Sentences with phrase «wall structure black»

SOL LEWITT, «Wall Structure Black,» 1962 (oil on canvas and painted wood).

Sol LeWitt, Wall Structure Black, 1962, oil on canvas and painted wood.39» x 39» x 23-1/2» (99.1 cm x 99.1 cm x 59.7 cm).

Not exact matches

Perched on top of benches and reclining against the walls of the restaurant structure, migrants and refugees converse, drink black coffee or milk tea, and watch Indian and Eastern European music videos on a large flat screen.

Huge installations dominate whole rooms in this powerful survey, including Light Sentence 2 from 1992; a huge black structure consisting of stacked wire - mesh lockers shelters a single light bulb casting ominous shadows across the gallery walls.

A triangular piece of the same structure rested against a gallery wall, while a third part, a flying wedge erected high on steel scaffolding anchored by absurdly puny black sandbags, stood opposite.

Sol LeWitt, Cubic - Modular Wall Structure, Black, 1966 Painted wood, 43 1/2 x 43 1/2 x 9 3/8 inches Collection of Museum of Modern Art, NY Sol Lewitt, Paragraphs on Conceptual Art (1967) «I will refer to the kind of art in which I am involved as conceptual art.

The most powerful moment is the pairing of a diminutive black totem — Sol LeWitt's rough - hewn Early Wood Structure (1962)-- before a massive wall that serves as substrate for a performance piece by Wangechi Mutu.

In thinking about rules as acts of creation I have been recently drawn into a reinvestigation of logic based works such as Frank Stella's black paintings (in which the logic of the making fully embodies the resulting shape), Sol LeWitt's wall drawings (in terms of setting up a series of rules that can create a coherent visual structure), and incremental works such as Carl Andre's floor pieces (which also embody an element of time and distance because one is required to «travel» in order to view the entire work).

In Morrison's original works, grey fungus sprouts from castle - like structures on the floor and dead - eyed figures walk through black - skied, giant mushroom sprouting landscapes in digitally created wall - hung pieces.

Here, real slices of bologna schmeared with tiny, black - and - white portrait photos are pinned in a grid to the structure's walls, both inside and out.

Typically, this involved the creation of large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found» objects, commonly fragments of furniture, painted in flat uniform colours - black, gold or white.

Printed on black - and - white wallpaper encircling the gallery, a weed - choked expanse of a boarded - up structure — perhaps the wall of a former factory, now long abandoned — evokes the kind of no - man's - land that infiltrates the contemporary landscape to an ever greater degree.

He began to make his paintings more complex in structure, colour and shape, and then brought them off the wall, welding, shaping, doing what a sculptor does, but still - in fact more recognisably than with the Black Paintings - seeing as a painter.

This performance extended outside the confines of the structure into the wider gallery space, containing wall - based neon sculptures of a muscular faun, black and white photographs of a naked couple in choreographed poses, text - based brightly coloured paintings, and abstract sculptures reminiscent of limbs, rendered in concrete and highly polished white plaster.

A large - scale pattern painted with black ink on the rear gallery wall alludes to rhythms and the underlying structures of the universe.