Sentences with phrase «visual features editor»

Christian is formerly the Visual Features Editor at Business Insider.

Not exact matches

We talk to Helmut Lang's new Editor - In - Residence Isabella Burley about Seen By: The Artist Series, the beginning of a year - long activation featuring twelve visual artists paying homage to the house's legacy of artist collaborations and history of innovation in fashion.

For the first time, players will have the freedom to define their character, story and style based on the choices they make, the paths they choose and the style of skating they use on the proving grounds from Philadelphia and Baltimore to Washington, D.C. Tony Hawk's Proving Ground features deeper customization than ever before, including a Video Editor with full - featured editing tools and visual effects for creating «epic skate videos,» and a fully customizable online Skate Lounge where players can skate with friends in the ultimate pad.

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

by H.G. Lewis; «Two Thousand Maniacs Can't be Wrong» filmmaker Tim Sullivan on H.G. Lewis» gore classic; «Hickspoitation: Confidential» visual essay on the depiction of the American South in exploitation cinema; «David Friedman: The Gentlemen's Smut Peddler» tribute to legendary producer David F. Friedman featuring interviews with H.G. Lewis, filmmakers Fred Olen Ray and Tim Sullivan and editor Bob Murawski; «Herschell's Art of Advertising» in which Lewis shares his expert opinion on the art of selling movies; «Two Thousand Maniacs!»

Governors who were not up for reelection and who continue on the Board are Annette Bening and Tom Hanks, Actors Branch; Jim Bissell and Jeffrey Kurland, Art Directors; Caleb Deschanel and Owen Roizman, Cinematographers; Martha Coolidge and Edward Zwick, Directors; Rob Epstein and Lynne Littman, Documentary; Robert Rehme and Tom Sherak, Executives; Donn Cambern and Mark Goldblatt, Film Editors; Bruce Broughton and Arthur Hamilton, Music; Mark Johnson and Kathleen Kennedy, Producers; Robert G. Friedman and Sid Ganis, Public Relations; Bill Kroyer and John Lasseter, Short Films and Feature Animation; Don Hall and Kevin O'Connell, Sound; Craig Barron and Bill Taylor, Visual Effects; and James L. Brooks and Phil Robinson, Writers.

(Color, widescreen); editor, Chris Plummer; music, Marius de Vries; feature animation, Industrial Light & Magic; animation supervisor, Kim Ooi; sound designer (Dolby Atmos), E.J. Holowicki; supervising sound editor, Steve Slanec; re-recording mixers, Tom Johnson, Juan Peralta; senior visual effects supervisor, Tony Plett; visual effects supervisor, Nigel Sumner; senior animation producer, Jacqui Lopez; casting, David Rubin, Richard Hicks, Lindsay Perlman.

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc relevisual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releVisual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

With the Euphoria engine's ability to simulate human movement in real time, Backbreaker is able to create completely unique tackles for adrenaline charged, unique bone - crunching plays that are unlike any other football title to date. Backbreaker includes online multiplayer and split screen multiplayer modes as well. The game welcomes newcomers to the genre with its intuitive pick up and play Arcade mode control scheme, while seasoned players can go head to head in the game's more challenging Pro Mode that turns off A.I. and visual assists. In addition, the game features total team customization including a fully featured logo editor.

It features editor Frank Urioste, visual effects supervisors Neil Krepela and John Bruno, and production designer John Vallone.

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

Best Animated Film — National Board of Review Best Animated Film — New York Film Critics Circle Best Animated Film — Boston Online Film Critics Best Animated Film (tie)-- Boston Society of Film Critics Best Animated Film — New York Film Critics Online Best Animated Film — Washington D.C. Area Film Critics Best Animated Film — Online Film Critics Society Best Animated Film — Southeastern Film Critics Best Animated Film — Dallas - Fort Worth Film Critics Best Animated Film — Phoenix Critics Circle Best Animated Film — Las Vegas Film Critics Best Animated Film — Chicago Film Critics Best Animated Film — Utah Film Critics Association Best Animated Film — Florida Film Critics Circle Best Animated Film — Kansas City Film Critics Best Animated Film — Austin Film Critics Best Animated Film — Capri Hollywood Film Awards Best Animated Film — Oklahoma Film Critics Circle Best Animated Film — Black Film Critics Circle Best Animated Film — Central Ohio Film Critics Best Animated Film — Golden Globe Awards Best Animated Film — Alliance of Women Film Journalists Best Animated Film — Critics» Choice Award Best Animated Film — Annie Awards Best Animated Film — BAFTA Awards Best Directing in an Animated Feature — Annie Awards Best Original Screenplay — Washington D.C. Area Film Critics Best Original Screenplay — Utah Film Critics Association Best Original Screenplay — Austin Film Critics Best Vocal / Motion Capture Performance for Phyllis Smith — Indiana Film Journalists Best Family Film — Women Film Critics Circle Feature Film (Animation)-- Casting Society of America Outstanding Producer of Animated Theatrical Motion Picture — Producers Guild of America Best Edited Animated Film — American Cinema Editors Outstanding Animated Performance in an Animated Feature for Joy — Visual Effects Society Best Storyboarding in an Animated Feature — Annie Awards Best Editorial in an Animated Feature — Annie Awards Best Character Design in an Animated Feature — Annie Awards Best Music in an Animated Feature — Annie Awards Best Character Animation in a Feature Production — Annie Awards Best Production Design in an Animated Feature — Annie Awards Best Voice Acting for Phyllis Smith — Annie Awards Best Writing in an Animated Feature — Annie Awards

- Outtakes - Feature Commentary with Director / Writer Stephen Sommers and Executive Producer / Editor Bob Ducsay - Mummy: Tomb of the Dragon Emperor Sneak Peek - An Army to Rule the World Part 2 - Unraveling the Legacy of The Mummy - Visual and Special Effects Formation - An Exclusive Conversation with The Rock - Spotlight On Location - Storyboard to Final Film Comparison - Live «Forever May Not Be Long Enough» Music Video - U-Control - Picture in Picture - BD - Live Enabled - My Scenes

- Deleted Scenes - Feature Commentary with Director / Writer Stephen Sommers and Executive Producer / Editor Bob Ducsay - Feature Commentary with Actor Brendan Fraser - Feature Commentary with Actors Oded Fehr, Kevin J. O'Connor and Arnold Vosloo - The Mummy: Tomb of the Dragon Emperor Sneak Peek - Visual and Special Effects Formation - An Army to Rule the World Part 1 - Unraveling the Legacy of The Mummy - Building a Better Mummy - Storyboard to Final Film Comparison - Photograph Montage - U-Control - Picture in Picture - BD - Live Enabled - My Scenes

Thanks to our friends at ArcLight Cinemas, we're showing «War for the Planet of the Apes» tonight with a Q&A featuring senior visual effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!

Adding to the already - impressive tech credentials and self - deluded Alex Proyas / Akiva Goldsman commentary of the previous widescreen release (I like how Goldsman soldiers forth in a way that suggests he understands a third of what he's saying), one of two new film - length yakkers features production designer Patrick Tatopoulos, editor Richard Learoyd, and various members of the visual effects team.

A feature audio commentary, proudly proclaimed «the geekiest commentary possible», is also supplied by director Waters, editor Green, and visual effects supervisor Hollander (you didn't think you'd get Jim Carrey here, did you?).

PressBooks uses the WordPress visual editor for managing text and images, but adds some new features such as Add Part, Add New Chapter, Book Information for metadata and, of course, Export to EPUB.

2D open - source game - making software Duality provides its own visual editor, as well as features like plugin architecture, a component - based design, base infrastructure, content management, live editing, hot - reload resources, hot - reload plugins, and a modular design.

The three new features added in the PS4 version are a viewer's involvement while watching a livestream, a Visual Editor and a Toybox mode.

The screenshots showcased some of the game's PlayStation ® 4 system features, including a Visual Editor which allows players to customize the look of the game world, and a chat command system which allows livestream viewers to directly interact with players in unique and comical ways.

This Windows PC version includes a «Visual Editor» that allows complete customization of virtually every aspect of the game's look, enhanced visuals with support for a wide variety of screen resolutions including 1080p HD, and numerous Steam features such as achievements and trading cards.

Jurors Elisabeth Biondi (former Visual Editor of the New Yorker and Director of Photography at Vanity Fair) and Martine Fougeron, of the Tête à Tête project, will be selecting a collection of photographers to feature in the CCNY Gallery.

The issue's feature section, co-edited by creative director and frequent West collaborator Willo Perron, focuses on various connection points between visual art and music, though, as Bailey writes in the editor's letter, it isn't about that outright.

REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times

His writing has been featured in TDR (MIT Press), BOMB Magazine, InVisible Culture: An Electronic Journal for Visual Culture, and he is a contributing editor to Women & Performance: a journal of feminist theory.

Steven Kasher's show (organized with recently departed visuals editor Elisabeth Biondi), features 40 images published over the last 13 years, alongside excerpts of the stories they accompanied.

When my editors assigned me to fact check Kate Sheppard's feature «Under Water,» part of my task was to come up with accompanying visuals that would illustrate how sea level rise could destroy coastal cities as we know them.