Drawing from diverse photographic genres such as landscape, forensic,
Victorian memento mori, occult, and camera-less photography, she investigates the ways in which the material conditions and specialized languages of the photographic medium shape our relations to history, power, and the production of images.
Calista Langley is an elite matchmaker for wealthy
Victorian souls in London, but things get creepy when someone begins sending her
memento mori carved with her initials.