Sentences with phrase «visual artists often»

Visual artists often work with text, but at the moment two are going further by incorporating full blown poetry collections into their shows.

Your Lying Eyes Visual artists often try to imitate reality closely.

Not exact matches

He often designs his own original prints or collaborates with various artists from the graphic design or visual arts fields to create original prints for his collection.

Jonny Greenwood: The visual side of Radiohead comes from Thom and [artist] Stanley Donwood working together while we're recording — often in the same room — on canvas, paper, computers.

Working in the hills of rural Pennsylvania, Brent Green is a self - taught filmmaker, storyteller and visual artist whose films have screened, often with live musical accompaniment, at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, The J. Paul Getty Museum, The Walker Art Center, The Hammer Museum, as well as at warehouses, galleries and rooftops across the globe.

Too often, though, the result feels like a pair of talented visual and film artists» distant elevator pitch for a feature, a portfolio of their respective aesthetic inclinations and intellectual influences rather than a cohesive text with something pressing to say about loss and detritus.

While cinematographers and film music composers may sometimes find themselves featured in the media more than many of their crafts artist colleagues, the one «tech» discipline awarded by the Academy that often brings people into the movie theaters on its own is visual effects.

Now it's time to post about the (often) unsung artists and craftspeople who are essential to the filmmaking process: the writers, cinematographers, editors, production designers, visual - effects artists, and music composers.

In fact, visual Tauba Auerbach, an artist whose work often hovers between the 2D and 3D realms, has turned the pop - up into a masterful piece of geometric art.

As a visual artist, writer, and musician, she is often between ambitious collaborative projects with other local creatives.

The artist engages her audience through enigmatic visual content, often appropriated from popular culture, fashion magazines, and vintage images of the 1970s and 1980s.

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

Though this goal has never been explicitly stated by the group, it is also helpful to note that in the history of Western art primates have often been associated with the visual arts, and with the figure of the artist.

Never intentionally nostalgic or sentimental, close examination does reveal that each artist's personal experience and desire to replicate the rural landscape is often intuitive and informed by senses and emotions other than the strictly visual.

Many contemporary artists such as Nan Goldin, Catherine Opie, and Wolfgang Tillmans have utilized the conventions of portraiture to record their own individual communities, giving visual form to subcultures that have often gone unrepresented in mainstream culture.

Internationally recognized, Pipilotti Rist (b. 1962) is often linked to the first generation of visual artists who established the critical benchmarks for the inclusion of time - based media as a collection category within museums and galleries in the United States and Europe.

Known for championing artists who create groundbreaking and challenging forms of visual expression, Lehmann Maupin presents work highlighting personal investigations and individual narratives through conceptual approaches that often address such issues as gender, class, religion, history, politics, and globalism.

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions, and visual art.

He uses his cross-cultural background (as an Iraqi artist living in Helsinki) to create a distinct visual language often laced with sarcasm and paradox, while maintaining an ultimately humanistic approach.

Novels are inspired by music, fashion designers and chefs are inspired by paintings (if you haven't seen Dior and I, you simply must watch it), and visual artists are often inspired by music and literature.

Moran — who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon — pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the... go to book page >>

Robert Irwin is a conceptual artist who often uses our perception of subtle differences in light to create paintings, installations and sculptures that play with our ability to experience subtle edges of visual experiences.

With this new exhibition, the artist takes us on a visual journey to the often unnoticed things in life.

The visual vocabulary used by graffiti artists has often expressed modes of activism, creative thought, and personal and cultural insignias.

The result is a multifaceted and often introspective display of young artists who are finding their voice and experimenting with diverse visual languages.

Greg Miller and Archie Scott Gobber incorporate text into their works, another visual component used by graffiti artists and often inspired by comic book artists and illustrators.

Many of the works have a strong narrative character, where the artists are questioning our reality through visual commentaries in an available and spectacular way — often with serious socially critical undertones.

Ren Hang (1987) is a Beijing - based visual artist and poet, widely recognized for his explicit photographs, often sanctioned by China's highly conservative society and its strict conventional codes pertaining to art and mass communication.

These artists often take their point of departure in existing visual material, yet in addition to appropriating pictures from mass media and consumer society, they personally transform their materials and means.

With a fluidly shifting yet recognizable visual language, Sprecher's paintings often explore and juxtapose motifs from landscapes, natural and human - made objects, and imagery taken from photographs that linger in the artist's mind — a desert vista from a residency in Marfa, Texas; a collection of stones; an aging photograph of three doves from an old family photo album.

Often without formal training, and facing economic insecurity and racial discrimination, these artists created profound works from both conventional art media and cast - off materials, giving visual power to a highly developed vernacular tradition that enriches an alternative to conventional narratives of modern art.

She talked with A+C visual arts editor Devon Britt - Darby about the show and CAMH's role in presenting artists who often get overlooked or pigeonholed by standard art histories.

«Unfinished: Thoughts Left Visible» examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open - ended.

Bernice Akamine is a visual artist known for the abstract glass sculptures and vessels she creates with smooth flowing lines, often covered with a form - fitted skin of texture and color.

The dynamic confident style of Francis has often been likened to that of Jackson Pollock, yet the visual language of this great artist is far more complex than that.

The exhibition examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open - ended.

Op artists test the boundaries of visual perception, often by creating abstract compositions with bold colors that seem to vibrate and dynamic patterns that appear to pulsate.

Taken as a whole, his work defies a singular style, and in his drawings, paintings, and sculptures, Aldrich is able to move effortlessly between figuration, abstraction, and representation — often combining imagery variously inspired by people and places close to him, visual artists, writers, and musicians whom he finds interesting, and experiences drawn from his everyday life.

His work as a visual artist reflects a similar anti-authoritarian punk rock sensibility: Pettibon often produces work in large edition sizes and has created numerous DIY - style publications.

It is difficult to precisely define what faux - naive means, but, loosely speaking, it is a term often attached to contemporary painting that actively embraces elements from the visual language associated with outsider and self taught artists.

Shrigley's characters often spout existential truths that would be at home in a Samuel Beckett play, and he says writers have probably influenced him more than visual artists.

A highly creative and versatile visual artist she works comfortably in a wide variety of mediums - often to commission.

Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual symphonies», thanks to his keen eye for the geometrical treatment of form, colour, line and space, and inspired by avant - garde movements such as Suprematism and Italian Futurism.

Maia Chao, 2018 Van Lier Visual Arts Practice Fellow, is an interdisciplinary artist from Providence, RI whose work — often playful and absurd — uses existing institutions and their systems as sites of social intervention and critique.

While the sense of smell often serves as the negative example that justifies the conventional dominance of the visual, an increasing number of artists have been drawn to the distinctive qualities of scent — its evocativeness, variability and directness.

Jake & Dinos Chapman Iakovos «Jake» (b. 1966) and Konstantinos «Dinos» (b. 1962) are British visual artists, often known as the Chapman Brothers.

Much of Pettibon's visual output looks like the work of someone who never went near an art college, nor sketched a nude in a studio, which is a correct assumption to make — self - trained, he graduated from UCLA in 1977 with a degree in economics, beginning his working life as a maths teacher, before launching his career as an artist — but then you're taken aback because the drawing, while not on a par with Leonardo da Vinci's dexterity, exactly, is often fluid and well - observed.

Alexandria Eregbu is a visual artist, whose work often takes shape in the form of performance, programming, and curatorial practices.

Iakovos «Jake» (b. 1966) and Konstantinos «Dinos» (b. 1962) are English visual artists, often known as the Chapman Brothers, who began their collaboration in 1991.

Ellen Blumenstein's curatorial practice is international in scope and often involves collaborating with visual artists and other curators to develop monographic and thematic exhibitions that explore the possibilities and limitations of contemporary art.