Sentences with phrase «very experienced in the art»

Very experienced in the art of romance.

Not exact matches

The actual blood of everyday human experience — the stuff that art and literature capture, in all their ambiguity and resistance to ideological programs — is not circulating very well to the body's limbs.

Bottle design itself was new, but something that I'd always found interesting; as a street artist, being able to create a piece that can be held in your hand as a tangible, 3D piece of art, is a very different and satisfying experience.

Allen - Stevenson's course of study is thoughtfully balanced to include very strong academics and a variety of positive experiences in the arts and athletics.

im very adventurous and outgoing i am somewhat of an artist i have a degree in game art and animation i am very open minded i stand about 6» 3» tall muscular and dark skinned i love meeting new people and learning new things and have always been attracted more more mature and experienced women...

«I do think that being in a romantic relationship with someone you're creating art with is a very specific experience,» she said.

«A Gentle Creature» is about as strange, perplexing and foreign an experience as any I've had at the Festival de Cannes, and the reasons that will limit its commercial viability are the very reasons that you should seek it out, if and when it arrives in your local art - house theater.

In this modest life of lengthy absences, limited experiences, and untimely deaths (this is a Terence Davies movie, after all), with no art aside from the family portrait and very little music, words are the only consistent source of entertainment, vicarious pleasure, and humor.

While I have thoroughly enjoyed my experience here, often times I found myself realizing that certain teaching and learning frameworks presented in class were the very same ones espoused and developed for teaching artists and community - based educators, especially those using culturally responsive arts in their practice in urban settings.

In his quotes Munch described how these early life experiences from his youth has influenced his painting and print art very strongly; the became an enduring subject of his art.

The Partnership Fund gives pupils from very different social backgrounds access to a range of shared experiences in sport, music, performing arts, leadership and enterprise.

At Linden VW near Elizabeth, New Jersey, we combine over 120 years of experience in our state - of - the - art automotive facilities to bring you the very best Volkswagen auto service around.

We have experienced a steady growth in the past 15 years due to our strong commitment to providing our patients & clients with the very best veterinary medicine has to offer.We designed and built the current state of the art hospital in June of 1998.

Schmitz: We are experiencing very exciting times at Tuffy's Pet foods, not only because of a consistent sales growth pattern that is amazing, but also because we are constructing a new, state - of - the - art manufacturing facility in Perham, Minn..

There is simply so much for the discerning traveller to see and do and experience in the Village of Port Douglas such as a range of fine restaurants and cafes which showcase the very best in regional foods and wine, exclusive Village shopping, art galleries (including aboriginal art and artifacts), historic buildings and the Port Douglas beachfront Sunday Markets that offer genuine locally handcrafted products and produce.

It offers a Spacious Great Room with Imported Italian Honed Marble Floors, Wall - to - Wall, Floor - to - Ceiling Ocean Views, Two Very Private and Spacious, Luxurious Master Bedroom Suites with Stunning Pillow Top Ocean Views, a State of the Art Kitchen with Stainless Steel Appliances, Granite Countertops, Custom Designed Island Inspired Furnishings, Two Lanais with a Private Lanai off the Main Floor Master, an abundance of Natural Sunlight, Refreshing Tropical Breezes and Breathtaking Ocean Views which will make your stay in our Villa THE Experience of a Lifetime.

«We want to create an experience that invites our guests to discover the very best of Cincinnati, from its vibrant arts scene to the very best in local entertainment and culinary adventures.»

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- Aonuma thanks the audience for the award - Aonuma: The team did not want to simply adapt the old formula of Zelda games, and they carefully balanced old and new elements - Fujibayashi: The dev team had several challenges while developing; worked hard to satisfy gamers; is happy to see Germany loving it - Takizawa: Artstyle has changed often throughout the series» history; the art team's experience has been applied to the game, that's why the whole team is very happy about the award - Dohta: The team created lots of fun elements for the players, and the whole technical team is very happy to see Germany loving the game - Aonuma: «We are honored to accept the price in the name of over 300 developers who worked hard and passionately on the game for years - Everybody: «Vielen Dank!»

It does, however, almost feel like stealth is viewed as a lesser option seeing as how something like a silencer is hard to come by but huge assault rifles are available from the very start, but I feel like that was a deliberate choice to replicate the idea of a crew becoming more experienced, moving from the much simpler strategy of going in all guns blazing to the far more subtle art of sneakery.

Yet, the true art comes from experiencing the menacing beauty come alive before your very eyes, wrapped in powerful shades of black.

The most popular sport in the world gets the personal treatment as Electronic Art's FIFA Street offers a very involving street football game experience features a huge real - life player cache and several worldwide locations.

The most popular sport in the world gets the personal treatment as Electronic Art's FIFA Street offers a very involving street football game experience features a huge real - life player cache and several worldwide locations that obviously include more urban environments.

My experience so far has been that no matter how good or bad my art might or might not be, ive found people are very, very, VERY, interested in watching your creative process from start to finish, and by being openhearted and inclusive, (allowing them to» peek into your world), and to live vicariously through you, the desire to have a» piece» done by you however small or simingly insignificant, becomes a small rageing fire within thvery, very, VERY, interested in watching your creative process from start to finish, and by being openhearted and inclusive, (allowing them to» peek into your world), and to live vicariously through you, the desire to have a» piece» done by you however small or simingly insignificant, becomes a small rageing fire within thvery, VERY, interested in watching your creative process from start to finish, and by being openhearted and inclusive, (allowing them to» peek into your world), and to live vicariously through you, the desire to have a» piece» done by you however small or simingly insignificant, becomes a small rageing fire within thVERY, interested in watching your creative process from start to finish, and by being openhearted and inclusive, (allowing them to» peek into your world), and to live vicariously through you, the desire to have a» piece» done by you however small or simingly insignificant, becomes a small rageing fire within them!.

As illustrated in these works and others, Tracey Emin explores very personal and sometimes turbulent childhood experiences and sexual history in her art which is often described as confessional.

He had very nearly, as Donald Judd likely recognized, dismantled the distinction between art - as - representation and art - as - object - in - itself, that had been constantly in play in a great variety of formal propositions since Cubism first opened new possibilities of paradoxical unions and disunions of visual experience.

Before that, until the mid-1950s, she had been in a romantic relationship with Clement Greenberg, and the experience of looking at art with him in those early years has long been recognized as being very important to her.

RELEVANT LIFE EXPERIENCE: «My mentor, rather than my teacher, was Gregory Battcock, who was a very heady combination of a dandy and a Marxist, and in his tailor - made Italian suits a sort of Luchino Visconti of the art world.»

Two additional works served as an epilogue (Wolfson) and an archival documentation (Baldessari), challenging the very notions of live art and the human experience as set out in 14 Rooms.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Usually regarded in terms of singularity, the very term «Outsider Art» celebrates an artist's unique experience or vision.

The experience of talking with Lemieux in her studio about these and other notable works, both finished and in - process, made me very appreciative of her eccentric and enigmatic wit, conceptual feminism, meticulous craftsmanship, and reverence for art history.

The very distinctive architecture, character and history of the venue itself have ensured that Tramway is a unique place to produce and experience the best in contemporary art.

I am very interested in the physicality of the artwork rather than experiencing it through the filter of an art historical perspective.

Placed in a very specific environment, this pioneering show supports the idea of a very interesting new art scene emerging in Arabic countries, while waking the desire to be experienced, rather than merely — seen.

Without prior primary experiences of seeing the MCDC perform countless times (sometimes in these costumes, against these very sets), the question of how the visual arts narrative might overshadow the performative narrative of Cunningham's oeuvre begs to be asked.

We very much look forward to having him as a colleague in Cleveland, and to experiencing the ways that he will encourage our audiences to engage with historic and contemporary African art,» said William M. Griswold, director of the Cleveland Museum of Aart,» said William M. Griswold, director of the Cleveland Museum of ArtArt.

While Marclay was showing at international venues throughout the 1990s, he experienced a very productive period during a 1999 residency at Artpace, the nonprofit contemporary - art center in San Antonio.

Amid the gold - rush atmosphere of recent months, however, something very strange has emerged, something more pertinent to art than to money — a new attitude, now pervasive in the upper echelons of the art world, about the meaning and experience and value of art itself.

The unique experience of viewing a Ron Gorchov work was eloquently described by the renowned critic Robert Storr, Dean of the Yale School of Art: «near square but never square to near oval but never oval to near rectangular but never rectangular and all always bowed — and in different sizes — very small to very big - and in different orientations — vertical and horizontal.

And I had just - they had just done some leafleting outside of the Whitney Biennial [Whitney Museum of American Art, New York City], like a few weeks prior to that, and so she asked me what I thought about that and - and I remember feeling like it was - it seemed very intangible compared to the very visible, tangible experience I had had doing postering back in» 87.

I wasn't sure what the art by these very varied artists, as varied as the figures in Are You Experienced?

The family that he visited was very involved in the arts, dancing and science, and so I was very much taken with the place, because I had a context in which to experience it.

The sculptures were produced later, as an attempt to reflect the experience I had at UNESCO this day of how the political and the meditative can stand in direct connection, with art as the very bridge.

The famous art critic, Robert Pincus - Witten, says of Larry Poons's works,» (they) ensure a constant shift in the experience of the painting as it oscillates back and forth from the local to the universal... Poons instrumentalizes chance (the very hallmark of Abstract Expressionist painting...).»

For although this reluctant resolution may simply be motivated by the mundane tragedy of my own private aging, it has become increasingly clear to me in recent years that much of my current thinking about art was shaped rather decisively (if very indirectly) by that filial experience, and much of the conjecture I am seeking to flesh out in this essay is directly influenced by my first encounters with art — encounters which first took place and shape in front of my father's modest but well - balanced library, in his ateliers (he must have moved house every two years or so for a whole damned decade), at the opening receptions for the many group shows he was in, throughout the late 1970s and early to mid-1980s, in villages, towns and cities scattered across the Flemish plains.

Kuroda's experience in curating international Asian art shows from an Asian perspective allows us to see some of the similarities in our definitions of «otherness», as well as some of the very distinct differences in limitations of our respective points of view.

Together, bringing very disparate elements in the show — the natural resin and the ionizers for instance — Bradley creates a network within a structure, the contemporary art gallery, and this complexity becomes a structure to be experienced.

Revolution in the Making asks its viewers to participate «in the continuing quest to articulate the female experience through art» when many of the women on view were (and are) fighting the very logic that relegated them into an essentialized category in the first place.

My favourite Basel art experiences was visiting the Volta art fair which was situated in an industrial suburb of Basel and had a very exciting showing of international cutting edge galleries that took big risks with new avenues of exploration or had novel ideas on curation — new art stars could be seen forming among the interstellar dust — it was good to see my art friend Martin Brown here with a good one man show at his London based gallery — Fred who were showing here.