Sentences with phrase «what modern culture»

What Modern Culture Says About Divorce Society encourages you to pursue true love at all costs.

Not exact matches

Every one of 2015's 10 top grossing films worldwide was released somewhere in IMAX form, indelibly attaching its brand to what is arguably the last, greatest communal experience in modern culture.

But in 2013, the whole Randolph and Mortimer Duke image just isn't what's hot in modern mustard culture.

Social Media Success Policy Template The hyper - speed and incredible reach of modern social media makes for uncharted territory that many companies are still floundering with, when it comes to what can and can not be said to avoid legal liabilities, how to handle a crisis in the public eye, and standard procedures and guidelines for creating the kind of culture you want on all your social channels.

Former Salesforce and Influitive VP Sales David Priemer joins the podcast to discuss how to create and sustain great sales culture in modern B2B sales organizations - what defines elite culture and how it drives revenue.

He joins Ambition COO Brian Trautschold to discuss how to create and sustain great sales culture in modern B2B sales organizations - what defines elite culture and how it drives revenue.

Contemporary romantics are given to disdaining the etiquette tradition of their own modern culture, while waxing sentimental over similar practices in what they regard as more authentic cultures.

CAMERON: Hillsong United, Bethel, Jesus Culture, Gateway and countless others: What do you think has led to the explosion of modern worship we've seen over the last 15 years?

What distinguishes the Muslim from the Hindus, he said, is a particular kind of dress and a few remnants of Mughal refinements which will soon be swept away by the scientific and international culture of the modern age.

To what extent is this a church - universal struggle to handle certain Scripture texts faithfully, and to what extent is it just a theological repackaging of modern American culture wars?

Paul Tillich's theology of culture, Rudolf Bultmann's demythologization, today's death - of - God theology are all adaptations of Christianity to what is conceived of as the nature of man and modern society.

Better to understand Chesterton's idea that Jews were not naturally a part of English culture without the inevitably determinative intervening lens of the Nazi holocaust, we might compare it with modern English perceptions of the problem of multiculturalism as it applies particularly to the Moslem community, still widely seen as being impossible to assimilate: thus, there is understood by many decent and tolerant people to be what might be termed a «Moslem problem» (just as many decent and tolerant gentiles in Chesterton's day thought there was a «Jewish problem»).

What one actually sees is premodern, modern and postmodern elements in one hybrid culture, in one city, in one person.

What I see as sad are two competing but similar responses in our post modern culture - the absence of feeling and the bathing in feeling.

But maybe that set apartness is supposed to be more in the way we show grace for people we dislike, or the way we treat others, not in what aspects of modern culture we eschew.

This, I presume, is what William Schmidt had in mind when he called for a theology which would relate faith to the «modern world of culture,» and one which would theologize «consciously and with a measure of clarity» («Theology: Servant or Queen?»

The intramural dialogue over what Mark Noll has called «the scandal of the evangelical mind» worries that intellectually serious people have passed evangelicals by while we were allured by the sensations of revivalism, seduced by a materialistic market - driven culture, overtaken by the «disaster of fundamentalism» in the face of challenges from modern science and technology, and robbed of our universities through negligence and the inertia of secularized education.

«For the educated person can not play his full part in modern life unless he has a clear sense of the nature and achievements of Christian culture: how Western civilisation became Christian and how far it is Christian today and in what ways it has ceased to be Christian»

There are other sins described that are not God's best that in modern culture have been accepted, divorce, adultery gossiping etc. it doesn't change what God says about these things either.

The most this period could have done was to buy time for a fuller and better synthesis to be worked out between Catholic theology, and what is either well proven, or at least intrinsically probable in the philosophy of modern science, and the culture built upon it.

Fosdick sensed this weakness in liberalism when he declared in the 1930s: «What Christ does to modern culture is to challenge it.»

What better way than by communicating who we are through various dialects of modern culture?

None of these developments is unique to the United States; all, to one degree or another, are characteristics of a growing global culture that defines how organizations should behave and what it means to be modern.

Those who take comfort in evangelical dogmas are fleeing what Hedges terms our «Culture of Despair» ¯ the social and economic conditions of modern industrialized America.

For them the absence of God or what John of the Cross called «the night of the spirit» were experiences as acute and painful as what the a-theism of modern culture evokes in us.

When you dismental your borders and permit people from other cultures then you invite disaster and this is what the modern states face.

There is little need for another novel satirizing the narcissism and superficiality of our celebrity - obsessed culture, but what distinguishes Beha's book is the insight that modern people, now deprived of being the apple of God's eye, must create elaborate and dramatic false idols to satisfy the human need to know that someone, anyone, is taking stock of their lives, however contrived and superficial they may be.

I suppose what the phrase denotes is the modern culture which gives great emphasis on human being as a creator of culture and of history out of nature and which also believes that human being and history require no transcendent reference to a Divine Creator or a Divine Redeemer from self - alienation to bring about the realization of the community of love which is the ultimate destiny of humanity.

What makes George Bailey one of the most inspiring, emotionally complex characters in modern popular culture is that he continually chooses the needs of his family and community over his own self - interested ambitions and desires — and suffers immensely and repeatedly for his sacrifices.

If my colleague Brad Gregory's historical assessment is true, and if Ephraim Radner's «Protestant version» of the Reformation's purported beneficial effects» that it «gave us back our consciences, granted us freedom, unleashed reason,» etc., and has given rise to modern secular institutions that have exercised caritas even better than have Christian institutions» are arguable if not actually overstated, what then are modern Christians (Protestant and Catholic) to do in the face of contemporary culture's relentless hostility to sacred things?

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When we think of all the horror stories we've been told about what will happen if we don't follow a laundry list of rules about how to raise our children in today's modern, Western society, you can bet that pretty much none of it applied to our early ancestors (or even other cultures today).

First published anonymously in 1818, the book and subsequent films and plays have become what Jon Turney, author of the book Frankenstein's Footsteps: Science, Genetics and Popular Culture, calls «the governing myth of modern biology»: a cautionary tale of scientific hubris.

If everybody's going modern, what does it mean to preserve culture?

This writer didn't label it or condemn it — what he did was put forth two sides of the argument and left it open,» says Tadros, who also studies suicide in modern cultures.

We discover what organs have been damaged and inflamed by our modern culture?

A true «what's old is new again» story that our great grandmothers would probably laugh about, modern culture is finally catching up to what traditional cultures have known for years... that broth is an inexpensive and versatile source of nutrients.

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Sadly, our modern culture has created a world where some people often feel the need to create a fake persona just to get a taste of what a real relationship could feel like, because they don't see themselves as worthy of getting a real girlfriend or boyfriend.

Andrea told us the company inspires a culture of curiosity as team members seek to understand what appeals to modern consumers and how brands can keep up with the times.

You can connect with Debra on Facebook, take a look at her speaking schedule, or contact her online to hear more of what she has to say about the value of love in modern dating culture.

Whether it's a review of the latest online dating app, a deeply - reported analysis of marriage equality laws, or a first - person account of what it's like to «manscape,» the HowAboutWe Media network will provide an entirely unfettered, honest look at the world of modern love and culture.

Indeed, contrary to what pop culture's portrayal of single women might have lead you to believe there are, officially, more single men than women in Our generation has been the guinea pigs of modern dating.

Nevertheless many have adopted what they would regard as the more successful parts of Western culture (such as ways of doing business) in order to further their own countries in a highly - competitive modern world.

Parts of what is modern - day northwestern Iran was part of the Kura — Araxes culture (circa 3400 BC — ca. 2000 BC), that stretched up into the neighboring Ancient Persian Art & Culture: Sculture (circa 3400 BC — ca. 2000 BC), that stretched up into the neighboring Ancient Persian Art & Culture: SCulture: Summary.

And what starts out as youthful fun spins out of control, revealing a sobering view of our modern culture.

The boisterousness of the film's finale, with its sieges and rescues, its lightning bolts and flash floods, relieves what would otherwise be an almost unbearably sad evocation of what is least preservable about youthful experience: not so much the loss of that «innocence» that is such a hackneyed motif of modern American culture (and for which summer camps have always been a favored location) but the awakening of the first radiance of mature intelligence in a world liable to be indifferent or hostile to it, an intelligence that can conceive everything and realize only the tiniest fragment of it.

In what became an unfortunate trend that continues to this day, the modern breed of animated features relies a bit too much on crude gags and up - to - the - minute pop - culture references rather than on a magical sense of eternal appeal — Shrek falls into that camp, and even a mere decade - and - a-half later, much of it feels dated.

Whether it's as direct as a Māori Dennis the Menace — type kid (Julian Dennison) bonding with a reluctant white father (Sam Neill) in Hunt for the Wilderpeople (2016) or as abstract as the outsider experience of Wellington's long - standing vampire society delineated in What We Do in the Shadows (2014), Waititi's movies exist at the nexus of native and colonizer cultures, the dichotomy that forms the basis of modern postcolonial theory.

Moreover, since Nearpod is mobile responsive, it encourages a responsible culture of consumption, rather than penalize students for using what has become a modern life staple.