Sentences with phrase «visual aids worked»

Between 1986 and 1991 there were numerous exhibitions, conferences, and artworks about AIDS in New York, while activist groups such as ACT UP (AIDS Coalition to Unleash Power) and Visual AIDS worked to educate the public and insist on medical research and treatment.

To honor its twenty - fifth year, Visual AIDS worked with filmmaker Tom Kalin to commission seven artists and collaboratives — Rhys Ernst, Glen Fogel, Lyle Ashton Harris, Derek Jackson, Tom Kalin, My Barbarian, and Julie Tolentino — to create new, short videos to be screened internationally on / around December 1, 2014.

Visual AIDS works with renowned contemporary artists to commission limited editions prints.

Not exact matches

Richard Bowlby, the son of Dr. John Bowlby who first developed attachment theory, worked as a scientific photographer in various medical research institutions where he produced visual aids for communicating research findings.

Now when we get the doll we can work on it with a great visual and teaching aid.

Of course, Murphy's bravura turn is aided immeasurably by Rick Baker's outstanding makeup work and the efforts of the visual effects crew, but it is Murphy who gives each one of the Klumps energy and soul.

Throw the soon to be Oscar - winning Roger Deakins to aid in the visuals of the hard - sci - fi of 2049 then you have one of the most outstanding modern works in science - fiction cinema since the last Blade Runner.

Useful in Science or Geography lessons when working with pupils who benefit from visual aids.

- Learning outcomes linked to the National Art Curriculum - Illustrated throughout with the children's own art work - Useful hints and visual teaching aids for introducing new techniques - Themed lessons to cover the year or to dip into as you choose.

I work in special education so told the story myself and this was a visual aid - just as well I'm a bit of a drama queen!

A button doesn't work, or visual aids don't appear properly on the page.

I've used the thought provoking work of artist Al Margen to act as a visual aid and help students write more creatively.

The visuals in the video work like magic with visual aids which strengthen the marketing campaigns of organizations.

Lesson Objective: Using markers and a work mat as visual aids, children will hear a three - phoneme CVC word, use markers to count and order its phonemes, add a consonant phoneme to the beginning of the word, and blend the four phonemes together orally to create a new word with a consonant blend.

Lesson Objective: Using sound counting markers and a work mat as visual aids, children will hear two spoken one - syllable words and determine what initial consonant manipulation (addition or deletion) is needed to change the first word to the second word.

Lesson Objective: Using markers and a work mat as visual aids, children will hear a two - phoneme (CV) word, use markers to count and order its phonemes, add a consonant phoneme to the beginning of the word, and blend the three phonemes together orally to create a new word with a consonant blend.

Building on Vaughn, Bos, and Schumm's (2000) basic, three - level planning pyramid and Tomlinson and Kalbfleisch's (1998) work on differentiated classrooms, Lawrence - Brown explains how a teacher might address some students» individualized education plan goals by adapting the classroom curriculum to include manipulatives, visual aids, charts, audiotapes, and explicit expectations, while also offering an enriched curriculum to gifted students.

Lesson Objective: Using a work mat with letter sound cards as visual aids, children will build a word stem by matching letter cards to dictated phonemes, read a word formed by adding a beginning consonant letter card corresponding to an initial dictated phoneme, and substitute a new initial letter card matching a dictated initial phoneme to form and read new words.

If you're interested in learning more about how Indiana's school rating system works, check out my visual aids from the presentation:

Structured around a syllabus for a Great Works of Literature class and containing ironic visual aids (drawn by the author), Pessl's debut novel is complex yet compelling, erudite yet accessible.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

In 2001 she worked with Visual AIDS on the exhibition and catalogue «Share Your Vision.»

We've worked with Visual Aids, Light Industry, and Dirty Looks.

In looking through The Archive Project at Visual AIDS, we were seduced by works that blurred the line between the decorative, functional, craft, and the so - called fine arts.

It is in this sentiment, as well as possibly for the first time telling Ross» side of the story, that the recently acquired archive of material at Visual AIDS is generative for Felix Gonzalez - Torres» body of work, rounding out a biography that is inextricable from the art.

Since then Visual AIDS has remained committed to working with galleries, museums and art spaces to feature art from the Archive.

On December 1st, 1994 members of The Archive Project and Visual AIDS stood on the steps of The Metropolitan Museum of Art demanding direct services to artists living with HIV, and offering a direct resource for archiving artists» work.

It's a great way to both get a wonderful piece of original art and support the important work of Visual AIDS.

Inspired by protest - art groups like ACT UP spinoff Gran Fury — which produces «campaigns» like «Kissing Doesn't Kill: Greed and Indifference Do,» «Art is Not Enough» and, most famously, «Silence = Death,» a neon sign which hangs in the window of the New Museum — the activist group Visual AIDS persuades hundreds of art organizations to institute a «day without art,» and shroud work in «mourning and action in response to the AIDS crisis.»

This bold work with its deep red calligraphic marks aided by a confident approach shows one side of Jinchi's studies of the visual and text and its content.

An activist for many years, he has worked with a wide variety of both arts and AIDS organizations including the Whitman - Walker Clinic, Artists Board of Artists Space, Co-Chair of the 21st Century Committee for the Skowhegan School for Painting and Sculpture 1999 - 2005, Board of Directors for Visual AIDS 1995 - 1998 and 2010 to 2018 and Board of Directors of Cannabis Cares from 1999 to present.

Currently she works as an interviewer on the Smithsonian Visual Art and the AIDS epidemic oral history project and co-curates the reading and performance series Adult Contemporary, which released its first book of art and literature last fall.

I had the surprising misfortune of learning about Chuck Nanney's HIV status while discovering his work in the Visual AIDS archives for this project.

With that idea in mind, this selection of works for Visual AIDS, featuring work by Chuck Nanney and the late Felix Gonzalez - Torres, is completely devoid of any imagery that could easily be identified as queer.

In 1999, Visual AIDS launches a monthly web gallery, featuring work from Visual AIDS artists members, and selected by guest curators, drawn from both the arts and AIDS communities.

Visual AIDS» first exhibition features the works of the first ten artists represented in The Archive Project: Peter Cherone, Jose Luis Cortes, Lucretia Crichlow, William Cullum, Leonard Davis, Garland Eliason - French, Anselmo Figueiredo, David Knudsvig, Rick Martinez, and Eric Rhein.

Jungle Pussy Borders / Crossings Escape, Visual AIDS Redux OSC: Obsessive Sex Collecting The Infidels» Hallelujah Mythologies Militancy and Mourning The Sublime Order Energy Night Work Unexpected Encounter Making The Private Public A Big Hairy Deal Share Your Vision Per Ora: Consuming Desire Inescapable Hope

In 2003, Visual AIDS, in partnership with the estate of Robert Blanchon, began archiving the work that comprises the Robert Blanchon.

Publications • Visual AIDS produces exhibition catalogues and art publications featuring artists, writers, and activists in dialogue, and publishes monographs on under - recognized artists to preserve work that might otherwise be lost.

All proceeds support the work of Visual AIDS.

He as work on previous Visual AIDS publications, including Robert Blanchon, Not Over: 25 Years of Visual AIDS, DUETS, and several exhibition catalogues.

By participating in Postcards From the Edge artists and collectors support the activities of Visual AIDS, enabling the organization to produce AIDS - focused contemporary art programs and provide supplies and assistance to artists living with HIV / AIDS, many who are unable to continue producing work without such support.

Visual AIDS also assists artists with HIV / AIDS, while preserving a visual record of theirVisual AIDS also assists artists with HIV / AIDS, while preserving a visual record of theirvisual record of their work.

Moderated by Amy Sadao, Visual AIDS; panelist include Avram Finkelstein, Gran Fury / ACT UP NYC and Jenny Romaine, Great Small Works.

More than 140 contemporary visual works depicting hope and resilience from a devastating disease can be seen in «Art AIDS America Chicago,» an exhibition that opened at the Alphawood Gallery on World AIDS Day and runs through April 2, 2017.

A: The artist should indicate on the submission form whether they would like their unsold work return to them, or donate it to Visual AIDS.

It also concludes a multi-year collaboration between the artist's estate and Visual AIDS to collect and present the work of the late photo - based conceptual artist.

Our gratitude goes out to all the participating artists and everyone who comes out to support Visual AIDS, enabling us to produce AIDS - focused contemporary art programs and provide supplies and assistance to artists living with HIV / AIDS, many who are unable to continue producing work without such support.

Through producing and presenting visual arts projects, exhibitions, publications, and public forums, Visual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new arvisual arts projects, exhibitions, publications, and public forums, Visual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new arVisual AIDS is the only contemporary arts organization fully engaged in creating dialogue and scholarship around HIV / AIDS today - while preserving a visual record of the work of HIV + artists and supporting the creation of new arvisual record of the work of HIV + artists and supporting the creation of new artwork.

Art From The HIV Community Calendar, sponsored by GlaxoSmithKline, 2005 - 2007 Working with Visual AIDS, artwork was selected through the Frank Moore Archive Project.