Kashmir Hill discusses a suit seeking to stay the use of full body scanners by the TSA; amongst the more interesting claims is that the official use of the machines violates
the Video Voyeurism Prevention Act.
If so, consider arresting him under the new «
video voyeurism» felony that was «created to meet the needs of an ever - changing technology in society.»
File this under «It's a felony as soon as it happens to me, pal»:
The Video Voyeurism Prevention Act.
Not exact matches
Proving that
voyeurism lives on beyond the movie, «Mason's
Video Picks: Extended Snuff Films» (8:49) shows more of the snuff films shot for the movie.
In his
videos and installations, James Richards brings together found and original material to create meditations on pleasure, sensuality and
voyeurism.
Richards creates poetic considerations of the gaze, the pleasure and sensuality of
voyeurism, by combining disparate found VHS
video and new imagery before manipulating them to heighten their psychological impact.
«Maya Stovall's
videos are not about
voyeurism; rather, they attempt to channel the many spirits of a city unseen.»
And then there are specifics that border on coincidental: Kelley's interest in Medusa who, according to a sketchbook displayed amongst other source material for her
videos, represents «impotence,
voyeurism, the gaze deadly to men.»
In his
videos and installations Richards brings together a disparate range of found and original material to create poetic meditations on the pleasure, sensuality and the
voyeurism that is within the act of looking.
Combining narrative films like «Body Double» and «A Short Film About Love» with experimental films, documentaries, and
video art, the series demonstrates how the ideas of
voyeurism, surveillance, and identity have been central throughout the history of cinema.
Her art - whether
video, performance, sculpture or installation - is concerned with confrontational themes including violence, oppression and
voyeurism, often in reference to the human body; and with the juxtaposition of opposites such as beauty and horror, desire and revulsion.
The Atlanta Contemporary Art Center (ACAC) announces the opening of Laurel Nakadate: Photographs,
Videos & Performances, an exhibition focusing on the artist's works which explore themes of
voyeurism, loneliness, power, and desire.
Her more recent work explores the inherent
voyeurism of
video and photography.
Using a contextual approach to the offence of
voyeurism, the fact the
videos were focused on breasts and cleavage was sufficient to prove the
videos were made for a sexual purpose.