Sentences with phrase «wet paint drips»

Not exact matches

Extending the post-painterly abstract techniques of pouring and staining, Saccoccio creates skeins of crisscrossing drip lines, often adding pure dry pigment to the wet paint, imbuing them with colors not normally seen in daily life.
Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.
Matte lumps of paint, resembling miniature mountain ranges collide with drips and splashes of wet, gloopy paint.
The strokes were made with a brush loaded with red or black and painted directly onto a wet ground; we can see the speed of the mark, the downward pull of gravity, and the drips where they meet.
The carefully rendered bicycle stands against an array of vertical stripes of color, painted using a wet application, the flows and drips of the pigment clearly visible.
He began by pouring bold, sometimes even fluorescent colors of paint directly onto unprimed, unstretched canvases, which he would then fold and crumple while still wet to create luminous washes of color layered with glowing striations, drips, and pools of pigment.
Created by adding pools, drips and splatters of color to wet bands of paint applied with a roller, these works re-asserted the artist's interest in color.
«This exact moment I'm focused on work for a solo show opening this spring at Pari Nadimi in Toronto featuring new gestural software for making dripping wet feminist abstract expressionist video paintings,» he tells The Creators Project, adding that 2016 will also be the year during which his wife and him going to give birth to their first child in VR.
Both artists use muscular, paint loaded brushstrokes, wet paint and its drips, heavy impastos that create relief in crowded compositions bursting with energy.
Connors, 41, often takes rubbings from his studio floor or drips wet paint from one painting to another, in the process testing the potential of abstraction.
In her Contortions series, the modeled paint is pinned to the wall where it bends and contorts, cleverly echoing drips and gestures of wet paint.
Experimenting with the paint, dripping, pouring, working «wet into wet» over laying washes and texture.
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