Not exact matches
It's a quiet
film with no score and set during the height of the Civil
War, but it's masterfully
edited to be a period piece that keeps you glued to your seat.
«This time, its
war, «was the tagline and Aliens went on to become one of the biggest blockbuster
films of 1986 and not to mention ending up being nominated for Seven Oscars including a Best Actress nomination for Sigourney Weaver and winning two Oscars for Sound Effects
Editing and Special Visual Effects.
The amateur
editing and diecting makes the
film neither realistic as a
war film, nor fun as an all - out action hero / comedy
film.
As a standalone
film, The Phantom Menace probably won't appeal to kids raised on rapid
editing and epic explosions, nor does it work as an introduction to the Star
Wars universe.
The second Blu - ray disc includes an in - depth look at the
film with «A Filmmaking Journey» with Steven Spielberg, «
Editing and Scoring» featuring Spielberg's long - time collaborators Michael Kahn and John Williams, «The Sounds of
War Horse» about the sound design and «Through the Producer's Lens» which takes a look at the photographic journey of producer Kathleen Kennedy.
But in a year when some wondered if «Star
Wars» could get any major awards love, a
film editing nomination — along with score, visual effects and two sound nominations — makes for a key battlefield victory.
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Achievement in
film editing The Big Short — Hank Corwin Mad Max: Fury Road — Margaret Sixel The Revenant — Stephen Mirrione Spotlight — Tom McArdle Star
Wars: The Force Awakens — Maryann Brandon and Mary Jo Markey
Aussie filmmaker Nash Edgerton has done pretty much everything in the medium of
film, from writing, directing, acting, producing,
editing and even stunt work in the likes of THE MATRIX and STAR
WARS prequel trilogies.
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Creative
edits were applied to a previous version of this
film to bring it into a PG - 13 rating, but don't expect Star
Wars.
Achievement in
film editing • «The Big Short» Hank Corwin • «Mad Max: Fury Road» Margaret Sixel • «The Revenant» Stephen Mirrione • «Spotlight» Tom McArdle • «Star
Wars: The Force Awakens» Maryann Brandon and Mary Jo Markey
BEST
EDITED FEATURE
FILM (DRAMATIC): Mad Max: Fury Road Margaret Sixel The Martian Pietro Scalia, ACE The Revenant Stephen Mirrione, ACE Sicario Joe Walker, ACE Star
Wars: The Force Awakens Maryann Brandon, ACE...
The filmmaker, incidentally, was making «Star
Wars» during production of the
film, but he was very involved in both script development and the
edit room.
* Correction, Jan. 4, 2016: Due to an
editing error, this entry originally misidentified Rian Johnson's upcoming Star
Wars film.
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War and sci - fi
films tend to do well in sound
editing, genres that Hacksaw Ridge and Arrival each represent.
Academy Award winning sound editor Richard King has worked on such
films as The Dark Knight,
War of the Worlds, and Master & Commander, to date, King has captured three Best Sound
Editing Oscars, the most recent in 2010 for his work on Inception.
From the beginning it's clear how much reverence the game holds for the original Star
Wars trilogy, with even the title screen showing
edited clips of iconic moments from the
films.
The Infinity
War directors actually play Fortnite and apparently relied on the game to unwind while
editing the
film.
Beholden to Victory is an
edited video version of the full - length Super-8 «
war movie» genre picture Hail the Fallen -LRB-...) The
film was not directed in the traditional sense, as there was no script, and the actors were required to play as in a game — to follow certain rules, or, more precisely, to observe certain restrictions.