Sentences with phrase «wall drawing retrospective»

In 2008, MASS MoCA opened Sol LeWitt: A Wall Drawing Retrospective, which will remain on view through 2033.

«Sol LeWitt: A Wall Drawing Retrospective», a collaboration between the Yale University Art Gallery (YUAG), MASS MoCA (Massachusetts Museum of Contemporary Art), and the Williams College Museum of Art (WCMA) opened to the public in 2008 at MASS MoCA in North Adams, Massachusetts.

Unveiled last November at the Massachusetts Museum of Contemporary Art, and created by an army of 65 artists on three floors, Sol LeWitt: A Wall Drawing Retrospective will be on view until the year 2033.

«Sol LeWitt: A Wall Drawing Retrospective» will remain on view for 25 years at Mass MoCA, North Adams, Mass., [phone], massmoca.org.

As a complement to Sol LeWitt: A Wall Drawing Retrospective, MASS MoCA and Yale University Press co-published Sol LeWitt: 100 Views, a collection of 100 essays on the artist and his work.

Other recent curatorial ventures have included Sol LeWitt: A Wall Drawing Retrospective, a collaboration of the Yale University Art Gallery, MASS MoCA, and the Williams College Museum of Art, which opened in November of 2008 and will remain on public view through 2033.

''» Sol LeWitt: A Wall Drawing Retrospective,» Mass MOCA, North Adams, MA.

After nearly six months of intensive drafting and painting by a team of some sixty - five artists and art students, «Sol LeWitt: A Wall Drawing Retrospective» is fully installed at Mass MOCA.

Opened on November 16, 2008 Sol LeWitt: A Wall Drawing Retrospective comprises 105 of LeWitt's large - scale wall drawings, spanning the artist's career from 1969 to 2007.

In November 2008, MASS MoCA opened the 25 - year exhibition, Sol LeWitt: A Wall Drawing Retrospective, which remains on view.

In the spirit of continuing the artist's lifelong philosophy of open exchange, and in conjunction with the «LeWitt Wall Drawing Retrospective» on view at MASS MoCA through 2033, MASS MoCA and Cabinet present «An Exchange with Sol LeWitt» — a curatorial project initiated by independent curator Regine Basha.

There's the sprawling Sol LeWitt «Wall Drawing Retrospective,» on view until 2033.

Like Sol LeWitt: A Wall Drawing Retrospective, a riot of colors and precise geometry that spans three rambling floors.

(Clockwise from top left: Natalie Jeremijenko's «Tree Logic,» «Sol LeWitt: A Wall Drawing Retrospective,» Teresita Fernández's «Black Sun,» Anselm Kiefer's «The Women of the Revolution (Les Femmes de la Revolution),» a view of MASS MoCA from a campus building roof, and Franz West's «Les Pommes d'Adam.»

Sol LeWitt: A Wall Drawing Retrospective, MassachusettsMuseum of Contemporary Art, North Adams, November 14, 2008 — 2033.

His wall drawings developed over the course of his career in much the same way, as anyone who has visited the extraordinary LeWitt wall drawings retrospective at Mass MoCA will know: first gray pencil, then colored pencil, then colored ink, then colored paint.

Not exact matches

In the 13,000 square feet of Galerie 2, the Centre Pompidou - Metz is hosting a retrospective of Sol LeWitt's wall drawings on a scale never seen before in Europe.

Most notably there was a major retrospective of his work at the Whitechapel Art Gallery in 1989, and in 1991 he showed wall drawings at the Museum of Modern Art in New York.

There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase, opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at MoMA that was covered with a cloth and unveiled only a few minutes a week by appointment at select times.

PARIS — Bridget Riley's retrospective at the Modern Art Museum of the city of Paris opens with landscape drawings from the 1950s, passes through the Op Art with which she became famous, soars into the big lusciously colored abstracts of recent years and ends with a wall painting which the curator sees as a homage to the museum's prize possession, «La Danse» by Matisse.

Hogan has been a principal draftsperson for the Sol LeWitt Studio since 1982 and Installations Director for the LeWitt Estate since shortly after LeWitt's death in 2007, overseeing numerous installations of LeWitt wall drawings, including at the US Mission to the United Nations, Centre Pompidou - Metz, M - Museum Leuven, works in private collections, as well as the creation of the MASS MoCA retrospective.

Realizing that the Gallery did not have enough space to install and maintain a large number of the artist's wall drawings at any one time, Reynolds suggested to LeWitt that MASS MoCA — with its expansive historic mill complex, growing audience, and history of realizing ambitious new works — might be interested in accommodating an extended retrospective.

In December 2007, Williams College announced a $ 1.5 million contribution to the project that will fund teaching exhibitions and public programs during the twenty - five years that the LeWitt wall - drawing retrospective is on view.

Joe Bradley's mid-career retrospective at the Rose Art Museum, on view through January 28, opens with a wall of drawings that may convince you that the survey stretches back to...

A retrospective of the artist's wall drawings is exhibitionsly on view at MASS MOCA.

In partnership with the Centre Pompidou - Metz, and as a chromatic counterpart to this retrospective of wall drawings in black and white, M - Museum in Leuven (Belgium) shown, until 14 October 2012 twenty wall drawings in color.

This film takes as its focus the retrospective of LeWitt's wall drawings at MASS MoCA in North Adams, Massachusetts, which opened for a 25 year run in November 2008.

Sol LeWitt's «Wall Drawing No. 752» was part of a retrospective of his work at the Whitney Museum of American Art in 2000.

A retrospective in 2000, organized by the San Francisco Museum of Modern Art, which traveled to the Whitney Museum of American Art in New York and the Museum of Contemporary Art in Chicago, concluded with some of these newly colorful wall drawings.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and MarDrawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Mardrawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

It was an idea that came decades before the term «installation art» became popularly used, which is in part why the wall drawings have enjoyed such lasting and timeless power — so much so that the Massachusetts Museum of Contemporary Art's ongoing retrospective of LeWitt's wall drawings, which opened in 2008, will last all the way through 2033.

So there's a good chance that this retrospective exhibition, which includes some 230 works spanning the past forty years — from childhood drawings to recent installations, videos to wall paintings — will reveal both the problems linked to the «musealization» of artistic practice and the Berlin - based artist's doubts regarding formal categorization.

Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».

Only the second retrospective of his work, it will include sculptures, wall drawings, text pieces, neon works and paintings.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Wall Drawings from 1968 to 2007, a retrospective on view through 29 July 2013.