Vivid scenes shot in a semi documentary style leave a strong impression as well.
Not exact matches
Producer Mike Kaplan has gone the extra distance to find interviews and behind - the -
scenes footage
shot during filming on location in Maine, conducted new interviews and shared his own
vivid memories of making this lovely picture with director Lindsay Anderson and a once - in - a-lifetime cast: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, and Harry Carey, Jr..
Paul Thomas Anderson's latest film, Phantom Thread, a portrait of a fictional fashion designer in the couture
scene of 1955 London, indulges in similar revels, placing the film firmly in the tradition of the melodramatic women's pictures of the 1940s: it's filled with achingly
vivid close - ups (Anderson also
shot the film) of shining colored threads, needles piercing thick fabric, rough - edged hand - sewn labels, intricate lace patterns, and rich cloth falling in sculptural folds.
Blessed with excellent memories, Stiller and Childress — present for every day of principal photography at Stiller's behest (and sometimes her chagrin)-- recall the
shoot in
vivid detail, whether it be the order in which
scenes were filmed or the mood of the set on a particular day.
Her looped video works, often no longer than a minute, and
shot in a dull, saturated color, build single ambiguous
scenes through
vivid repetition of brief moments: a breath, the screeching sound of a vinyl record being scratched, a muttered phrase.