Sentences with phrase «walls installation view»

Robin Rhode: The Call of Walls Installation view National Gallery of Victoria, Melbourne, Australia May 17 - September 15, 2013 Photo: NGV Photographic Services

INGRID CALAME Tracing up to the L.A. River: Frog Town turf war, 2006 Latex and oil enamel on wall Installation view

Not exact matches

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To some people, that's a little more intimidating, but I like viewing fewer artists on the big white walls and seeing installations.

This past winter, Hendricks's triple - portrait masterpiece, all too rarely on view, presided over one of the most bracing permanent collection installations Washington has ever seen, one that filled two galleries behind Jackson Pollock's Mural (1943), a refugee wall - surfing through eleven museums around the world since it was left homeless in 2008 by extreme flooding at the University of Iowa Museum of Art.

Jack Whitten; Sorcerer's Apprentice (facing wall) The Comfort of Strangers (2010) Installation view; MoMA PS1

264 x 156 x 22in Acrylic, wood, ceiling tiles, foam, drywall, plexiglass, nails, laminate, rocks, and plastic on wall (Installation view at Locust Projects, Miami.

When the BMA opens at 11 a.m., four volunteers will begin spitting colored food dye onto three walls of a gallery adjacent to the BMA's East Lobby, creating a vibrant backdrop for a new installation of Herring's work that will be on view beginning Saturday, October 22.

Installation View: Foreground: Adolph Gottlieb Tilted Wall, 1968, Robert Motherwell Untitled Open, 1971, Sam Francis Untitled SF55 - 123, 1955, James Brooks Untitled, 1968, Jack Tworkov Guardian 1, 1952, James Brooks Zog, 1965/66.

Here, clockwise from left: Fred Sandback's «Untitled,» at David Zwirner; an installation view of Sol LeWitt's «Wall Drawing # 368» from its 1984 installation at the Walker Art Center in Minneapolis; Sean Scully's «By Night and by Day,» 1983, at Mnuchin Gallery.

Installation view of Katharina Grosse, This Drove my Mother up the Wall, acrylic on wall and floor, in the main galleries, 2Wall, acrylic on wall and floor, in the main galleries, 2wall and floor, in the main galleries, 2017.

Gérard Gasiorowski, installation view of Stances, 1986, (on wall) at Fondation Maeght, Saint - Paul; acrylic on canvas, approx. 6 by 130 feet.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

Andy Goldsworthy, Installation view of Haines Gallery Clay Wall, 1996, California clay and human hair

This video is about The Bronx Museum's recreation of Gordon Matta - Clark's 1970 installation «Garbage Wall,» on view in the exhibition Gordon Matta - Clark: Anarchitect.

Installation view, Waller Creek Delta, The Contemporary Austin — Museum Without Walls Program, Austin, Texas, 2017.

Currently on view in New York is Profound Approach Easy Outcome, an installation commissioned for the curved wall of the atrium at the Queens Museum of Art.

Featured images: White Cube Hong Kong, via mymagicattic.blogspot.com; White Cube Hong Kong, Installation view of Jeff Wall's solo exhibition, via artasiapacific.com

Installation view, Shahzia Sikander, Museum of Contemporary Art, Australia acrylic on wall, 28 x 70 feet November 27, 2007 - February 17, 2008

His installation Display # 27 — Barn Wall (1991) is currently on view at Punta della Dogana through November 20.

Come hell or high water, this time it's gonna be different..., installation view, 0 to 60: The Experience of Time in Contemporary Art, NC Museum of Art, Raleigh, NC, 2013, 8 feet 10 inches x 41 1/2 feet, mixed media wall installation

Installation view Alan Ebnother (wall) & Maria Elena Gonzalez (foreground) April 22 — May 23, 2009 The unavoidable figuration of unpredictable geometry meets the direct colour experience.

Installation view from Almost 30 featuring paintings by Adam Sipe (back wall) and Stacie Johnson (right)

For his solo show «Ballpoint Drawings,» on view at the Queens Museum of Art through the 30th of this month, Lee created his largest work yet: BL - 090, a 5 - by - 50 foot installation that wraps around a curved wall.

Image: Installation view of Arturo Herrera, Front (green) and Front (yellow), 2013, wall works for the Kunsthalle Bielefeld.

«La décoration de l'âme», 2017 Mosharabia wall cedar wood, acrylic, felt tip pen 224 x 677 x 5 cm installation view Galerie Buchholz, Köln 2017

The installation is intended to be on view for a minimum duration of 15 years, and follows in MASS MoCA's tradition of long - term installations, such as the exhibition of wall drawings by Sol LeWitt.

The Infinity Engine, 2014, multimedia installation, partly interactive (genetically modified fishes, fish tank, screens, projections, wall paper, 3 - D printed nose, files, electrics, and other materials), 380 x 1280 x 550 cm, installation view, Lynn Hershman Leeson.

Installation view of Äppärät, 2015 Sophie Jung Floor: Repetitive Strain Injury (Sock it to Me), 2015; Wall right and wall left: Text neck, 2015; Center wall left: Out, damned spots, 2015; Center wall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © ThierryWall right and wall left: Text neck, 2015; Center wall left: Out, damned spots, 2015; Center wall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © Thierrywall left: Text neck, 2015; Center wall left: Out, damned spots, 2015; Center wall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © Thierrywall left: Out, damned spots, 2015; Center wall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © Thierrywall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © Thierry Bal

There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.

Another view of the installation wall with three by Judy Pfaff, just to the right of the large works in red (the top work there is Strawberries by Ann Shostrom)

Installation view: Palermo's meticulously - built plexi - and - wood objects in foreground, my wall of paintings in the background.

This installation view of the SFMOMA exhibition Treasures of Modern Art: The Legacy of Phyllis Wattis (January 30 — June 24, 2003) shows Automobile Tire Print on the wall at right.

Untitled mural (installation view) 2010, site - specific wall to wall, gel medium xerox transfer on wall, dimensions variable

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

Image: Alex Hartley, Wall, 2017, installation view, © Alex Hartley, courtesy Folkestone Triennial, photography: Thierry Bal.

The rest are reduced to an «installation view» of wall - hung paintings by the likes of Max Brand, Claudia Comte, Thomas Jeppe, Jan Kiefer and more, while a link to Pauline Beaudemont «s concurrent L'Age D'or exhibition next door comes in two square concrete «chairs», designed for the almost empty garage cubicles outside.

Michael Asher, Lisson Gallery, London, England, August 24 — September 16, 1973, installation view, south wall, 1973 installation view, south wall, 1973 InstallationInstallation

Installation view, Most Beautiful Petals, archive wall of 3,289 petals, Cloud of Petals.

Olafur Eliasson Remagine 2002 spotlights, tripod or wall mount, control unit dimensions variable Installation view Take your time: Olafur Eliasson, MoMA PS1 Contemporary Art Center, 2008

All of the second - floor galleries were retrofitted, new walls were constructed, and projectors were installed to create intimate viewing spaces that allow the viewer to experience each video work to the exact installation requirements of the artists — this includes specific wall colors, audio parameters, sound panels, other installed materials, projection angles, and screen selection.

On the wall: Helmar Lerski, From the series: Metamorphosis through light, 1935/1936, Foreground: Ronald Jones, Untitled (This trestle was used to hold bodies...), 1990, Courtesy and Jean - Pierre Lehmann Collection, Installation view KW Institute for Contemporary Art, 2017, Photo: Frank Sperling

Installation view of Introduction wall from Piece by Piece: Building a Collection, January 30 — April 26, 2015.

Sandra Cinto All the light I can give you 2008 permanent pen on wall and cushions dimensions variable Installation view, Toyota Municipal Museum of Art, Toyota, Japan Photo: Keizo Kioku

Wilfredo Ortega's color saturated wall installation is inspired by a condensed bird - eye view of the urban grid.

Sandra Cinto Imitation of water 2010 permanent pen on painted wall dimensions variable Installation view Instituto Tomie Ohtake, São Paulo, Brazil Photo: Everton Ballardin

Installation view of title wall for Summoning Ghosts: The Art of Hung Liu, October 10, 2014 — January 11, 2015.

Installation view On view thru May 2011 Regi Müller transforms the museum's Vradenburg Café by installing hundreds of small, sculptural pieces mounted on the windows and walls.

Firelei Báez, To See Beyond Its Walls (and access the places that lie beyond), 2017 installation view Bebe and Crosby Kemper Collection, Museum purchase made possible by a gift from the R. C. Kemper Charitable Trust, 2017.7.1 © Firelai Báez, courtesy Wendi Norris Gallery.

An installation view of «The Wandering Lake» shows, on the table and back wall, glass urinary - device sculptures from 2017, and on the side walls, the three - channel video «Configurations» (2016).