Sentences with phrase «well paced story»

A lot of authors focus too much on fancy sentences but can't write a well paced story that holds attention.

Well paced story.

Not exact matches

The characters are likeable and deep, and the story is paced pretty well.

Despite the author's idiosyncratic and condescending substitution of nicknames for Polish surnames he assumes readers will not be able to keep straight, the story is fast - paced and keeps in play the action in Warsaw as well as the diplomatic dramas in London, Moscow, and Washington.

Not only do I work alongside Volunteer Marty who is interesting, smart and has good stories, ours is the «witching hour» — the pace transitions from slow week to wild weekend.

guy couldnt pass the ball wright, can not shot, not just he missing chances but he miss the ball all the time, slowing the tempo, no pace no speed old story, on one on one no way he can pass the player, dribble like my grandma... and you tell me how the guy with this attributes can be no. 1 striker and play in the best league in the world and probably one of the best clubs in the world... as long as i am alive i would ask myself how giroud stray in arsenal and be no. 1 striker... even my little cousin make a jokes about him, its obvious like a day... guy is laughingstock!!!

While it is well - organized and beautifully paced, with touches of lyrical writing throughout, surely the source of its appeal is that it is a wonderful story that also happens to be true, as warm and fuzzy as nonfiction can get without suggesting a collaboration of Horatio Alger and Sylvester Stallone.

Ok the Rabiot story, well he can play DM, (more a deep lying play maker for me) has good pace, good technical skills and good height.

He could be a part of that unprecedented success story, but instead he is part of an Arsenal team that are well off the pace in the Premiership and playing Europa League football.

Expect fast - paced, gripping stories as the series» well - drawn characters explore the causes and implications of their bizarre experience.

I love how each look is well styled and tells its own story, but the Mugler look stands out the most with the other two presenting a refreshing change of pace.

Thanks to masterfully written dialogues, the story and screenplay of Tyranny are intriguing and well - paced.

Good production values for a low budget film and good acting from the main characters and most of the cast and good pace but the story feels empty, cliché, flaw and lack of deGood production values for a low budget film and good acting from the main characters and most of the cast and good pace but the story feels empty, cliché, flaw and lack of degood acting from the main characters and most of the cast and good pace but the story feels empty, cliché, flaw and lack of degood pace but the story feels empty, cliché, flaw and lack of depth.

So well - paced, well - executed, and helming one of the most needed stories in such a long time, «Detachment» is the type of film that is right up my alley.

When the dance is finally beat, Robert Baker... or Alabama, there's something endearing enough about the pretty points in cinematography and score work, touching occasions in entertainingly well - paced direction, interesting spots in a colorful story, and across - the - board decent performances - especially the one by Evan Rachel Wood - for the final product to border on decent, ultimately falling under the overwhelming weight of the glaring tonal and narrative incoherencies, flat humor, dramatic contrivances, problematic themes, even more problematic leads, ridiculous story and onslaught of clichés which render Andrew Fleming's «Barefoot» an occasionally charming, but mostly mediocrely misguided romantic dramedy.

Ritter is so charismatic, and so good at toggling between sarcasm and outright pain, that a lot of this is more watchable than it should be, given the glacial pace at which the plot moves and the amount of time spent on lesser characters and filler stories.

The story here was actually pretty good, but the film moves at an absolute snails pace, felling well longer than 96 minutes.

The writing and direction here are solid and the film has good pacing with an interesting story to tell.

As a fan of Chronicles, I found that game to be better overall and yet the faster pace of Revolution makes this more fun to play — the story just doesn't hold up as well and the graphics are less impressive here than Chronicles.

There's a lot to love about The Alliance Alive: a well - paced story in an interesting world, a meaty mashup of unique combat elements, and a fantastic soundtrack that keeps you pumped and eager to explore.

Yonebayashi gives Arrietty an excellent sense of balance, with the adventure aspects of the story, which feel legitimately dangerous providing well - paced contrast the film's more placid moments.

Christopher Reeve is good if a bit stiff and Vanessa Redgrave is exquisite as always but the pace is slow and the central character and lead actress lack a radiance and fire that is essential for the story to engage.

Dunwall is an amazing place in terms of the way it incorporates elements of steampunk with a victorian feel and setting a pace that wouldn't normally suit a 1st person action game but it just flows so well and the artwork on the characters is stunning but sadly let down by a bit of collision detection which is hard to ignore, combine all this with a satisfying story you get a really decent game with plenty to get stuck into.

No matter what form it's in, Final Fantasy VI is one of the best games in the history of the medium, with its fast - paced battles, humongous world to explore, fascinating characters and bold, original story.

Critics Consensus: The touching underdog story of a single guy against a massive corporation, Flash of Genius is a well - paced and well - written tale with a standout performance by star Greg Kinnear.

The story is keeping a good pace and the time manipulation ability still impresses us.

Excellent and original visuals, well - implemented metroidvania elements, interesting mythological concept story, fast paced, varied battle and intriguing boss fights form the main assets of APOTHEON.

Though its plodding pace brings it down in some parts, it is a well crafted story that gives a Human dimension to the defenders of the Alamo, portraying them as people, rather than the larger than life legends that have since permeated history.

A pretty neat telling of the story, good acting, but I felt the way it was paced left much to be desired.

The arc of th story was well laid out and the pacing was balanced.

Garland, working from his own screenplay, has infused Ex Machina with a pace best described as deliberate, with Garland's willingness to let the story breathe having both positive and negative ramifications on the movie as a whole (ie certain sections are far more enthralling and entertaining than others).

Great voice acting, puzzles are ingenious and the story is very strong and well paced / presented.

Perfect pace, great laughs, great action, good story, good acting, decent musical score = 8.8 / 10

But director Patty Jenkins pulled off a minor miracle by giving the Amazonian princess a terrific origin story wrapped up in a fast - paced and well - made movie.

It's a simple story, but it's incredibly well - paced and the scares are slowly built up, keeping the suspense high throughout.

Unfortunately, the pace and light story don't allow things to sit long in the memory and, whilst the time you've spent playing might feel well spent, there's not a lot of value in returning to it.

Cast members Alicia Vikander (as Queen Caroline), Mads Mikkelsen (as Struensee) and Mikel Boe FØlsgaard (as King Christian) deliver first - rate performances; cinematography, sets and costumes are stunning; and director Nikolaj Arcel knows when to slow down the pace as well as to speed things up as the remarkable story progresses.

I felt it had the right balance of story and music so as to keep a good pace throughout the viewing.

Ultimately, the film gets too clever and confusing for its own good, while the slow pacing zaps momentum from the story (and the story within the story).

He makes a movie that's unlike anything else in the MCU, and while certain beats and story points follow a traditional pattern, the world Coogler has crafted as well as the people he has constructed to live within it are so uniquely three - dimensional I sat in mesmerized awe for every single second of the film's briskly paced 134 - minute running time.

It's a distinct change of pace after the first section of the film, which is, I think, why I didn't like it as much the first time I saw it, but in fact this part of the story is well done and quite compelling.

The film is pretty well crafted and the pacing of the story is well thought out meaning the film is never too dull or boring, it's always exciting and thrilling.

Max Steel may promise a change of pace from all the Marvel and DC adaptations, but it's subpar to both those shared universes on every level, telling an origin story that brings little new to the table and a cast that deserves far better.

Robinson's story is compelling, and Helgeland paces the film well.

The story, plot, and especially the pacing was handled really well imo.

This was a far better movie than ex machina, exploring corporate use of expendable clones for warfare, the pace was consistently fast, and the story tight and gripping to the end.

There are some issues I had with the film such as some of the cinematography not looking as good as it could've been due to the poor lighting, some of the quick cuts in the action scenes were distracting, the movie can drag a little at points and I do think cutting off 15 minutes could've made the pacing move a little more faster (some scenes felt a little rushed too), where the film decides to take its story can be predictable, and some of the green screen was REALLY noticeable.

The stories evolve naturally and are paced well, as Wright mixes first person interviews, performance clips, and old home video with a fine eye for style and editing.

Still, for as many great characters that are packed into the story, the movie's best quality is its pacing.

Compared to the 2003 release of The Hulk, this story is better paced, more engaging and less brooding.