Sentences with phrase «way for women artist»

Molly Soda is featured in «How Feminist Photography of the 1970's Paved the Way for Women Artist Today ``.

«Literally, this photo is a way for women artists to stand up and be counted, and tell history that they are here,» says Sarah Michelle Rupert, gallery director at Girls» Club Collection in Fort Lauderdale, which is helping to organize the photo with Schoenstadt, local artist Jane Hart and PAMM's associate curator, Diana Nawi.

Not exact matches

As for the woman's actions, I'm not sure how far the artist pushed his style or message in the museum display but vandalism is not the way to respond or defend one's personal beliefs.

As part of a larger series, artist Mel Elliott created this coloring book as a way to celebrate womanhood and appreciate women for their strengths — can't argue with that goal!

At that time I felt like there weren't a lot of makeup options for darker skin tones available, and the makeup artists at the department store counters seemed to think that loading up the darkest shades of shadow, blush, and lipstick was the only way to go --(this is before YouTube changed the world of makeup for women of color)-- that's when I decided to take matters in to my own hands and I became sort of obsessed with playing with makeup.

For the new graphic elements, Prada worked with 8 visionary artists, spanning the general spectrum from the 30s to 60s, each of whom has illustrated women in a uniquely empowering way.

As a feminist, the whole concept of supporting other women is a wonderful cause, especially talented female artists who have helped pave the way for other women through their creative & innovative work.

leo, artist, animal lover, good friend / listener, caring, gypsy traveler, way younger than age is, music / concert lover, awesome cook, farmer, funny, full of life & good times, looking for a kind & loving woman, to share lifes adventures with, on trial basic here, email me...

If there actually were large numbers of «hidden» great women artists, or if there really should be different standards for women's art as opposed to men's — and one can't have it both ways — then what are the feminists fighting for?

There have been wonderful changes for women artists in the past 40 - some years, and I know these women now in a way that I didn't when my career began.

One thing however is clear: for a woman to opt for a career at all, much less for a career in art, has required a certain amount of unconventionality, both in the past and at present; whether or not the woman artist rebels against or finds strength in the attitude of her family, she must in any case have a good strong streak of rebellion in her to make her way in the world of art at all, rather than submitting to the socially approved role of wife and mother, the only role to which every social institution consigns her automatically.

This groundbreaking exhibition follows the artist's exploration of interlined topics, including a halting suite of works about 9/11; contemporary «history paintings» on life in America since the events of 9/11; homages to his friends, the women quilt makers of Gee's Bend, Ala.; memories of vanishing ways of life and his childhood in the the South; and evocations of human struggles for freedom.

Her great success opened the way for larger numbers of women to pursue serious careers as artists.

For an artist as out of gas when it comes to ideas about «critiquing whiteness» and «recasting the role of women as subject versus objects,» and all the other boilerplate things artists have been «critiquing» in many of the exact same ways for the last 25 years — since the 1993 Whitney Biennial — Ghada Amer certainly produces a lot of work, most of which looks more or less the saFor an artist as out of gas when it comes to ideas about «critiquing whiteness» and «recasting the role of women as subject versus objects,» and all the other boilerplate things artists have been «critiquing» in many of the exact same ways for the last 25 years — since the 1993 Whitney Biennial — Ghada Amer certainly produces a lot of work, most of which looks more or less the safor the last 25 years — since the 1993 Whitney Biennial — Ghada Amer certainly produces a lot of work, most of which looks more or less the same.

For much of the 1960s the artist had been living in Spain, and when she returned to New York early in the following decade, she was shocked at the way the sex industry was using women's bodies against them.

Women Painting Women + Principle Gallery: Charleston Location: Charleston SC Call for artists: Five years ago, a blog entitled Women Painting Women was created that changed the way the world sees what women make and how they portray themselves in pWomen Painting Women + Principle Gallery: Charleston Location: Charleston SC Call for artists: Five years ago, a blog entitled Women Painting Women was created that changed the way the world sees what women make and how they portray themselves in pWomen + Principle Gallery: Charleston Location: Charleston SC Call for artists: Five years ago, a blog entitled Women Painting Women was created that changed the way the world sees what women make and how they portray themselves in pWomen Painting Women was created that changed the way the world sees what women make and how they portray themselves in pWomen was created that changed the way the world sees what women make and how they portray themselves in pwomen make and how they portray themselves in paint.

They may not be the first woman to receive a major party's nomination for the presidency, but these artists broke glass ceilings in their own ways.

Granted, there's still a long way to go for equal representation, particularly for women artists of color.

Featuring more than 40 works by modern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mowomen artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in moWomen at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mowomen in their community; women illustrators; and modern women in mowomen illustrators; and modern women in mowomen in motion.

Perhaps we have indeed caught the wave, because there were several exhibitions of female artists in the UK this summer that seemed to present, in a strong physical way, questions about particularities and social realities for women and girls.

Gnyp observes that showing work by women artists, or other marginalized artists, is also one way curators distinguish themselves today, and «get points» for being inclusive.

Support equal opportunities for women artists in several ways.

Betty Tompkins at Foundation University Gallery Thank God a younger generation of artists is rediscovering the incredibly excellent Betty Tompkins, who, in the 1960s, at the exact moment Chuck Close was commencing his giant face paintings, was making huge photo - realist close - up depictions ripped straight out of straight - male porn magazines, I like Tompkins way more than Close, not just for the porn but for how she reveals the secret lives of women's tremendously intense vision.

«Art Conversation with Filipa Ramos,» Palazzo Grassi, Venice, Italy, December 12, 2013 «Conversation in Urban Art: Theaster Gates and Steve Edwards,» The Women's Board, The University of Chicago, Chicago, IL, December 10, 2013 «To Dig Constantly, Mining Myself,» The Rapp Lecture in Contemporary Art, Art Gallery of Ontario, Toronto, Canada, November 20, 2013 «Theaster Gates: A Way of Working,» Sears Crosstown Arts Visiting Artist Series, Crosstown Arts, Memphis, TN, November 16, 2013 «Artist Talk: «12 Ballads for Huguenot House» with Theaster Gates,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL November 11, 2013 «Du Bois: The Early Social Practitioner with Theaster Gates,» University of Massachusetts Amherst Architecture + Design Public Lecture Series, University of Massachusetts Amherst, Amherst, MA, November 4, 2013 «Walid Raad and Theaster Gates in Conversation with Mohsen Mostafavi, «On Art and Cities»,» Harvard University Graduate School of Design, Cambridge, MA, October 24, 2013 «A Way of Working,» Vera List Center Prize for Art and Politics Public Lecture, The New School, New York, NY, September 18 — 19, 2013 «Thought Leadership Speaker Series,» Kunstmuseum Basel, Basel, Switzerland, June 12, 2013 «Urban Think & Drink: Theaster Gates,» Metropolitan Planning Council, Chicago, IL, May 22, 2013 «Artist Talk: Theaster Gates with David Levin & Hamza Walker,» Museum of Contemporary Chicago, Chicago, IL, May 18, 2013 «To Make the Thing that Makes the Thing,» 16th Annual Benesse Public Lecture, Cincinnati Art Museum, Cincinnati, OH, April 3, 2013 «Current Perspectives Lecture Series: Theaster Gates,» Kansas City Art Institute, Kansas City, MO, March 28, 2013 «I Believe in Places,» Bemis Center for Contemporary Arts, Omaha, NE, March 27, 2013 «Architecture Lecture: Theaster Gates,» University of Detroit Mercy, Detroit, MI, March 20, 2013 «To Make the Thing That Makes the Thing,» The University of Pennsylvania School of Design, February 2013 «Leading Ideas Speaker Series: Theaster Gates,» in conjunction with Our Literal Speed, The Banff Center, Banff, Alberta, Canada, January 30, 2013 «Theaster Gates: Soul Manufacturing Corporation: To make the Thing that Makes the Things,» Fabric Workshop and Museum, Philadelphia, PA, January 21, 2013

11 In other words, conversing, in an egalitarian way, with historically overlooked women artists may offer young women artists valuable tools for understanding and navigating today.

The disguise has helped hide her identity, but it's also served as a way for Kaz and an influential group of women artists known as the Guerrilla Girls, a «secret society» of activists, to assume new ones.

Shot over the course of two years, each artist — in varied stages of their careers — encounter challenges and triumphs and give the viewer an inside glimpse into what it's like for women artists to find their ways in the big city.

«In Part 1 of 2, Los Angeles artist and activist Kysa Johnson talks about: the various platforms and outlets for her activism, and how donating money, signing petitions and watching protest - based movies gave way to attending the initial protest in L.A., the Women's March in Washington, a protest at LAX airport, artist political group meetings, [and] phone calls to Congress; how her «being active» was a necessary reaction to the extreme change in the political landscape, and how protests... matter because the visibility and solidarity of resistance is a key arm of resistance that lets those in power know that you're angry.»

Ann Temkin, curator of Painting and Sculpture at MoMA, when reached for comment said, «Though devoting one year to the works of women artists will in no way make up for MoMA's historically unequal representation, we're hoping that this unprecedented gesture will be an eye - opener to institutions everywhere.

For an artist who had largely been overlooked for the first 50 years of her working life, the Spider - Woman's mature period impacted the world in a way few artists have ever done befoFor an artist who had largely been overlooked for the first 50 years of her working life, the Spider - Woman's mature period impacted the world in a way few artists have ever done befofor the first 50 years of her working life, the Spider - Woman's mature period impacted the world in a way few artists have ever done before.

Those pieces were in every sense my homage to the first generation of women artists like Louise Bourgeois, Nancy Spero, Hannah Wilke, Carolee Schneemann, and a few others who paved the way in our constant struggle for visibility and power.

The press release comes in the form of a story by artist Maliea Croy that tells of a woman that «was a child in that way — guilty for things she didn't cause», a woman who would «grab at things and unintentionally crush them».

Rail: Do you think all the works that you and artists from your generation paved the way for younger women artists today, at least in the last decade or more?

Has anyone ever thought about the fact that June Leaf helped pave the way for a generation of women artists, including Kiki Smith and Daisy Youngblood, among others, and has never received an ounce of acknowledgment for it?

Whereas in this body of work, Schorr is comparing the way men and women pose differently for the artist's gaze, in her photographs of American high - school and collegiate wrestlers, the artist trains her camera on a tribe of young men whose bodies and athletic training homogenize personal differences.

Following their historic lead, there's truth to the old adage that birds of a feather flock together, as there are numerous women in contemporary society that continue to effect change globally in the way art is perceived, understood and collected, among them Agnes Gund, the current President Emerita of MoMA; Sheikha Al Mayassa Al Thani, who at 31 is the Director of the Qatar Museum Authority with an unlimited acquisition budget; Emily Fisher Landau, famed art collector and philanthropist, who founded the Fisher Landau Center for Art and is a trustee and generous donor for the Whitney Museum of American Art; Rosa de la Cruz, who with her husband Carlos, founded the de la Cruz Collection Contemporary Art Space (Miami), which provides education and awareness in the visual arts; Dasha Zhukova, the formidable founder of the most significant private art foundation in Russia, the Garage Museum of Contemporary Art; and Miuccia Prada, CEO of Prada fashion and co-founder of Fondazione Prada, which promotes contemporary art and other arts - related interests; all of these remarkable women share the passion that Beth has developed for the arts and artists.

«Making Space: Women Artists and Postwar Abstraction» brings together fifty international women artists who worked in an astonishing range of media in the years right after World War II, asserting their rightful place as artists and paving the way for many of the Feminist breakthroughs that we take for granted tWomen Artists and Postwar Abstraction» brings together fifty international women artists who worked in an astonishing range of media in the years right after World War II, asserting their rightful place as artists and paving the way for many of the Feminist breakthroughs that we take for grantedArtists and Postwar Abstraction» brings together fifty international women artists who worked in an astonishing range of media in the years right after World War II, asserting their rightful place as artists and paving the way for many of the Feminist breakthroughs that we take for granted twomen artists who worked in an astonishing range of media in the years right after World War II, asserting their rightful place as artists and paving the way for many of the Feminist breakthroughs that we take for grantedartists who worked in an astonishing range of media in the years right after World War II, asserting their rightful place as artists and paving the way for many of the Feminist breakthroughs that we take for grantedartists and paving the way for many of the Feminist breakthroughs that we take for granted today.

Join female net artists for a conversation «on how women wield images of their bodies online as a tool of power and / or as sexual objectification, exploring the question of who is allowed to use their body in this way.»

Stoically, she plowed through the male - dominated art world to make way for her art and by doing so, cleared a way for a generation of women artists.

This gender switch for me is a way of disguising my real - life persona and masking the artwork from being perceived as «by a woman artist.»

Baselitz: Male artists often border on idiocy, while it's important for a woman not to be that way, if possible.

Over the past three decades, Judith Linhares has practically invented the genre of imaginative figurative painting largely populated by confident young women engaged in activities ranging from the banal to the idiosyncratic, thus paving the way for artists such as Amy Cutler, Hillary Harkness, and Dana Schutz.