Sentences with phrase «wall sculpture for»

I am slightly obsessed with white decorative deer silhouettes and I have wanted a wall sculpture for a really long time.

In this medium, Nevelson was able to design numerous monumental outdoor works, including an exterior wall sculpture for Temple Israel, in Boston (1973); a black monumental work for the Embarcadero Center in San Francisco (1977); and perhaps her most successful steel sculpture, Atmosphere and Environment XIII: Windows to the West, for the city of Scottsdale, Arizona.

As part of Chinati Weekend 2014, curator and art historian Robin Clark surveyed Larry Bell «s career and practice in a talk entitled «Glass Labyrinth: Larry Bell's Standing Wall Sculpture for Chinati.»

In 2007 he completed Specimens, a large wall sculpture for the University Of Cape Town's medical school campus.

He won, with Stefaans Samcuia, the commission to produce an 8 × 30 - meter wall sculpture for the foyer of the Cape Town International Convention Centre in 2003.

He won, with Stefaans Samcuia, the commission to produce an 8 × 30 metre wall sculpture for the foyer of the Cape Town International Convention Centre in 2003.

Not exact matches

Look for our label featuring Arturo di Modica's Wall Street «Charging Bull» in honor of Tavistock founder, Joe Lewis whose private art collection includes this iconic sculpture.

The North garage provides underground parking for 2,500, and is located near the Children's Garden, Gold Star Memorial Park, Burnham Harbor, Veteran's Sculpture and Water Wall.

Bandshell at Forest Park in Woodhaven • $ 300,000 to improve lighting along the shorefront facing Queens in Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island • $ 1.5 million to renovate the baseball fields at Glen Oaks Playground in Glen Oaks • $ 1 million to renovate Hallets Cove Playground in Astoria • $ 975,000 to improve the asphalt field at Hoffman Park in Elmhurst • $ 1.3 million to construct a meditation garden and upgrade Rachel Carson Playground in Kissena Corridor Park in Flushing • $ 322,000 to construct a skate park at Laurelton Playground in Laurelton • $ 850,000 to upgrade Lannett Playground in Far Rockaway • $ 600,000 to renovate Maple Playground in Flushing • $ 1.5 million to install new play equipment and to upgrade the sprinklers and surface at Mauro Playground in Kew Gardens Hills • $ 350,000 for landscape improvements along the Merrick Boulevard Mall in Springfield Gardens • $ 700,000 to enhance the lawn area, install new walkways, decorate pavers, install new benches and plantings, create a new entry and repair the retaining wall at Newtown Playground in Elmhurst • $ 2 million to upgrade to existing benches and equipment in Norelli Hargreaves Park in Jamaica • $ 300,000 for a mall enhancement and tree plantings along the Northern Boulevard Mall between 62nd Street and 102nd Street in Woodside / Jackson Heights • $ 400,000 to renovate Kingsland Homestead in Flushing • $ 3 million for the preservation of the New York State Pavilion in Flushing Meadows — Corona Park • $ 480,000 to replace the aviary mesh and marsh bridge at the Queens Zoo in Flushing Meadows — Corona Park • $ 2 million to renovate the asphalt field at the World's Fair Playground in Flushing Meadows — Corona Park • $ 800,000 to formalize the picnic grove, add gravel pads and grills, install new fences and benches and upgrade the basketball courts in Rainey Park in Astoria • $ 1.5 million for turf and track upgrades at Roy Wilkins Park in Jamaica • $ 1.4 million to renovate Sandpiper Playground in Rockaway Beach • $ 600,000 to renovate the museum building at Socrates Sculpture Park in Long Island City • $ 500,000 construct a dog run at Triborough Bridge Playground B in Astoria • $ 375,000 for pavers and accent lighting at Tribute Park in the Rockaways • $ 250,000 for site acquisition to add to Udalls Cove in Little Neck • $ 175,000 to improve sidewalk and perimeter of Veterans Grove in Elmhurst • $ 1.6 million to resurface the baseball field and upgrade the play equipment at Vleigh Playground in Flushing • $ 300,000 to support the borough's Tree Stump Removal Program.

A statue of a young girl that has been staring down New York City's iconic Wall Street bull sculpture since the eve of International Women's Day is not going anywhere — at least for another year.

From monochromatic metal wall sculptures to two - tone geometric panels made from upcycled wood, you can choose to display our dimensional abstract art in small groups for a more dramatic impact.

Besides my love of the colors, my inspiration for this room stemmed from the coral sculpture that is displayed on the dresser, a mixture of girl nursery's on Project Nursery, Rabat Allover wall Stencil, and the floral yet whimsical rug that ties both the coral and blue together.

The Wreath Recipe Book inspires readers to design an array of living sculptures to hang on your wall, door or ceiling throughout the year — or, alternatively, to use the same ingredients to make arrangements for shelves and tables.

Highlights include videos from Bill Viola's immersive Martyrs series, about the endurance and infliction of suffering for beliefs (Earth Martyr, Air Martyr, Fire Martyr, and Water Martyr, 2014); The Propeller Group's sculptural freeze - frames of bullets fired into ballistics gel designed to simulate the effect of wounds (Universe of Collisions series, 2015); Liza Lou's hovering, gatelike sculpture covered in millions of gold - plated beads and providing no real protection (Barricade, 2007 − 8); and a commissioned wall drawing by Tirtzah Bassel (Concourse, 2016) that examines how familiar emblems of airline travel — freedom, adventure, global connection — have become entangled with notions of vulnerability and disempowerment.

White walls and polished concrete floors are a quiet backdrop for tufted sofas, textured wood dining stools and vibrant contemporary paintings, murals and sculptures, including a whimsical ship suspended from the ceiling.

Wayne Chabre the 2007 Public Choice Winner for Sculpture Without Walls Public Art program for the City of Cannon Beach pictured with «A Delicate Balance».

In his original request for artists proposals for inclusion in the Artists» Balls show, curator Hugh Margerum said, «as we all know, whether you are male or female, it takes balls to make art...» The resulting show encompasses that sentiment and extends in the case of the nine participating artists to a broad interpretation of the ball theme in paintings, drawings, sculpture, and wall pieces.

Paintings, photographs, and sculptures by local artists adorn the walls and halls of the hotel, creating a gallery - like experience for guests to browse and purchase if desired.

For his new show at the Brooklyn gallery, which recently relocated from Greenpoint to Prospect Heights, Tcherepnin will once again show work that quite literally goes over everyone's heads: five new chandelier - like sculptures hanging from on high, with videos projected on the walls around them.

For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.

He is using this opportunity to create wall murals and a compressed jute sculpture just for the space.

Drawing on a range of influences from music, fashion and poetry to and Eastern spirituality and Abstract Expressionism, for this exhibition she is presenting a new site - specific wall painting, a multi-paneled wall piece, 10 collage paintings and four hanging «bundle» sculptures composed of discarded clothing.

His design for Cullen Sculpture Garden is a modern approach to the traditional idea of a garden — framed by concrete walls ranging in height, the works of sculpture within it are set among broken curves and abrupSculpture Garden is a modern approach to the traditional idea of a garden — framed by concrete walls ranging in height, the works of sculpture within it are set among broken curves and abrupsculpture within it are set among broken curves and abrupt angles.

He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

This exhibition, curated by Waqas Wajahat, will feature new paintings, watercolors, sculptures, taxidermied hybrids and a wall mural created specifically for this installation.

Known for her monochromatic wood sculptures and wall installations, Louise Nevelson's first museum retrospective was organized in 1967 by The Rose in collaboration with the Whitney Museum of Art.

Through The Contemporary's Museum Without Walls program, Grachos has arranged the long - term loan of outdoor sculpture from the museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Creek.

Most of the sculptures in Willard Boepple: The Sense of Things at The New York Studio School were box - like containers placed, for the most part, on the wall at eye level.

Also included are reproductions of Wolfson's new series of wall - mounted sculptures comprised of bumper stickers overlaid on inkjet prints, candid photographs of the artist taken by Gaea Woods, and a text by the artist providing context for the visual material.

For her second solo exhibition in the gallery, and in Belgium, Louise Bourgeois has made a selection of recent sculptures in fabric, screen prints on vintage cloth and a completely new series of wall hangings, entitled «The Woven Drawings».

The wall is part of an installation by the Whitney's David Kiehl that privileges interior spaces — as metaphor and as room for sculpture — but the photos suggest a greater continuity in Kusama's self - images and her art.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Known for his finger - crocheted environments that grace gallery spaces and architectural interiors, Neto presents new sculptures and wall - mounted works in an expansive installation that will veil the gallery's two - floor space.

For the latter show, «Heavy Rain,» he presented a video along with sculptures that explore geology and shifting form — among them, wall - hung sculptures, akin to carved reliefs, recalled the puddle shape of melted ice cubes.

There was a tipped - over piano and a lot of dirt and mud on the walls where we hung, for example, a bronze sculpture by Louise Bourgeois and a pristine white Lutz Bacher «Playboy» painting, [chuckles] which really frightened me from a registrarial position.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

His new works — created for his solo exhibition Penumbra at Goodman Gallery Johannesburg — explore interconnections between drawing and sculpture and consist mainly of wire wall hangings that resemble overblown lace or crochet work.

Also on view will be new wall - mounted sculptures and the video Raspberry Poser (2012), shown in New York for the first time.

Staged in three rooms, this chamber piece features new sculptures and wall works by German artists Katharina Fritsch (born 1956) and Belarusian native Alexej Koschkarow (born 1972), who joined forces for the third time since 1999.

Troy A. Allen will be creating spontaneous sculptures and vicarious drawing devices for wall drawings at Art.Science.Gallery.

Alongside those works, Serra designed a series of forged pieces including: «Two Forged Rounds for Buster Keaton», «Snake Eyes and Boxcars» and «Ali - Frazier» and «Charlie Brown» One of his biggest installation is «The Matter of Time» commissioned by the Museo Guggenheim Bilbao, it incorporates a series of seven sculptures made of spot - welded sheets of steel that form 4,3 m high curling walls positioned around the existing sculpture, «Snake», that had been commissioned for the museum's opening in 1997.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Michael Heizer's impressive installation at Gagosian Beverly Hills features new paintings that deny the conventional rectangular or square confines of the canvas, alongside negative wall sculptures, known for their size, raw materials, and ability to awe viewers.

Brian Wall's work was seen in America for the first time in 1967 in the exhibition New British Painting and Sculpture, which traveled to six U.S. museums including the University Art Museum, Berkeley.

Barbara Bloom's installation at David Lewis — a series of posters begun in the early 1980s that juxtaposes terrorism and tourism — serves as a warm - up for an exhibition of»80s art at the Hirshhorn next year, and Anna Betbeze presents sculptures in front of ruglike wall works at Jay Gorney.

His invariable ability to disrupt what is considered «art» is blindingly clear from the show, removing art from the vertical wall and placing it on the floor, turning painting into sculpture, and experimenting with incorporating cutting - edge technology (for the time) into his work.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

For Wynwood Walls Garden, Goldman Properties commissioned the Spanish murals team of Pichi and Avo to create works on discarded, repurposed metal shipping containers, and then stacked them on top of each other to create an installation sculpture.

Among the works: a recently - acquired set of five Tony Smith posters for The Wandering Rocks, just outside the window; a wall relief by Heinz Mack; and sculptures by Barbara Hepworth, James Rosati, and more.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7