Sentences with phrase «wall reliefs series»

They inspired his geometric, spatially multifaceted «Wall Reliefs Series.»

Not exact matches

ROCI MEXICO consisted of a series of paintings and collaged wall reliefs.

The back gallery spaces feature a series of smaller sculptures, both single columns and two part works with panels and stools, plus wall - mounted reliefs.

In addition to a series of intimate, candy - colored wall relief sculptures from the»70s, a full floor is dedicated to a new commission: a grouping of vibrant structures that appear to elegantly float across the space.

Her small sculpted linen reliefs in the «Flexing» series capture the gestures of birds as they struggle to achieve flight and arise from the surface of the wall.

There's an eye - catching series of towering wall - reliefs by the late artist Terry Adkins, all made out of stacked drum cymbals.

In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.

Derrick Velasquez's wall sculptures from his Untitled Series, create a comforting rhythm in the form of patterned geometric reliefs made of colored strips of vinyl and wood.

Far wall, from left: Richard Smith, image and info below; Dorothea Rockburne, Locus, 1972, series of six relief etching and aquatints on folded paper, each app.

The exhibition brings together two large works on leaded panels of glass — two naked female figures seated in profile, impassive, emitting shooting stars — a series of delicate aquatint etchings, large bronze wall reliefs and a suspended sculpture, the shadows of which transform the gallery into a barely perceptible dabbled glade, along with a stunning jacquard tapestry depicting two eagles in descent against a chalky sky.

Lovitt's framed wall reliefs — smoothly molded cream - colored wax punctuated with knobby impressions of a spinal column or a series of surgical stitches closing up a small square wound — speak of pain and metamorphosis in a minimal vocabulary.

The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985 glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985 glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1 of 2 45 x 60 inches Private collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend collection Buster Keaton 1988 polychromed wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2 of 3 38 x 62 x 30 inches Private collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis collection

For this exhibition, a new series of paintings and wall reliefs exploresthe socio - political issues behind the Punjabi diaspora, a subject of which the artists know first - hand as many of their own peers have migrated out of India in recent years.

Australian Michael Staniak's «Anytime, Anywhere» includes bronze sculptures, 3D wall reliefs and paintings that add up to a bold, geometric and visually mesmerizing series of works.

The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle installation (Island Universe) inspired by the physicist Andrei Linde.

Here Fitzmaurice displays a series of wall hung reliefs made from symmetrical automobile shells, headlights, and fenders that tend to resemble alien facial structures.

Already, however, Flavin had been experimenting with electric light in a series called the «icons» — modestly sized, illuminated wall reliefs, made between 1961 and 1964.

The centerpiece in Swedish artist Jacob Dahlgren's latest exhibition is «Subject of Art,» 2012, a series of fifteen small, building block — like wall reliefs, each made out of hundreds of yellow pencils.

Also on view are three works from Melvin Edwards» «Lynch Fragment» series, welded steel wall reliefs detailing the artist's interest in sourced and found materials.

In the 1980s and»90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville's Moby Dick.

In a 2006 series of wall reliefs made of white sponge stretched over wood, Amado once again references Minimalism — in this case to the white paintings of Robert Ryman — while presenting symbolically suggestive words such as «desire,» «beauty,» and «death» that appear like raised inscriptions on tombstones, which clouds their meanings in mystery and ultimately leaves interpretations ambiguous and open - ended.

There's a rare chance to see a selection of Buren's reliefs, paintings and sculpture from the past seven years in the Baltic's Level 3 gallery, which includes the striped, luminous fibre - optic works of his Electric Light series, 2011, as well as a number of astonishingly powerful, geometric, bas - relief wall pieces that bring to mind something of Donald Judd's work with the square and cube.

Tracey Emin's journey of self discovery continues to unfold in the dynamic new series of paintings, sculptures, embroidered pieces, works on paper, and text wall reliefs in neon featured in this engaging show.

In «Arqueología emocional 2», Ybáñez presents sculptures, painted books, wall reliefs, oil paintings, and a new series of «ash drawings».

Kauffman implemented plastic as his primary medium, creating his best known work: a series of vacuumformed, Plexiglas wall reliefs that investigate the material aspects of color.