Not exact matches
The lobby has a twisting slide; bright, funky
art covers the
walls; and there's the lively bustle of a company engaging in the very processes that the students are
studying.
Alchemy of Finance You Can Be a Stock Market Genius Buffett's Letters to Investors Security Analysis Market Wizards series Margin of Safety Michael Burry's Case
Studies Art of Short - Selling One Up on
Wall Street Global Macro Trading Forecasting Exchange Rates Quality of Earnings
Around 1915 a local artist, Thomas O'Shaughnessy, who had
studied Celtic decorative
arts in Dublin and learned the
art of stained glass at the Art Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of Kel
art of stained glass at the
Art Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of Kel
Art Institute of Chicago, transformed the windows and stenciled the
walls with images from the Book of Kells.
Accompanied by the monitors, volunteers entered «an aesthetic living - room - like environment designed specifically for the
study» with a couch, Persian rug, abstract
art on the
walls, classical music, and eyeshades and took an unidentified blue capsule that contained either psilocybin or Ritalin.
Add a soft silhouette with watercolor
wall art that inspires relaxation and calm and can remind you to take a breather when
studying for long hours.
Pair your calendars and pinboards with canvas
wall art that instantly turn your bedroom or
study space into a stylish area to work in.
Marmont Hill «Blushing Blooms II» Canvas
Wall Art's vibrant flower
study brings alive the colorful, carefree charm of a cottage garden.
Buy «Espresso
Wall Frame» products like Rhino 2 Framed
Art, Rhino 1 Framed
Art, «London
Study» Framed
Art, «Venice
Study» Framed
Art, Lion Triptych Framed
Art, Blue Train 2 Framed
Art, «Kuba Cloth 2» Framed
Art, «Manhattan Bridges» Framed
Art 2, Vintage Flower 2 Framed
Art, Blue Train 1 Framed
Art, «Kuba Cloth 1» Framed
Art, «Manhattan Bridges» Framed
Art 1
Pingback: Case
Study: Occupy
Wall Street's
Arts & Labor Protest Whitney Biennial The Ministry of Artistic Affairs
Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of
Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of
Art, Kobe, Japan; Nagoya City
Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «
Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary
Art San Diego, San Diego, USA (2013); «Invisible
Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'
Art Moderne et d'
Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner
Wall», Fort Worth Contemporary
Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for
Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial
Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine
Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the
Wall, MASS MoCA, North Adams, MA The Body Electric: Video
Art and the Human Body, Cheekwood Museum of
Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary
Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial
Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial
Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College
Art Center, NY Traveled to: Firehouse
Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial
Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary
Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary
Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas,
Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary
Art, Lake Worth, Florida (brochure) 2001
Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'
Art Santa Monica, Barcelona, Spain Smirk: Women,
Art, and Humor, curated by Debra Wacks, Firehouse
Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The
Art of the Screen Saver, Stanford
Art Museum / Cantor
Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu,
Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual
Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
2010 Hide / Seek: Difference and Desire in American Portraiture, Smithsonian National Portrait Gallery, Washington, DC Off the
Wall, Whitney Museum, New York, NY The Global Africa Project, Museum of
Arts and Design, New York, NY Traveling 2010 — 2013 to Reginald Lewis Museum, Baltimore, ME; High Museum, Atlanta, GA; Seattle
Art Museum, Seattle, WA; Tacoma
Art Museum, Tacoma, WA; Bellevue
Art Museum, Bellevue, WA Ghana: Who Knows Tomorrow, Dei Centre for the
Study of Contemporary African
Art, Accra, Ghana
2006 Brooklyn College, Brooklyn, NY, Visiting Artist Lecture Mass
Art, Boston, MA, Visiting Artist Lecture Pratt University, NY, Visiting Artist Lecture Gods, Monsters, and Divas Lesbian Gay, Bisexual and Transgender Community Center, NY City Without
Walls, Newark, NJ, Guest Artist Lecture Fuel for the Fire: Intersections of
Arts and Activism, Amnesty International family Project, NY Meeting Artists» Needs: The Elevator Speech, CUE
Art Foundation, NY University of Florida, Gainesville, FL, Visiting Artist Lecture Columbia University Asian American
Studies, NY, Visiting Artist Lecture
The exhibition, curated by the University of Arkansas's Alissa
Walls, Ph.D, Assistant Professor of
Art History, also features a library section, which serves as an introduction for those not as familiar with the artist's work, as well as an opportunity for those desiring a deeper level of investigation to
study further.
Skidmore
art history students will be invited to re-hang this
wall after researching and
studying the collection.
Recent group exhibitions include; «
Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Lifelike», Museum of Contemporary
Art San Diego, San Diego, USA (2010); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Now Here is also Nowhere: Part 1», Henry
Art Gallery, Seattle, Washington, USA (2013 - 2012); «Invisible
Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London (2012); «Floor Corner
Wall», Fort Worth Contemporary
Arts, Fort Worth, Texas (2010); «Slash: Paper Under the Knife», Museum of
Arts and Design, New York (2010); «Chasing Napoleon», Palais de Tokyo, Paris (2009); «The Shapes of Space», Solomon R. Guggenheim Museum, New York (2007); «
Art in America», Now, MOCA Shanghai, Shanghai (2007); «Mapping the Self», Museum of Contemporary
Art Chicago (2007); «Into me / Out of me», P.S. 1 Contemporary
Art Center, Long Island (2006).
A series of performances at the Belkin
Art Gallery responded to the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick, and were followed by thematic discussions held at the Liu Institute for Global Issues and the Peter
Wall Institute for Advanced
Studies, UBC.
If you
study the history of women and spending trends you will notice that women have always been the dominate spenders, before women independence they spent the majority of the man's pay checks on the house, the car, the remodeling, the stove, the washer / dryer combo, the bedroom set, the bed, the couch, the dining room table, i would bet money that the woman was the driving force in each discussion, because in most cases the men decide if it works why fix it, and when translated to
art, less men will look at a bare
wall and decide that it needs
art covering it.
«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the
walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case
study in the generative possibilities between
art schools, small galleries,
art centers, and other «middle men» of the
art economy.»
Jeff Donaldson, «
Study for the
Wall of Respect (Miles Davis),» 1967, Mary and Leigh Block Museum of
Art, Northwestern University, courtesy Jamela K. Donaldson.
Studies in Calibration, a
wall - mounted sculpture of layered Plexiglas and wood, refers to a continuous process of orientation, whether as a pilot reading a technological display or as a viewer processing at an abstract work of
art.
The scope of
study and appreciation of visual
arts spans the globe, and reaches through time back to people drawing on stone
walls.
On the building where the
studies of
arts and sciences converge there is clearly a deeper and much more personal artist statement that has been written on the
wall.
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish
Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP
Art Fair, Online
Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of
Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern
Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market
Art Fair, The Royal Swedish Academy of Fine
Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female:
Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's
Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of
Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and
Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American
Art, New York, US Hong Kong International
Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff
Wall The Crooked Path, Center for Fine
Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'
art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International
Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'
Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'
art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and
Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR
Art = Text =
Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of
Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
The Barnes Foundation (Gallery 22, east
wall) Since September I have been
studying The Traditions of
Art at The Barnes Foundation with the senior -LSB-...]
For «Case Work: Sculptures and Drawings by Allied Works Architecture» (opening at the Denver
Art Museum on Jan. 24), the founder Brad Cloepfil decided to create a piece of architecture: an open - frame, walk - in steel structure — a building within the gallery
walls — with custom - designed walnut drawers and cases to hold the 17
study models that are the centerpiece of the exhibition.
Friedel Dzubas (b.1915 - 1994) began his prolific five - decade career
studying art while apprenticing as a
wall decorator in his native Germany before fleeing his homeland in 1939 due to Nazi occupation.
t.p. (Jeff
Wall) p. 148 (Canadian artist and
art historian; key figure in the Vancouver
art scene since the 1970s;
studied art history in Vancouver and London; assist.
Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011
ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine
Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine
Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College
Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary
Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the
Wall» (Paintings) Cleveland Center for Contemporary
Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley
Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron
Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
Art Museum, Akron, OH 1986 «Drawing in Foundation
Studies in
Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville,
Art: Goals and Strategies» National Exhibition, Allen R. Hite
Art Institute, The University of Louisville, Louisville,
Art Institute, The University of Louisville, Louisville, KY
She directed her work to a
study of pigments and their material supports, which led to single - color paintings made in series and intended to be installed in such a way that each
wall and each exhibition becomes a work of
art in itself.
We consciously chose a very soft and neutral colour palette for our bedroom, and tried to make the living room fairly grown up and put together (the cushions matching the furniture and the
art, whilst the
walls and curtains match the ottoman etc), whereas in the
study I've not followed the rules, and put down a bright pink rug that I loved and hung up a big papier mache giraffe head that I also love.