Sentences with phrase «visual approaches like»

Not exact matches

And more gear is always coming down the pipeline, like a swim cap that alerts a swimmer when a wall is approaching, which is being developed for athletes with visual impairments.

One of the most common mistakes content marketers make in their approach to incorporating visuals is that they treat them like window - dressings.

In a year the school plans to have it operating at levels approaching the limits of our perception of actual reality: a visual resolution of 24 million pixels [on the entire surface] and a full 512 - channel sound system that will make it seem «like a bird is flying around your head,» Kuchera - Morin says.

Those who like numbers might take an interest in the visual approach to his mammoth food consumption.

Not to say it will happen like that 100 % just as I see it, but it's the main basic points, like seeing baby's head clearly approaching, and seeing our first feeding taking place... those are the visuals we want to make reality.

Nourizadeh, working with a script by Max Landis, plays Mike's bloody violence like visual guitar riffs, and approaches the martial - arts set pieces with heavily underlined wit.

Wet is a heavily stylised third - person action game that takes the visual approach of retro films and directors like Quentin Tarantino.

A bold choice that initially seems like Cody and Reitman might be taking the easy way out, it's actually one of the movie's most astute moves, as well as a development that the director's naturalistic, roaming visual approach subtly builds up to.

Colors are vibrant, the digital element is perfectly clean, and the closest things to minor imperfections that you can spot (like faint edge enhancement) don't even approach inhibiting your visual enjoyment of this bright and bouncy cartoon.

Like infographics (in terms of visual - based approach), the interactivity enables you to layer information and pack more details.

Adding to the dramatic visual appeal of the experience is the approach, as divers usually reach this site by way of a cave - like swim through that opens suddenly to reveal the full scope of the wall.

Obviously the NES couldn't do a 3D model like this, but the sprite - like approach is meant to indicate how visuals looked on the platform.

The UI is clean on the battlefield, attacks are straightforward, and just like other RPGs, despite the Visual Novel approach, you will gain XP as you defeat your enemies.

In describing her approach, Brätsch says, «I'm trying to deal with abstract anxiety and to visualize something that is not visual, like radiation or heat.»

As the Native Arts and Cultures pilot Mentor Artist Fellowship approaches its six - month mark, we'd like to update our followers on the progress of our 2017 cohort, twelve traditional or contemporary visual artists who are sharing their knowledge as mentors,...

He chose the University of New Mexico because he «liked the look of the place,» and its geographic and ideological distance from the New York School offered freedom to explore a visual language that resonated with his disciplined approach and affinity for open spaces.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Like the precursory Festivals (2009, 2012), the Triennale is thematically engaged with particular social issues and seeks to advance a nuanced approach that encapsulates the pedagogical potential of visual arts.

Benjamin Edwards's first solo exhibition showcased his adventuresome approaches to portraying the architecture of suburbia, mapping physical and digital territories, and providing fresh views on concepts like «visual overload.»

Like his fellow Superflat artists, Mr. approaches the visual language of manga as a means of examining Japanese culture at large, fusing hi and low forms of contemporary expression.

Yet, due to the visual superimpositions of present times, artists have started to shy away from the rigid limitations of - isms related to the «non-objective» or «reductive» and have embedded existing ideas, confluence of styles and approaches into the contemporary world, the here and now, mingling with popular culture as well as branching out of the studio practice inherent in painting as we know it and as the majority still likes to understand it.

Realism strives to hide the hand by refining mark - making in order to approach a consensus of resembling visual phenomenon - generating a series of marks, while constantly editing and shifting them until they collectively appear less like a series of choices made by one person, but rather a consensus - an image that may be called «objective».

Instead, a better approach is to limit use of graphics for important visuals related to the announcement, like attorney or office photos, firm logos, banner, etc..

Are they tactile and physical or are they more verbal or perhaps they like the acts of service such as washing their car or running errands that they need to do or perhaps they are visual and they like little love notes or gifts... knowing how your PARTNER likes to receive love will give you lots of insight into areas that might be murky right now... I hear from people all the time that say, «I have given all that I have, I can't do any more» and just by helping them realize that they have been giving in a way that THEY would like to receive, but wasn't necessarily warmly received and therefore not as effective, we can re-shift their thinking and their approach and turn things around!!