Sentences with phrase «verre in»

After a visit to the Maison De Verre in Paris, I called it a green model for our times, being an urban, live / work, healthy redevelopment that was a demonstration of industrial materials and technologies.
[1] Then came stark works of broken gelatin (1984), graphic - like arrays of tiles (1985), Polaroids of simple fabric drapes (1988), and then a major widening of his range to include pre-made antique photographs, outdoor still - life, artificial and natural light sources, and most notably color - filtered meditations on architecture, including Philip Johnson's Glass House in Connecticut and the Maison de Verre in Paris.
Other exhibitions I'm eager to see include the Jewish Museum's «Pierre Chareau: Modern Architecture and Design» (Nov. 4 to Mar. 26), the work of the designer of the Maison Verre in Paris (1928 - 1932), the groundbreaking house known for its imaginative use of steel, glass and other industrial materials.
THE JEWISH MUSEUM unearthed the life and work of the architect - designer Pierre Chareau (1883 - 1950), previously known mostly for a single modernist masterpiece, the Maison de Verre in Paris, in a first American retrospective framed in a snappy design by Diller Scofidio & Renfro.

Not exact matches

Now he is thinking about playing «l'homme de verre», Abou Diaby, as a DM... lol (I don't know if to laugh or cry listening and reading about another ridiculous and delusional idea of the, in fact, «deluded one»).
Death and Funeral of Nyack Stained Glass Artist Robert Pinart Robert Pinart, a renowned stained and dale de verre glass artist, passed away in Nyack Hospital on October 1 due to respiratory failure.
Dominique Aurientis oversized Pate de Verre fruit cluster earrings in tones of topaz and citrine with wonderful lampworked detailing.
Chanel classic earclips of faux turquoise pate de verre cabochons set in gilt bronze floral filigree, hand set with pastes by studio Goossens.
Hammered antique gold with pate de verre cabochons in various tones.
It had been my intention to describe in detail the trial of Gaius Verres, but now I come to set it down, I see there is no point.
After Cicero's tactical masterstroke on that first day, Verres and his advocates resembled nothing so much as the victims of a siege: holed up in their little fortress, surrounded by their enemies, battered day after day by a rain of missiles, and their crumbling walls undermined by tunnels.
Cicero's objective was equally clear: to obliterate Verres's defenses so completely that by the time he had finished laying out his case, not even the most corrupt senatorial jury in Rome would dare to acquit him.
He captured Philip Johnson's Glass House in the late aughts through a set of colored filters and he digitally altered his 2009 pictures of Paris's Maison de Verre.
There is no immediacy in his work, and like the ceramicist, Weinberg must plan his pieces, leaving some to bathe in the kiln for days before he performs his own version of Pate de Verre.
In the catalog American Abstract Artists, 1936 - 1986: 50th Anniversary Celebration, a chronology compiled by Philip Verre and Ward Jackson, with assistance from Leo Rabkin, Irene Rousseau, Merrill Wagner and Slobodkina, we learn the salient aspects of the group's history.
Recent publications include a limited edition book by The Museum of Modern Art in New York of his Cliché Verre images with a text by Oliver Sacks.
He drew in record prices for Sanyu's Chrysanthèmes dans un vase en verre (Chrysanthemums in a glass vase), which realised HK$ 103.5 million / US $ 13.4 million, setting the world record for the artist's floral still life, and Chu Teh - Chun's Vertige Neigeux (Snowy Vertigo), which achieved a world record of HK$ 91.8 million / US $ 11.8 million for the artist.
SELECTED EXHIBITIONS 2017 — Catalina Island Museam, Avalon, California 2017 — New York Botanical garden, The Bronx, New York 2017 — Chihuly Sanctuary, The Fred & Pamela Buffett Cancer Centre 2017 — Crystal Bridges Museam of American Art, Bentonville, Arkansas 2016 Chihuly, Royal Ontario Museum, Toronto, Ontario, Canada 2016 Chihuly in the Garden, Atlanta Botanical Garden, Atlanta, Georgia 2015 Glass Art Garden, Toyama Glass Art Museum, Japan 2015 Chihuly Drawings, Museum of Glass, Tacoma, Washington 2014 Chihuly at Fairchild: A Garden of Glass, Fairchild Tropical Botanic Garden, Florida 2014 Ulysses Cylinders, Dublin Castle, Dublin 2014 Chihuly, Denver Botanic Gardens, Colorado 2014 Dale Chihuly: Beyond the Object, Halcyon Gallery, London 2013 Chihuly, Montreal Museum of Fine Arts, Canada 2012 Chihuly at the Virginia Museum of Fine Arts, Virginia Museum of Fine Arts, Richmond, Virginia 2012 Chihuly Garden and Glass, Seattle Center, Washington 2011 Chihuly, Halcyon Gallery, London 2011 Chihuly: Through the Looking Glass, Museum of Fine Arts, Boston, Massachusetts 2010 Chihuly at Cheekwood, Cheekwood Botanical Garden and Museum of Art, Nashville, Tennessee 2010 Chihuly at the Salk, Salk Institute for Biological Studies, La Jolla, California 2009 Making Worlds (group exhibition), Venice Biennale, Venice, Italy 2008 Chihuly at the de Young, de Young Museum and the Legion of Honor, San Francisco, California 2006 Chihuly at the New York Botanical Garden, New York Botanical Garden 2005 Gardens of Glass: Chihuly at Kew, Royal Botanic Gardens, Surrey, UK 2002 Chihuly 2002: Salt Lake Olympic Winter Games, Salt Lake Art Center, Salt Lake City, Utah 2001 Chihuly at the V&A, Victoria and Albert Museum, London 2000 Chihuly in Iceland: Form from Fire, Reykjavik Art Museum, Iceland 1999 Chihuly in the Light of Jerusalem 2000, Tower of David Museum of the History of Jerusalem, Jerusalem 1995 Chihuly Over Venice, Venice, Italy 1989 20th International Biennial, São Paulo, Brazil 1986 Dale Chihuly: Objets de Verre, Musée des Arts Décoratifs, Louvre, Paris
Designed in 1932 by Pierre Chareau as the medical and home office for a gynecologist, the Maison de Verre was considered an early twentieth - century architectural masterpiece.
At the beginning of the 90s, Lino Tagliapietra was often in Marseille, at CIRVA (Centre International de Recherche sur le Verre et les Arts Plastiques), and that was the place where Wilson started producing glass, following every step of the production process, from the shaping of molten matter to the final polishing.
GROUP EXHIBITIONS 2017 Une Passion Partagée - La Collection Gigi & Marcel Burg, MusVeree, Sars - Poteries / FR 2017 EisWasserGlas - Glass Collection Hans Hansen, Gewerbe Museum Winterthur / CH 2017 Land Schafft Kunst Biennale VI, Neuwerder / DE 2014 Trends in Contemporary Glass Art, Himalayas Art Museum, Shanghai 2014 Coburg Glass Prize, Kunstsammlungen der Veste Coburg / DE 2013 Translucide, Biennal du Verre - Radial Art Contemporain, Strasbourg 2012 European Glass Context, Bornholm Art Museum / DK 2010 iGlass, Levant Art Gallery, Shanghai 2009 Glass - Trends in Contemporary Glass Sculpture, Litvak Gallery, Tel Aviv 2007 Contemporary Glass of the Würth Collection, Hirschwirtscheuer, Künzelsau / DE 2007 International Exhibition of Glass, Kanazawa / JP 2006 Coburg Glass Prize, Kunstsammlungen der Veste Coburg / DE.
A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.
In particular, the proposed expansion would give the museum 15,500 square feet of new gallery space in the former site of the American Folk Art Museum and 39,000 in the Tower VerrIn particular, the proposed expansion would give the museum 15,500 square feet of new gallery space in the former site of the American Folk Art Museum and 39,000 in the Tower Verrin the former site of the American Folk Art Museum and 39,000 in the Tower Verrin the Tower Verre.
Showcasing rare furniture, lighting fixtures, and interiors, as well as designs for the extraordinary Maison de Verre, the glass house completed in Paris in 1932, Pierre Chareau: Modern Architecture... Read More
Alison exhibits both locally and internationally and her work is held in several public collections; the National Museum of Ireland recently acquired a large pate de verre vessel for the «Contemporary Craft Collection».
Robert Rauschenberg (American, 1925 - 2008) Cliche» Verre, 1980 offset lithograph on mylar numbered 44/200, signed and dated in marker Image: 25 x 18 1/2 inches.Read more
She has developed particular skills by using a technique for painting on glass known as Verre Eglomise which was developed in the 1920s and practiced by artists like Franz Marc and Paul Klee.
Maya Hayuk was in town to install a mural for the new exhibition as well as Marco Pho Grassi who created a special installation «Le Grand Verre» a project that featured a mix of medias from painting, film, light, and photography.
Note: In French, reverse glass painting is known as «peinture sous verre» and the paintings themselves can be refered to as «Sous Verres
This inaugural exhibition will include works ranging from 2004 to 2010: the 16 mm film projection, Pig (2004); a video projection, Lightbeam (2007); Petit Verre (2007), a processor automated shadow theatre with sound; and Dokumentarfilm (2004), a video work that shows the delicate movement of mist in a forest.
In 1986, he was honored with a solo exhibition, Dale Chihuly objets de verre, at the Musée des Arts Décoratifs, Palais du Louvre, in PariIn 1986, he was honored with a solo exhibition, Dale Chihuly objets de verre, at the Musée des Arts Décoratifs, Palais du Louvre, in Pariin Paris.
Levenson's art can be found in the permanent collections of the Museum of Fine Arts (Houston, TX), New Mexico Museum of Art (Santa Fe), Corning Museum (Corning, NY), Musée du Verre (Sars Poteries, France), Tikanoja Art Museum (Vassa, Finland), Glasmuseum Ebeltoft (Denmark), Ernsting Glass Collection (Coestfeld, Germany), Museo Leon Rigaulleau (Argentina), Museo del Vetro (Altare, Italy), among others.
Seeing the totality of Welling's work, in a lucid installation by the architecture firm Johnston Marklee, clarifies connections such as those between the New Abstractions, (1998 - 2000), large photograms of deep black bars on white paper, recalling Franz Kline paintings, and the rigor of his straightforward pictures of modern architecture such as Maison de Verre (2009).
, Francis Bacon: Figurabile, exhibition catalogue, Museo Correr, Venice 1993, p. 24 David Sylvester, «Bacon's Course», Modern Painters, vol.6, no. 2, summer 1993, pp. 15,16, reproduced p. 14 (colour) Michael Peppiatt, Francis Bacon: Anatomy of an Enigma, London 1996, pp.108 - 110 Fabrice Hergott, «La Chambre de Verre» in Francis Bacon, exhibition catalogue, Centre Georges Pompidou, Paris 1996, p. 56 David Sylvester, «Un Parcours» in Francis Bacon, exhibition catalogue, Centre Georges Pompidou, Paris 1996, pp.14 - 16 Hervé Vanel, «L'imagination technique» in Francis Bacon, exhibition catalogue, Centre Georges Pompidou, Paris 1996, p. 67 Masterpieces of British Art from the Tate Gallery, exhibition catalogue, Metropolitan Museum, Tokyo 1998, pp. 152, 237, reproduced in colour p. 152 Reproduced: Harper's Bazarre, Jan. 1951, p. 52 (colour) John Rothenstein, A Brief History of the Tate Gallery, London 1958, p. 11 John Rothenstein, The Moderns and their World, London 1958, pl.91 (colour) Viewpoint, no. 1, 1962, p. 5 (colour) Ronald Alley, British Painting Since 1945, Tate Gallery, London 1966, p. 12, pl.2 (colour) Aldo Pellegrini, New Tendencies in Art, trans.
New York About Blog Philip Chasen Antiques specializes in Art Nouveau and Art Deco glass and lamps and features authentic lamps by Louis Comfort Tiffany, Handel and Pairpoint; American art glass by Tiffany Studios, Quezal, Steuben, and Durand; French cameo glass by Daum Nancy, Emile Gallé, Burgun & Schverer, Argy - Rousseau, Almeric Walter, R. Lalique, Le Verre Francais and Schneider and many more.
How to Stencil Video Tutorial - In this stencil tutorial we share how easy it is to create a verre églomisé finish on glass using our Clear Royal Stencil Size.
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