Sentences with phrase «what drives each character»

What drives each character to overcome tragedy and adversity?

What drives these characters is hunger, whether physical or metaphoric.

At the end of this workshop, you will have a better understanding of what makes your main character tick, what drives your character through the story, and how conflict affects character growth and change.

Not exact matches

Generally, do atheist believe that mankind is naturally good or naturally bad; another way to ask; how do atheist explain the good and evil natures of mankind?That is: what is the driving force behind mankind's character?

When these steps have been taken, we shall be freed from being driven to the construction of implausible just - so stories, alleging that human capacities of which we have basic experience are totally different in character from what we, in fact, know them to be.

Despite no longer driving in Formula 1, David Coulthard remains a big character in the paddock — but what would happen if he decided to interview himself?

What's with all the hype?How many star players have left Arsenal and were better or even stood out in their teams as the best players.There were some players who looked okay in other teams but when they came to Arsenal they seemed like they were already stars before coming.What makes people think Sanchez is irreplaceable?People have to shun such thinking.But I wouldn't blame you as our manager lacks grit and strong character which has driven itself into the club's mentality.Even Arsenal survived without Thierry Henry who was another level as compared to Sanchez.

«I'm fascinated by the national psyche, by what drives people, it's much more interesting to write a script that has something to say, not just character stories.

Warm, intelligent and highly articulate, there's far more to Casey than the punchline - driven character she played for so long — although she does like to pepper her speech with what your granny might call «broad language», usually for comic effect.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

That forward thrust, that sense of both character and audience not knowing how he'll react, or what he'll do next, gives the film an exciting narrative drive.

[Writers] Cavayé and Lemans... dump all manner of double - dealing and good cop - bad cop intrigue into what could have been a wonderfully streamlined, character - driven thriller about an innocent man forced to do the bidding of criminals to save his family.

These smartly written, emotionally driven characters are what Latino audiences should expect going forward.

Forster and screenwriters Matthew Michael Carnahan, Drew Goddard, and Damon Lindelof have taken what used to be a character - driven zombie story, ripped out its brain and heart, and left it as nothing but a stumbling corpse kept alive on life support with a blockbuster budget.

Three Billboards Outside Ebbing, Missouri is a character - driven dark comedy that delivers what it advertises, with Frances McDormand on top.

The romantic angle is what drives the narrative of the film, but this is first and foremost a character piece that is clearly built around its tremendous leading lady.

They are character - driven, and indeed what is most memorable about them are the characters and the actors who play them.

Drive plays, in a lot of ways, like a movie that was made specifically for me: a picture that really takes its time with a few characters, and lingers on the sense of what's going on between and around them.

What is the character's journey or driving force?

Besides the «sick mum» card that's played early on, it's hard to know what drives her, and her characters motives are clouded by an early act of revenge she commits.

It seems fairly obvious what roles each thesp will take with the promise of a character driven period drama featuring the two highly exciting considering what Crowley was able to do with «Boy A.» We're not familiar with the source material, but it sounds more melodrama than her usual thriller (the author, of course, was the writer of «Strangers On A Train» and «The Talented Mr. Ripley «-RRB-.

More importantly, as Captain America: Civil War proves, they can balance a full - to - bursting line - up of superheroes and what is essentially three different movies — an extension of Winter Soldier's espionage vibe, an Avengers movie in everything but name, and a PTSD psychological drama — while still delivering something coherent, character - driven and more satisfying than the a series of things - blowed - up - real - good set pieces.

A character never seen, but whose cold - blooded drive to finish the experiment no matter what the cost in money or in safety is perfectly represented by his smooth factotum (Irrfan Khan).

Where Cimino (over) reached for grand themes on an even grander canvas, Cooper delivers what essentially amounts to a character driven genre piece, albeit one wrapped in the ubiquitous state - of - the - nation accoutrements of its 2008 setting.

The FX are extraordinary and Eric Barba's team is incredible, but Jeff was driving that rig and Jeff's performance is still what makes that character so compelling.

With a busload of kidnapped high school students, a flock of powerful parents and a smattering of high - caliber stars, NBC's «Crisis,» which premieres Sunday, seems prepared to do what CBS couldn't with «Hostages» — create a high - octane, character - driven...

Refn knows exactly what he's doing — he's in on the joke — and he revels in the sensory pleasures of film as an art form (the score by Cliff Martinez, who also did Drive, is practically a character here).

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

What could be better than a character - driven Western in which Christian Bale and Russell Crowe spend more time matching wits and swapping philosophies than firing pistols or punching each other?

At the film's recent press day, Carrey and Daniels talked about reprising their roles in the sequel, how it was driven by fan demand, what it was like getting back into character and finding their chemistry again, the love between the characters, which one is Dumb and which one is Dumber, how the characters hold a special place in their lives as they do for the fans, the return of the Mutt Cutts van and other callbacks from the original film, working with Kathleen Turner, their favorite scene, and where they see their characters in another 20 years.

By segregating the movie into three separates character portions, he allows the film to move at a brisk pace while keeping important items connected around the idea of suicide and what drives humans towards these self destructive actions.

Best Bear Attack: The Revenant Best Mosasaur Attack: Jurassic World Best Blind, Flamethrowing Guitar Player: Mad Max: Fury Road The Winklevi Award for Excellence in Playing Twins: Tom Hardy, Legend Worst Romantic Chemistry: Dakota Johnson and Jamie Dornan, 50 Shades of Grey (Runner - up: Nicole Kidman and Chiwetel Ejiofor, The Secret in their Eyes)(Honorable Mentions: Mila Kunis and Channing Tatum, Jupiter Ascending; Chris Hemsworth and Tang Wei, Blackhat) Best Fake Soap Opera: Joy Best Fake Magazine: Trainwreck («S'Nuff») The Gay Panic Award: Get Hard (Runner - up: The D Train) Best Alec Guinness Impression: Max von Sydow, Star Wars: The Force Awakens Worst Liam Neeson Impression: Sean Penn, The Gunman Best Turn - of - the - Century Reference to The Atlantic: Crimson Peak The Unbroken Award for a Portrait of Endurance that Gradually Becomes an Exercise in Endurance: The Revenant Best Use of «Smells Like Teen Spirit»: Pan Best Use of «Freebird»: Kingsman: The Secret Service Best Use of «Girls Just Want To Have Fun»: Anomalisa Least Convincing Hacker: Chris Hemsworth, Blackhat Least Responsible First Responder: Dwayne Johnson, San Andreas Person You'd Least Want in Charge of National Intelligence: Andrew Scott (Sherlock's Moriarty), Spectre Most Comprehensive Annihilation of an Intended Franchise: Josh Trank, Fantastic Four Best Driver: Ben Kingsley, Learning to Drive (Runner - up: Robert DeNiro, The Intern) Worst Total Box Office: Confession of a Child of the Century, $ 74 (Runner - up: Paranoid Girls, $ 78) Most Disturbing Sex Scenes (Human Category): Love Most Disturbing Sex Scenes (Puppet Category): Anomalisa Best Performance Playing a Character Named «Toussaint»: Jimmy Jean - Louis, Joy (Runner - up: Fabrice Adde, The Revenant) The «Marry Me and I'll Buy You a Piano» Award: Far from the Madding Crowd The «That Was Beautiful; What Happened?»

Wonder Boys is about characters and interactions; it's about one of our most talented screenwriters, Steve Kloves (The Fabulous Baker Boys, Flesh and Bone), working at the absolute top of his profession; and it's about a cast so very sublime and dead solid perfect that wondering what will happen next doesn't drive the film so much as hoping that whatever it is takes its sweet time: We want these people to stay put.

There's going to be story, character, and gameplay - driven motives to keep playing, but we haven't yet fully worked out what the progression system is going to be for that.

What starts strong slowly loses its grip as the plot and themes unbalance the characters driving them to its conclusion.

But he lapses into unnecessarily long discussions of what the characters are thinking and what drives them to do what they are doing on screen, which gets bland after a while because by the time you've gotten to the commentary, of course you've already seen the film and don't need to be told what's happening.

With such a sensitive character at its heart, all of the image manipulation both in front of and behind the cameras inevitably comes off as macho posturing — which is, this film suggests, precisely what drives the sport of boxing in the first place.

That's just the start of what's going on in director Christian Petzold's latest character - driven thriller Phoenix.

After an extremely busy year for Fanning, it will be interesting to see what she brings to the character - driven sci - fi tale.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?&raquwhat's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?&raquWhat's my motivation?»).

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?&raquwhat's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?&raquWhat's my motivation?»).

The story and characters are what really drive the interest in advancing through what might have otherwise been a slog of a brawler, but the action driven gameplay also keeps it fun and exciting.

Two childhood friends growing up in poverty in south Boston come under the influence of a local crime boss, only to strike out on their own when he is caught and imprisoned by the F.B.I. Despite the marketing that features explosions and SWAT teams galore (neither of which actually appear in the film) What Doesn't Kill You is a character - driven drama set in the world of petty urban crime.

What would happen if they made a Star Wars film that was more character driven than focusing on battles and lightsabers?

«Three Billboards Outside Ebbing, Missouri is a character - driven dark comedy that delivers what it advertises,» finds Alex Doenau.

But as a character study, which is ultimately what drives the plot, its layering is thin.

What You Need To Know; With «Source Code,» «End Of Watch,» «Prisoners» and «Enemy» arriving onscreen in the last few years, Jake Gyllenhaal «s been on a hell of a run, and hopes are high that it'll continue with his latest character - driven noir «Nightcrawler.»

A smoothly written script gives us glimpses of what these characters are going through allowing the film to drive home it's hall of fame status as one of the most well crafted films of all time.

The approach may be common and fairly basic, but that is exactly what this film needs considering how character driven it is.

Creed Film Review by Kam Williams Rocky Franchise Revived with Compelling, Character - Driven Spin - Off When most people think of Rocky Balboa (Sylvester Stallone), what automatically comes to mind is the iconic image of a gutsy underdog easy to root for who held his own in the boxing ring against a variety of imposing adversaries.