Other challenges include weaving through
waves of traffic, trying to continually boost or drift against a clock, and some boss fight
style races that have you pumping weapons into huge, tank - like enemies.
While Red Nose (2017), a triptych, seeks to embody an everyman, with no particular
race, age, or epoch discernible, A Thousand, Thousand Churning
Waves (2018) depicts a foreigner, a Westerner, in the
style of Yuan dynasty painter Zhao Mengfu, specifically alluding to Zhao's painting of the artist and poet Su Shi of the Song dynasty, holding a bamboo stick.