Sentences with phrase «western film music»

Not exact matches

The collapse of central planning in the East had its own internal dynamics, but the long reach of advertised and advertising Western music, film, television, fashion - the sacraments of consumerism — played an acknowledged role in making centrally planned economies appear unbearably shoddy and barren.

Our staff reviews the developments in film, music, theater, literature, art, and television that offer hope that Western civilization hasn't yet gone completely to seed (and a few signs that it has).

On today's edition of WBFO's Press Pass, Pat Feldballe and Buffalo Niagara Film Commissioner Tim Clark discuss prospecting at the Sundance Film Festival, an upcoming film by a director making his third movie in Western New York and a music video shot in an iconic city location.

The music from western culture was designed to induce a range of emotions from calm to excited, and from happy to anxious or sad, and included both orchestral music and excerpts from three popular films (Psycho, Star Wars, and Schindler's List).

Throughout the film, compelling arguments are made for how Western forms of music incorporated the rhythms and vocal stylings of traditional Native American music.

Underneath the drama about the country - western music business and the election campaign of an unseen, independent (populist) party candidate, the multi-faceted, beautifully - structured film is an ensemble piece, a rich mosaic and a complex tapestry.

The Nashville Metro airport is a scene awash with marching bands, live newcasters, security police, twirlers, the Chamber of Commerce and an adoring crowd of fans for the arrival of Barbara Jean (Ronee Blakely in her film debut), the reigning lady of country - western music, who «has been away for special treatment at the Baltimore Burn Center» following an accident.

Francesco De Masi's score does nothing to hide his Italian background and occasionally gives the film a spaghetti western feel (some have noticed a striking similarity between De Masi's work here and Ennio Morricone's Once Upon a Time in the West music).

If the film failed to live up to expectations (though personally I thought it was OK) then surely the score could not be accused of such a thing; delightfully recalling Bernstein's classic western scores, it features several great themes, some rollicking action music and one chance after another to just have a smile on your face.

This inspired an unexpected independent film of great visual beauty and unconventional structure which introduced western audiences to Indian culture and music and launched Renoir on a new international phase of his career.

I thought the music in the trailer was just part of a quirky marketing campaign, but no, that Ennio Morricone-esque score is right over the opening credits, giving the film yet another layer of fun and interest, as it suggests that Gleeson pictures himself as a spaghetti western hero, cocky but with a deeper layer of dissatisfaction and restlessness.

While the film seems like the sort that would cry out for memorable music (many westerns do), the Coens rarely play things by the rules.

The music in the film by Nick Cave and Warren Ellis is also fantastic and really sets the Western Texas tone.

Though Leone wanted Morricone to compose the music before filming began on each of the preceding Clint Eastwood westerns, only the last reel of The Good, The Bad, and The Ugly was filmed and edited according to the pre-written music.

He announces his intentions in the opening credits, with music and red text titles that hark back to the 1960's Italian - produced Westerns, even including the music by Luis Bacalov from the original Django movie (which starred Franco Nero, who plays a small role in this new film as the Italian in the bar who asks Django his name).

The original music is too heroic and unconflicted for a 21st - century Western, which Antoine Fuqua's new film certainly is: Multicultural in its casting and pointedly political in its choice of bad guy, The Magnificent Seven is a 2016 movie all the way.

The film is a rousing entertainment with catchy music and terrific choreography; it's just that the Bollywood touches are made all the more palatable for the Western viewer through familiar, comfortable packaging.

My list of didn't - see - yet shame includes: Eskil Vogt's Blind that everyone raved about, Brendan Gleeson's Calvary which Fox Searchlight picked up, German drama Wetlands, Jake Paltrow's sci - fi western Young Ones, Jim Mickle's Cold in July, bedtime horror The Babadook that some said is the best of the fest, Mark Duplass & Elisabeth Moss in The One I Love, Jenny Slate in Obvious Child, A.J. Edwards» Lincoln film The Better Angels, plus the highly praised closing night film They Came Together, not to mention the Audience Award winning doc Alive Inside: A Story of Music & Memory.

Among the film composers who've incorporated the often - mystical sounds of ancient ethnic music into western civilization's more straight - laced approach to movie scoring, the creative explorations of Mychael Danna has managed to turn soundtracks into a state of Zen.

Also, the game reproduces a «grainy film» effect and uses music from various Spaghetti Western films, including those composed by Ennio Morricone.

Also, the game reproduces a «grainy film» effect and uses music from various Spaghetti Western films.

During high school, his tastes diversified; he loved Yellow Magic Orchestra, begun to appreciate Western pop music, and also started to enjoy the work of modernist composers and his protegé, late film composer Jerry Goldsmith.

The panoramic view of inventive female imagery in the film and the selection of the music reveal the irony reflected in political and cultural norms between Eastern and Western societies.

Asheville, North Carolina The largest city in Western North Carolina is also its most artistically - inclined, with strong traditions in live music, performing arts, film and fine arts.

Instead of seeing films and hearing music portraying the culture and peoples of her ancestral continent, she grew up surrounded by media almost exclusively entrenched in Western culture with little representation.