Muniz's reproductions in
his Verso series are presented together with important works from the museum's collection.
Not exact matches
CBExpo received support from a wide variety of sponsors and organizations including: Moonshine University, CF Napa, Farwell Rashkis, LLP, Amorim Cork America, Sonoma State University, Atlas Copco Compressors, Franke Beverage Systems, Dagmar Branding, Innovative Media Design, Prospero,
Verso Corporation, WINERAM Productions LLC, Rotor Collective, Thinfilm Electronics Inc., WineAmerica, UC Davis Honey and Pollination Center, Family Winemakers of California, California Artisanal Distillers Guild, California Cider Association, California Craft Brewers Association and ebev
Series.
Euro NCAP announces the five best performing cars of 2010: BMW 5
Series, Alfa Romeo Giulietta, Honda CR - Z, Toyota
Verso, Kia Sportage.
· Executive category: BMW 5
Series · Small Family category: Alfa Romeo Giulietta · Supermini category: Honda CR - Z · Small off - road 4 × 4 category: Kia Sportage · Small MPV category: Toyota
Verso
Verso Artist
Series Cities Case for Kindle Fire HD 7» (Previous Generation), Red (will only fit Kindle Fire HD 7», Previous Generation)
Variable Shadow # 1 by John Houck: Acrylic silkscreen on archival pigment print on 100 % cotton rag; Unique (
series of 25 parametric prints); signed and numbered on
verso; 17» x 11».
Simone Rosenbauer From the
series Like Ice in the Sunshine, 2014 Available as 15 x 15» and 33 x 33» fine art pigment prints Signed, titled, dated, and editioned on label
verso Each size in an edition of 8
The
series juxtaposes enlargements of photographs taken by a soldier in Vietnam, unearthed by the artist at a local salvage store, with the
versos of the originals, which reveal the soldier / photographer's handwritten annotations.
The artist talks about his work and the Urban Riders exhibition on
VERSO, our new behind - the - scenes podcast
series.
Untitled, from Zen Twig
series (1963) Vintage gelatin silver print 6-1/16 x 6-1/2 inches Signed Madelyn O. Meatyard in ink, on print
verso
Each
series is signed and number
verso and comes complete in an archival sleeve handmade by the artist.
Summer, from Friends in the Park
series (1935) Vintage gelatin silver print 7-1/2 x 7-7/8 inches (print) 13-7/16 x 9-5/8 inches (mount) Signed Ehm and dated 1935 in pencil on mount, lower right; with the photographer's Praha address ink stamp, on mount
verso
Composite showing recto and
verso of embossed signature on Robert Rauschenberg's Untitled (Pyramid
Series)(1974).
This discovery led to a «return to paint» in my work and the production of a
series of intimate gouaches and larger acrylic paintings of these
verso images.
Tugendhat House from the L.M.V.D.R., Ludwig Mies van der Rohe
Series Color c - print mounted on aluminum - dibond 23 x 27 1/2 inches 14 x 21 1/2 inches (image size) Edition of 40 Signed in pen and numbered in pencil by Thomas Ruff on a Label attached to the
verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, DAP, Cologne, 2001, p. 242, another impression reproduced in color.
Nude on Couch, from Nudes
series Color iris print on rag paper 29 1/2 x 23 1/2 inches 10 1/4 x 13 inches (image size) Edition of 50 Hand signed and numbered in pencil by Thomas Ruff
verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, D.A.P., New York, 2003, p. 239 Catalogue Reference tos03, larger version reproduced in color.
Woodcut and screenprint on 4 - ply Paper Technologies, Inc. museum board; From the Interior
Series; From and edition of 60; Signed, numbered and dated in pencil on recto; Blind stamp on right recto; Gemini stamp on
verso; Published and printed by Gemini G.E.L., Los Angeles, CA; Illustrated in: Gemini catalogue raisonne, no. 1501; The Prints of Roy Lichtenstein, A Catalogue Raisonne, 1948 - 1993, No. 249, Pg 230; Image: 51.75 x 65.625 inches; Framed; Estimate: $ 44,000 / $ 55,000
Leonard Freed's, stamped vintage (
verso), gelatin silver, Kate # 17, from the Kate
series, 2002 features model Kate and female friend.
Leonard Freed's, stamped vintage (
verso), gelatin silver, Kate # 10, from the Kate
series, 2002.
Leonard Freed's, stamped vintage (
verso) gelatin silver, Kate # 6, in his Kate
series, 2002.
• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the
series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume,
verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»
Leonard Freed's, stamped vintage (
verso), gelatin silver print, Kate # 11, from the Kate
series, 2002.
Leonard Freed's, stamped vintage (
verso), signed, gelatin silver, Kate # 1, in his Kate
series, 2002.
Leonard Freed's stamped vintage (
verso) gelatin silver print is from the Kate
series, 2002.
Theodoros Stamos (1922 - 1997) Infinity Field - Torino
Series # 7, 1986 Acrylic on canvas, 72 x 48 inches Signed, titled and dated verso: «Stamos, INFINITY FIELD - TORINO SERIES # 7, 1986&
Series # 7, 1986 Acrylic on canvas, 72 x 48 inches Signed, titled and dated
verso: «Stamos, INFINITY FIELD - TORINO
SERIES # 7, 1986&
SERIES # 7, 1986»
Theodoros Stamos (1922 - 1997) Infinity Field, Jerusalem
Series VI, 1984 - 5 Acrylic on canvas, 60 x 60 inches Titled, signed, and dated on canvas overlap
verso:» «Infinity Field, Jerusalem
Series #VI» / Stamos / 1984 - 5»
Theodoros Stamos (1922 - 1997) Infinity Field - Lefkada
Series, 1973 Acrylic on canvas, x 56 inches Titled, dated and signed verso: «INFINITY FIELD, LEFKADA SERIES, 1973, Stamos&
Series, 1973 Acrylic on canvas, x 56 inches Titled, dated and signed
verso: «INFINITY FIELD, LEFKADA
SERIES, 1973, Stamos&
SERIES, 1973, Stamos»
Yan Morvan (b. 1954) Untitled, from the «Blouson Noir»
series, 1975 Gelatin silver print, printed later, signed, titled and annotated in pencil
verso, 28 x 42 cm (11 x 16 1/2 in) Provenance: Galerie Thierry Marlat, Paris, Yan Morvan (b. 1954), Untitled, from the «Blouson Noir»
series, 1975, Gelatin silver print, printed later, signed, titled and annotated in pencil
verso, 28 x 42 cm (11 x 16 1/2 in), Provenance: Galerie Thierry Marlat, ParisRead more
Theodoros Stamos (1922 - 1997) Infinity Field, Lefkada
Series, 1976 Acrylic and oil on canvas, 59 3/4 x 49 7/8 inches Titled, and inscribed on canvas overlap verso:» «INFINITY FIELD LEFKADA SERIES» / 60X50» Numbered and dated on stretcher verso: «16 / 1976&
Series, 1976 Acrylic and oil on canvas, 59 3/4 x 49 7/8 inches Titled, and inscribed on canvas overlap
verso:» «INFINITY FIELD LEFKADA
SERIES» / 60X50» Numbered and dated on stretcher verso: «16 / 1976&
SERIES» / 60X50» Numbered and dated on stretcher
verso: «16 / 1976»
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