czeresko, who was trained by the masters of Renaissance Venetian glass - making techniques and also got a master's degree from Tulane.

Complete with scrawled annotations and collection stamps, the Renaissance - style drawings depict each of the 100 artworks that constitute Damien Hirst's Treasures from the Wreck of the Unbelievable, the subject of an exhibition at the Pinault Collection's two Venetian museums — Palazzo Grassi and Punta della Dogana — until December 2017.

The last time I recall seeing a considerable number of his paintings in an American museum show was 11 years ago, when «Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting» was at the National Gallery of Art in Washington, D.C. Much of Bellini's work is painted on wooden panels, and loans are difficult to negotiate.

Experience the extraordinary creativity of Venice from the mid-1400s to early 1500s, when artists forged a Renaissance style that was distinctly Venetian.

The project Evocative Surfaces has been chosen for the unique location of Museo di Palazzo Grimani, an outstanding Venetian palace decorated in late Renaissance style.

The Tempest by Giorgione Interpretation of Venetian High Renaissance Landscape Painting MAIN A-Z INDEX

It becomes a pastoral landscape of a type familiar in Venetian painting of the Renaissance, as well as in more modern works such as Henri Matisse's «Bonheur de Vivre» (1906) in the Barnes Foundation, a bucolic idyll that seems to recall a golden age, a garden of paradise.

R: This interest in how colour creates form can also be traced back in painting to the Renaissance; for instance, to the Venetian school of Titian in which the chromatic brilliance influences the form, as distinct from the earlier Florentine artists who used colour and light more to illustrate the underlying mathematical composition.