Sentences with phrase «view exhibition catalogue»

FALCONRY November 3rd, 2017 — December 10th, 2017 Opening Reception: Friday, November 3rd, 6PM to 9PM [Click here to view exhibition catalogue online, with essay by Jason Andrew] DAVID&SCHWEITZER Contemporary is proud to present Falconry, a solo exhibition of new works by Daniel John Gadd, opening November 3rd, 2017 and running through December 10th, 2017.

Glistens Down Me October 6th, 2017 — October 29th, 2017 Opening Reception: Friday, October 6th, 6PM to 9PM [view exhibition catalogue, with essay by Jason Andrew] DAVID&SCHWEITZER Contemporary is proud to present Glistens Down Me, a solo exhibition of new paintings by Lizbeth Mitty, opening October 6th, 2017 and running through October 29th, 2017.

Heavenly Creatures January 5th, 2018 — January 28th, 2018 Opening Reception: Friday, January 5th, 6PM — 9PM [View Exhibition Catalogue Here] Painting relates to both art and life.

sensing place January 19th, 2017 — February 13th, 2017 Opening Reception: Thursday, January 19th, 6 pm — 9 pm Artist Talk: Sunday, January 29th, 3 pm view exhibition catalogue online [HERE] DAVID&SCHWEITZER Contemporary is proud to present Sensing Place, a solo exhibition of new paintings by Fran O'Neill.

Dwellers on the Threshold April 6th, 2018 — May 6th, 2018 ARTIST TALK: Saturday, May 5th, 3PM — 5PM [View Exhibition Catalogue Here] DAVID&SCHWEITZER Contemporary is pleased to present Dwellers on the Threshold, which is Mary DeVincentis» first one - person exhibition at our gallery.

View the Exhibition Catalogue online; click to view fullscreen, and use your left and right arrow keys, or your mouse, to turn the pages.

To view the exhibition catalogue, click here.

Not exact matches

When I reviewed the exhibition «Matisse / Diebenkorn» for ARTnews during its run at the Baltimore Museum of Art (it is currently on view at the San Francisco Museum of Modern Art), I found helpful the overstuffed, unwieldy, four - volume Richard Diebenkorn catalogue raisonné published this past autumn by Yale University Press.

The artist's thirty - fifth exhibition with Pace, New York City, No - Name, Re-do, Seductions will be on view from September 15 to October 21, 2017, at 510 West 25th Street, and an opening reception will be held on Thursday, September 14 from 6 to 8 p.m. Pace will publish a catalogue that includes a new text by Samaras to accompany the exhibition.

Following the exhibition, Pace will publish a catalogue featuring installation views and a new essay by art critic John Yau.

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

188 page hardcover catalogue accompanying the exhibition on view at Acquavella Galleries from February 1 - March 16, 2018.

Collaborative Project, 2 month exhibition in The Drawing Center's Main Gallery Space (with Steffani Jemison & Heather Hart) 2014, works selected from 65 Viewing Program artists + programming + catalogue.

This catalogue is produced in conjunction with the exhibition «Imponderable: The Archives of Tony Ourslers,» on view at Les Forges, Parc des Ateliers, Arles, France, July 6 - September 20, 2015 and LUMA Westbau, Zurich, October 31 - February 14, 2016.

Currently on view at Clint Roenisch Gallery, Toronto is «Catalogue,» a solo exhibition of new paintings by Dorian FitzGerald.

The exhibition will be on view at Ballroom Marfa until August 10, 2014 and will be accompanied by a comprehensive catalogue to be published in December 2014.

View selected exhibition catalogues and related exhibition material (1903 - 1984) on the Portal to Texas History

Following the exhibition, the gallery will publish a fully illustrated catalogue, which will include installation views as well as new scholarship by Akira Tatehata, Director of The Museum of Modern Art, Saitama and President of Kyoto City University of Arts.

Our current exhibition Painting from the Zabludowicz Collection Part II will be open for viewing before the event and the accompanying catalogue is available to purchase from our shop on the night, at a special exhibition price of # 18.

2005 Flashback: Revisiting the Art of the 80s, Kunstmuseum, Basel (catalogue) Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, New York (catalogue) 25 Years: Selected Solo Exhibitions 1979 — 2004, Part 1, Baumgartner Gallery, New York The Shape of Colour: Excursions in Colour Field Art 1950 — 2005, Art Gallery of Ontario, Toronto (catalogue) Drawings: 1945 — Now, Russell Bowman Art Advisory, Chicago Picturing America: Selections from the Whitney Museum of American Art, Nagasaki Prefectural Museum, Nagasaki (catalogue); travelled to Fuchu City Museum of Art, Fuchu, Japan; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; Koriyama City Museum, Koriyama, Japan Logical Conclusions: 40 Years of Rule - Based Art, Pace Wildenstein, New York (catalogue) Universal Medium, McClain Gallery, Houston Another Look at the Collection, Fundació La Caixa, Sala de Exposiciones del Mercado del Este, Santander, Spain A View from 1988 Up to Now, Proje4L Elgiz Museum of Contemporary Art, Istanbul Contemporary Voice: The Contemporary American Art from Misumi Collection, Tottori Prefectural Museum, Japan (catalogue) We Can Do It!

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, SepteExhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, Septeexhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, Septeexhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

ARG Publishing's format is to then expand the functionality of these booklets into forthcoming formal exhibition catalogues, including comprehensive installation views emphasizing the significance of exhibition making.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

To learn more about The Painting Center, and view or download the accompanying catalogue for the current exhibition Cultivate Your Own Garden, visit their website here.

As a contributor to the exhibition catalogue Watlington will provide a closer look at the works by the twelve artists on view, framed through her writing on the twelve affects comprising intimacy: absence, closeness, desire, empathy, jealousy, loss, love, reciprocity, seduction, shame, trust, and vulnerability.

PUBLICATIONS 2015 Pelé: Art, Life, Football exhibition catalogue with essays: Brian Winter, «Why Pelé Still Inspires Us»; Dr. Bernard Vere, «Andy Warhol, Pelé, and the «Athletes» Series» (Halcyon Gallery) 2015 Overlapping View, exhibition catalogue with Introduction by Francesca Gavin (Halcyon Gallery) 2014 An American Trilogy, published by Halcyon Gallery, London

Bridget Carberry was crucial to developing the framework for this online exhibition catalogue, and Emily Robbins and Ana Fox - Hodess played a key role in documenting the works on view.

This exhibition and its accompanying catalogue aim to present a comprehensive view of Diebenkorn's evolution to maturity, focusing solely on the paintings and drawings that precede his 1955 shift to figuration at age 33.

Catalogue of the exhibition organized by the Modern Art Museum of Fort Worth Texas which also toured to the Metropolitan Museum of Art New York and the Kunstverein fur die Rheinlande und Westfalen Dusseldorf 1995 - with Long View by Michael Auping An Exchange of Letters between John Elderfield and Howard Hodgkin Hodgkin by Susan Sontag -LSB-...]

There, you can view and purchase catalogues from a number of previous Norton exhibitions, including those featuring popular RAW (Recognition of Art by Women) artists Njideka Akunyili Crosby, Klara Kristalova, Jenny Saville, and Sylvia Plimack Mangold.

This fully - illustrated catalogue, published to accompany the eponymous exhibition on view at Dominique Lévy New York January through March 2016, features essays by scholars Roni Feinstein, Suzanne Hudson, Anna Lovatt, Griselda Pollock, Richard Shiff, and Robert Storr.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

This comprehensive catalogue, published to accompany the eponymous exhibition on view at Dominique Lévy London February through March 2016, features a commissioned essay by Angela Vettese, former President of the International Jury of the Venice Biennale and director of the graduate programme at the Università Iuav di Venezia.

A catalogue containing images of works in the show, installation views and three original essays on the artist is being published by the gallery to coincide with the exhibition.

View an online catalogue for the exhibition here.

Cable Works, Cable Sounds, Cables Everywhere, freiraum quartier21 INTERNATIONAL, curated by Georg Weckwerth, Vienna, AT 2012 Oh Crisis, Frankendael Foundation, Amsterdam, NL 2011 Studies for a Catalogue, Flat Time House, curated by Mathieu Copeland, London, UK 2011 Uncommon Places, Extra City, curated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlin, DE.

Worlds and Views, The Museum of Modern Art, New York, USA Acting Out: The Invented Melodrama in Contemporary Photography, University of Iowa Museum of Art, Iowa City, IA, USA; toured to the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, USA (organized by UIMA curator Kathleen A. Edwards, catalogue) Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London Africa Remix, Contemporary Art of a Continent, Museum Kunst Palast, Düsseldorf, Germany; toured to Hayward Gallery, London; Centre Georges Pompidou, Paris, France; Mori Art Museum, Tokyo, Japan African Voices, New Museum of World Cultures, Gothenburg, Sweden Translation, Palais de Tokyo, Paris, France

The 512 - page anthology brings together reviews, interviews, and essays from sources that are largely out of print, as well as archival material such as invitation cards, installation views and book covers, as well as excerpts from significant exhibition catalogues.

This impressive exhibition would have benefited mightily, in my view, from the addition of a catalogue, or at least a wall text and more assiduous group of labels.

The collection, titled the Patricia Barnwell Collins Papers, contains exhibition catalogues and publications produced by Collins & Milazzo, installation views for several Collins & Milazzo exhibitions, invitations, press clippings, and personal memorabilia.

Including such established art world figures as Lorna Simpson, Hank Willis Thomas (who also contributes an artist essay in the exhibition's catalogue), Kerry James Marshall, and Glenn Ligon, the exhibition primarily features work within the past decade, and reflects a contemporary point of view rather than a historical one.

The exhibition, curated by Brian Wallis, former Chief Curator at the International Center of Photography in New York, will be on view at The Walther Collection in Neu - Ulm, Germany, beginning May 17, 2015, and will be accompanied by a catalogue published by Steidl / The Walther Collection.

A catalogue with full - page color reproductions of the new paintings, images of the artist's New Mexico studio, and installation views of the previous nine gallery exhibitions, along with a contribution by Robert Storr, Dean of the Yale University School of Art, accompanies the exhibition.

Catalogue of the exhibition organized by the Modern Art Museum of Fort Worth Texas which also toured to the Metropolitan Museum of Art New York and the Kunstverein fur die Rheinlande und Westfalen Dusseldorf 1995 - with Long View by Michael Auping An Exchange of Letters between John Elderfield and Howard Hodgkin Hodgkin by Susan Sontag and the first edition of the catalogue raisonne of the paintings by MarCatalogue of the exhibition organized by the Modern Art Museum of Fort Worth Texas which also toured to the Metropolitan Museum of Art New York and the Kunstverein fur die Rheinlande und Westfalen Dusseldorf 1995 - with Long View by Michael Auping An Exchange of Letters between John Elderfield and Howard Hodgkin Hodgkin by Susan Sontag and the first edition of the catalogue raisonne of the paintings by Marcatalogue raisonne of the paintings by Marla Price.

She produced the catalogues accompanying the Kentridge exhibition and Topological Gardens — to which she contributed an essay — and organized the new book Bruce Nauman: Topological Gardens / Installation Views.

Exhibition catalogue accompanying the show of the same title on view April 15 - June 12, 2015.

Catalogue The exhibition is accompanied by a lavishly illustrated catalogue by Antoon Erftemeijer, the Curator of Modern Art at the Frans Hals Museum and De Hallen Haarlem, which focuses on views of the Dutch landscape by widely divergentCatalogue The exhibition is accompanied by a lavishly illustrated catalogue by Antoon Erftemeijer, the Curator of Modern Art at the Frans Hals Museum and De Hallen Haarlem, which focuses on views of the Dutch landscape by widely divergentcatalogue by Antoon Erftemeijer, the Curator of Modern Art at the Frans Hals Museum and De Hallen Haarlem, which focuses on views of the Dutch landscape by widely divergent artists.

His current solo exhibition «Staring into the Sun» at the Kunsthalle Dusseldorf, on view through January 15, is accompanied by a fully - illustrated catalogue.

My solo exhibition Cataloguing Time will be on view at Sapar Contemporary in New York between November 10th and January 5th.