Sentences with phrase «war paintings by»

Not exact matches

In June, U.K. Chancellor of the Exchequer George Osborne readied skeptical Britons for the deepest hack to public spending since the Second World War by painting an almost utopian picture of the Canadian experience.

Yes those extremists try to paint the US as the Great Satan who's on a holy war against Islam, but that's not a pill swallowed by the majority of the muslim world.

It is through the experience of his own body that he painted erotic pictures, and it is through his own physical imagination, heightened by sexual experience, that he painted the war pictures.

i have been told i have an amazing ability to keep my cool under pressure (war) and i can see my way thru peaceful times by writting poetry, painting, and composing plays..

But by the Saturday tournament finale the conference's alleged chalk, Villanova, was gone; the league's most dominant center, Georgetown's Patrick Ewing, was long gone; and only the underrated overachievers from Boston College, who had tied St. John's and Villanova for the regular - season Big East title, were left to challenge the drums and the war paint and the non-home team.

New York governor Andrew Cuomo has responded by painting the GOP as the state's enemy in an «economic civil war.»

If the GOP can win the PR war by painting MoveOn as a group far out of the mainstream, it could make it more difficult for Democrats to take money or other support from the group.

The resolution — approved by 41 of the 51 council members, with eight voting «no» and two abstaining — bizarrely paints the 72 - year - old imprisoned and unrepentant leader of the terrorist FALN (Fuerza Armadas de Liberacion Nacional, Spanish for Armed Forces of National Liberation) as a «decorated Vietnam War veteran and community activist» who received a «disproportionate» 55 - year prison sentence for his crimes.

Jackson Pollock, for instance, used drums of World War II surplus paints for his splashiest effects, and he often added texture by mixing in things such as cigarette butts.

The constant makers in the Shimmer Me Box are Colors by Llarowe, Tux Polish and Native War Paints.

It's clear virtually from the get - go that filmmaker Todd Phillips is looking to transform this true - life tale into a Martin Scorsese - like crime drama, as evidenced by War Dogs» less - than - subtle visuals and almost paint - by - numbers rise - and - fall structure.

However, his work was interrupted by the Korean War, for which he did two years service in Germany; his time there was mainly spent putting on Soldier Shows, which, as he would later remark, gave him his introduction to show business.While working on Venice, a 28 - minute documentary that juxtaposed contemporary views of the city with paintings by the masters, Ivory was introduced to art from India's golden age.

Some abolitionist works like «Uncle Tom's Cabin» could paint slavery as a form of captivity, but the canonical captives of antebellum American literature were white women kidnapped by Indians, who after the Civil War were often replaced by freed slaves as objects of superstitious terror.

Below, on Charlie Rose, she also talks about how she digs back into the Holocaust (as she did for one of her favorite roles as an Mossad spy in John Madden's «The Debt») in order to play elderly Jewish woman Maria Altmann, who 60 years after she fled Vienna during World War II, fought to retrieve family possessions seized by the Nazis, among them Klimt's famous painting «Portrait of Adele Bloch - Bauer I.» The Weinstein Company now opens Simon Curtis's «Woman in Gold,» co-starring Ryan Reynolds, on April 1.

Suddenly Paul — a conscientious objector in the Korean War, a man painted by his cynical co-workers as a «bleeding heart liberal,» a natural marksman who hasn't fired a gun since a distant childhood trauma — has a lot more to think over.

Bottom line is that Star Wars Battlefront II ends up being a paint - by - numbers movie tie - in game with way more budget than it needs.

Tapestry paintings recap a war between cat - loving scoundrels and free - roaming dogs, but even that's narrated by Courtney B. Vance.

Not fearless enough to nose the camera in the dramatic mire, like a soldier to the cause in a personal guerrilla war, Diego Luna «s film beckons a paint - by - numbers summary of the man's greatest achievements, the spark notes of a six - plus year period that glosses all with thin coats, rarely taking the opportunity to remain in the moment and settle in with the hard - won emotional beats of the characters.

There's a certain paint - by - numbers approach that makes «Infinity War» feel like the latest model off the assembly line, especially for casual moviegoers who don't really know or care about the characters in the first place.

She plays a mother who, desperate for answers in her daughter's murder case, begins a war with the local police by painting three billboards with slogans to highlight their inadequacies.

Double Take (Unrated) Hitchcock mockumentary mixing found footage featuring musings by the master of suspense with archival Cold War news footage to paint a chilling picture of sheer paranoia.

Hailed by the New York Times on its Paris release as «one of the great films in motion picture history,» Raymond Bernard's Wooden Crosses, France's answer to All Quiet on the Western Front, still stuns with its depiction of the travails of one French regiment during World War I. Using a masterful arsenal of film techniques, from haunting matte paintings to jarring documentary - like camerawork in the film's battle sequences, Bernard created a pacifist work of enormous empathy and chilling despair.

Abingdon's One And A Half — Jonathan Wood recalls the VA the smallest of the three saloons made by MG towards the end of the»30s / Pau: A Popular Revival — The inaugural Grand Prix Historique contained all the ingredients for lasting success reports Douglas Blain / Bellows To Buses — Norman Painting relates how a West Midlands general engineer became a diversified vehicle producer but lost the plot after the First World War / Maudslay's Might - Have - Beens — Concluding Nick Baldwin's account of the early years of the Maudslay Motor Co. / Japanese Microcars — Michael Worthington - Williams recalls some amazing light cars and microcars produced up to the 1950s when Japan was far from the successful motor manufacturing nation it is today / Phantom a La Packard — This month the Editor tries out a Phantom II whose dual cowl bodywork was modelled on a Packard phaeton.

The early years of Wolseley — How the company developed up to the First World War by Norman Painting / Homage to a Morris 8 — D.H. Smith relates his memories of a 1937 Morris 8 named «Cleopatra» / Amilcar anniversary — Brian Heath visited the Auvergne in company with other Amilcar enthusiasts on the occasion of the car's 75th anniversary / The Citroen 2CV phenomenon — The story of this unconventional classic is told by Chris Bowes / Honeymoon trip in a Riley — Malcolm Bates tells us about a young couple's trip to remember in a 1929/30 Riley Monaco / Memories of Woolf Barnato and W.O. Bentley — Rivers Fletcher relates his personal reminiscences of Woolf Barnato and W.O. Bentley in the 1920s and 30s / 1933 Alvis Speed Twenty — This month The Editor gives us his impressions of this traditional — but tecnically advanced — British sporting car / Sunbeam Talbot Darracq rally — A report on the STD register's national rally by Nick Baldwin / Vulcan history part two — Michael Worthington - Williams continues his article on this comparitively little known manufacturer.

The castle which gave its name to the city after the Second World War is 17th century (built on the site of a 14th century one) and is surrounded by classic wood - beamed, white - painted German houses.

When Rachel Kushner sat down to write her second novel, she had three images taped to the wall above her desk: A pretty young blonde woman, face painted for war, with an X of tape across her lips, which eventually became the cover image; a well - heeled engineer standing with his creation, a 1971 Ducati motorcycle; and two men racing by in a primitive cycle and sidecar, circa World War I.Thewar, with an X of tape across her lips, which eventually became the cover image; a well - heeled engineer standing with his creation, a 1971 Ducati motorcycle; and two men racing by in a primitive cycle and sidecar, circa World War I.TheWar I.The...

Illustrated with a mix of portrait photos and a few paintings in childlike or abstract styles, and capped by suggestions for related classroom activities and a short resource list, this book will serve as both an effective consciousness raiser for middle - grade students and a strong lead - in to Deborah Ellis» powerful Children of War: Voices of Iraqi Refugees (2009).

Fantasy novel, fifth in a series following The Warded Man (2009)(aka The Painted Man in the UK), The Desert Spear (2010), The Daylight War (2013), and The Skull Throne (2015), about desert tribes preyed upon by night demons.

From alternating viewpoints, Love, War and Ice Cream paints a vivid portrait of the love story of Harry and Marina, whose lives are brought together by a chance meeting in an ice cream shop.

- Amy Stewart, New York Times Bestselling Author of The Drunken Botanist «A heartfelt, vivid account of a hunt for lost masterpieces painted by a great - grandfather that prove to be unforgettable relics of a rich world swept away by war, taking readers on a lusciously detailed international journey that reminds us that the search for missing paintings is, at heart, a search for missing history.»

Warhammer can conjure up a lot of different images when its name is mentioned, from the masses of detailed plastic figures being controlled by fiercely intent generals across wonderfully made and painted terrain to what I see; Space Marines marching across the map with Dreadnoughts in tow, seeking to destroy the enemy forces in Warhammer 40K; Dawn of War, one of the best RTS games of all time.

Valkyria Revolution paints a dramatic tale of war and revenge through the GOUACHE art engine and features a moving musical score by famed composer Yasunori Mitsuda.

The story, told through textless comic book frames, sees you take on the role of Tembo, an elephant commando, complete with bandana and war paint, who is called upon by the army to stop the invading PHANTOM, an evil corporation fixated on global domination.

The key mode is Turf War, where you fight for territory by painting the ground with your color, but there are other option, each with a different twist on a classic game mode.

Gallery, New York, NY Cosmic Wonder, Yerba Buena Center for the Arts, San Fransisco, CA Dark, Curated by Rein Wolfs and Jan Grosfeld), Museum Boijmans Van Beuningen, Rotterdam, Netherlands A Lover's Discourse: Nobuyoshi Araki, Annette Kelm, terence koh, Sakiko Nomura, Heinz Peter knes, Macos Rosales, Peres Projects, Los Angeles, CA War on 45 / My Mirrors Are Painted Black (For You), Bortolami Dayan Gallery, New York, NY

Younger than this generation, all of whom were born in the early 1930s, and were undoubtedly affected by the horrors of World War II, Farrell shares something with the reductive impulses that are central to Minimalist artists such as Robert Ryman, Brice Marden and, to a lesser degree the Radical Painting of Marcia Hafif.

The history of this invisibility in the US right after the war has been thoroughly examined by Serge Guilbaut in a fascinating article published in French on the occasion of the artist's 1989 retrospective at the Centre Georges Pompidou in Paris, entitled Bram van Velde in America: the invisible painting.

Based on the theme of John Milton's Paradise Lost, they are a fusion of Indian mythological figures, hybrids of man and beast, warring in landscapes inspired by quattrocento and Renaissance painting.

In the years following World War II, a distinctive style of art, identified as Hard - Edge painting, was developed by pioneering artists such as Karl Benjamin, Lorser Feitelson, Oskar Fischinger, Helen Lundeberg, and John McLaughlin.

Philip Maysles presents a large - scale wall painting and sound installation inspired by Robert Motherwell's Elegy series that the abstract expressionist produced as a belated response to the Spanish Civil War.

Check out our new selection of sale books, including Civil War Stories which features paintings by Chester Arnold.

There are also two «war» paintings — Francis Alÿs» 9th Rgt Army Air Corpse diptych painted in Afghanistan; and an outstanding late work by Richard Hamilton.

Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.

These playful fantasy realms are upon closer inspection macabre theaters of politics and war: watercolor paint bloodies the canvas, and sinister global machinations play out in abstracted landscapes populated by faceless figures and dominated by oil refineries and labyrinthine pipelines.

I was surprised by how much I liked the series of four Weeping Willow Trees that were homage's to France's fallen soldiers painted in the wake of World War I. (View Weeping Willow, 1921)

Porter chose to paint what had been an earlier symbol of American abundance — and during the Civil War period one particularly associated with free blacks — when it was increasingly defined by virulent stereotyping.

These found images, mostly transferred to the canvas by means of airbrush painting, depict explosive war scenarios and natural phenomena.

Well into his fifties, frustrated by Richard Nixon and the war, he sought painting that could address a brutal world on its own terms.

When Laura Knight was commissioned to paint Ruby Loftus, recommended to her by the War Artist's Advisory Committe as «an outstanding factory worker», she was expecting to create a studio portrait.

Others have linked the flag paintings to the ongoing Cold War and the fears stoked up by McCarthyism.