Sentences with phrase «visual aids projects»

Artist Projects • Always at the forefront of contemporary art practice around HIV / AIDS, Visual AIDS annually produces and distributes free artist designed AIDS awareness project, including posters, stickers, safer sex kits, tote bags, and more - continuing the legacy of such iconic Visual AIDS projects as The Red Ribbon.

Currently, she is organizing the 28th anniversary of Alternate Endings with Vivian Crockett as part of Visual AIDS project «A Day With (Out) Art.»

Not exact matches

Mobiles, wind chimes, and glitter jars are all great calming visual aids, and making your own glitter jar with your child can be a fun project that also allows you to have a conversation about calming themselves when they're already in a calmer state (A quick Pinterest search can steer you toward some great glitter jar recipes).

Write one short paragraph (max 150 words) outlining their project idea • As an additional source of inspiration, students could (but do not have to) create a visual aid.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

The Archive Project, Visual AIDS Artist Registry, and web galleries are ways we use art to remind the world that AIDS is not over, while simultaneously supporting artists living with HIV, and preserving the legacy of artists who were living with HIV.

In looking through The Archive Project at Visual AIDS, we were seduced by works that blurred the line between the decorative, functional, craft, and the so - called fine arts.

Diana Schlesinger is the Director of Education for the American Folk Art Museum and has collaborated with Visual AIDS on a number of projects.

For the online Web gallery, he has revisited this approach and curated ESCAPE / VISUAL AIDS redux from The Frank Moore Archive Project.

On December 1st, 1994 members of The Archive Project and Visual AIDS stood on the steps of The Metropolitan Museum of Art demanding direct services to artists living with HIV, and offering a direct resource for archiving artists» work.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

«Postcards from the Edge benefit for Visual AIDS Main Embassy Gallery Edinburgh / Sils Project Space, Rotterdam, Residency Exchange Program 2011»

It is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV / AIDS.

Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while supporting artists living with HIV /Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while supporting artists living with HIV /visual art projects, while supporting artists living with HIV / AIDS.

Founded in 1988, Visual AIDS is the only contemporary arts organization fully committed to raising AIDS awareness and creating dialogue around HIV issues today, by producing and presenting visual art projects, exhibitions, public forums and publications - while assisting artists living with HIV /Visual AIDS is the only contemporary arts organization fully committed to raising AIDS awareness and creating dialogue around HIV issues today, by producing and presenting visual art projects, exhibitions, public forums and publications - while assisting artists living with HIV /visual art projects, exhibitions, public forums and publications - while assisting artists living with HIV / AIDS.

Currently she works as an interviewer on the Smithsonian Visual Art and the AIDS epidemic oral history project and co-curates the reading and performance series Adult Contemporary, which released its first book of art and literature last fall.

I had the surprising misfortune of learning about Chuck Nanney's HIV status while discovering his work in the Visual AIDS archives for this project.

He became a member of the Archive Project at Visual AIDS in 1995 under David Hirsh.

Through Lightbox, Visual AIDS honors all the Archive Project member artists who share their talent and inspire us to continue the fight against HIV / AIDS.

My exploration for this exhibition began in the offices of Visual AIDS, reviewing the Frank Moore Archive Project's pages of slides and digital images.

Visual AIDS» first exhibition features the works of the first ten artists represented in The Archive Project: Peter Cherone, Jose Luis Cortes, Lucretia Crichlow, William Cullum, Leonard Davis, Garland Eliason - French, Anselmo Figueiredo, David Knudsvig, Rick Martinez, and Eric Rhein.

As one of the founding member of Visual AIDS, he was instrumental in helping create and launch the Red Ribbon Project, which became a worldwide symbol of AIDS awareness.

This selection from the Visual AIDS» Archive Project is comprised of 11 photographers engaged in portraiture, conceptions of the male body and issues of desire.

JD Talasek, a member of the Visual AIDS Archive Project, has had solo shows at Pinnacle Gallery (Texas), Rivaga Gallery (DC), and the Center for Creative Arts (Delaware) as well as many other group exhibitions across the country.

Utilizing Contemporary Art Visual AIDS uses the power of art as a catalyst to engage public response, dialogue and scholarship around HIV / AIDS through presenting contemporary art exhibitions, artist projects, public events and publications.

Membership in The Archive Project is free and open to all professional visual artists living with HIV / AIDS and the estates of artists who have died from AIDS.

She is currently organizing the 28th anniversary of ALTERNATE ENDINGS, RADICAL BEGINNINGS with Vivian Crockett as part of Visual AIDS» longstanding project, A Day With (Out) Art and Made in L.A. 2018 with Anne Ellegood at the Hammer Museum.

Statement of Values Founded in 1988, Visual AIDS is the only contemporary arts organization fully committed to raising AIDS awareness and creating dialogue around HIV issues today, by producing and presenting visual art projects, exhibitions, public forums and publications - while assisting artists living with HIV /Visual AIDS is the only contemporary arts organization fully committed to raising AIDS awareness and creating dialogue around HIV issues today, by producing and presenting visual art projects, exhibitions, public forums and publications - while assisting artists living with HIV /visual art projects, exhibitions, public forums and publications - while assisting artists living with HIV / AIDS.

2007 FRAMING AIDS, curated by Hector Canonge from the Visual AIDS Frank Moore Archive Project, Queens Museum of Art, NY

The Art Gallery at Houston Community College Central presented LIGHTBOX: A Traveling Exhibition, a project of the Visual AIDS Archive, on its first visit to Texas.

NOT OVER includes essays by Cynthia Carr, Robert Atkins, Aldrin Valdez, and Nelson Santos, color reproductions of over 50 artworks and projects; an interview between artist members Jessica Whitbread and Frederick Weston, memorable quotes by artists, activist and writers, and a timeline of exhibitions, programs and other Visual AIDS milestones.

Through producing and presenting visual arts projects, exhibitions, publications, and public forums, Visual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new arvisual arts projects, exhibitions, publications, and public forums, Visual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new arVisual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new arvisual record of the work of HIV + artists and supporting the creation of new artwork.

Art From The HIV Community Calendar, sponsored by GlaxoSmithKline, 2005 - 2007 Working with Visual AIDS, artwork was selected through the Frank Moore Archive Project.

Through the Archive Project and Artist + Registry, Visual AIDS assists artists with HIV / AIDS while preserving a visual record of theirVisual AIDS assists artists with HIV / AIDS while preserving a visual record of theirvisual record of their work.

Additionally, on Saturday, April 2, Visual AIDS artist member Michael Golden and a volunteer photographer invited artists living in Texas with HIV / AIDS to bring up to four artworks to the gallery to be photographed for slides documentation, so that they too may join the Archive Project.

The (Red) Ribbon Project was created in 1991 by the Visual AIDS Artists Caucus, a group of artists who wished to create a visual symbol to demonstrate compassion for people living with AIDS and their caregVisual AIDS Artists Caucus, a group of artists who wished to create a visual symbol to demonstrate compassion for people living with AIDS and their caregvisual symbol to demonstrate compassion for people living with AIDS and their caregivers.

Visual AIDS added the parentheses to highlight the ongoing inclusion of art projects focused on the AIDS pandemic, and to encourage programming of artists living with HIV.

Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV /Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV /visual art projects, while assisting artists living with HIV / AIDS.

She recently organized the 28th anniversary of ALTERNATE ENDINGS, RADICAL BEGINNINGS with Vivian Crockett as part of Visual AIDS» project, A Day With (Out) Art and is currently organizing Made in L.A. 2018 with Anne Ellegood at the Hammer Museum.

Sur was an important voice in the arts scene for raising awareness about the AIDS crisis, working with organizations such as The Frank Moore Archive Project as well as Visual Arts.

is an ongoing project established by Visual AIDS artist member Jessica Whitbread in 2013.

, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK

Alex Fialho, Programs Manager at Visual AIDS, has facilitated projects and conversations around both the history and immediacy of the HIV / AIDS epidemic, utilizing art to maintain HIV / AIDS visibility, consider its legacy, and galvanize contemporary response.

Greg helped initiate «Project Teamwork» Educational Initiative for the DMA and served as Lead Artist for DMA's first «Visual Aids Day», lead artist for the Dallas Master Plan's first Public Arts Project.

Her most recent curatorial projects were «Day to - day» at Martos Gallery, NY, «Mythologies» for Visual Aids, NY and «Solitude (s)» at LMAK Gallery, NY.

Every year New York based Visual AIDS, VA, «the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects,» unveils two new broadside projects created with different visual artists to promote «harm reduction, HIV prevention and AIDS awareness» to diverse audiVisual AIDS, VA, «the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects,» unveils two new broadside projects created with different visual artists to promote «harm reduction, HIV prevention and AIDS awareness» to diverse audivisual art projects,» unveils two new broadside projects created with different visual artists to promote «harm reduction, HIV prevention and AIDS awareness» to diverse audivisual artists to promote «harm reduction, HIV prevention and AIDS awareness» to diverse audiences.

Obsessive Sex Collecting Curated by Sarah Forbes Every month, Visual AIDS invites guest curators, drawn from both the arts and AIDS communities, to select several works from the Frank Moore Archive Project.

On December 1, visual artist and filmmaker Tiona McClodden (2016) participated in a screening and discussion at the Whitney Museum of American Art held in conjunction with ALTERNATE ENDINGS, RADICAL BEGINNINGS, the 28th annual iteration of Visual AIDS» Day With (out) Art prvisual artist and filmmaker Tiona McClodden (2016) participated in a screening and discussion at the Whitney Museum of American Art held in conjunction with ALTERNATE ENDINGS, RADICAL BEGINNINGS, the 28th annual iteration of Visual AIDS» Day With (out) Art prVisual AIDS» Day With (out) Art project.

Desire: Contemporary Photography from the Visual AIDS Archive Project, curated by Ernesto Pujol.