As long - time fans
of Alfonso Cuarón, it's truly thrilling to see the «Children Of Men» director granted the kind of absolute freedom he has here, both in terms of budget and for his camera, Emmanuel Lubezki «s extraordinary cinematography floating untethered, giving what feels like the closest simulation of actually being in space that you could ask fo
of Alfonso Cuarón, it's truly thrilling to see the «Children
Of Men» director granted the kind of absolute freedom he has here, both in terms of budget and for his camera, Emmanuel Lubezki «s extraordinary cinematography floating untethered, giving what feels like the closest simulation of actually being in space that you could ask fo
Of Men» director granted the
kind of absolute freedom he has here, both in terms of budget and for his camera, Emmanuel Lubezki «s extraordinary cinematography floating untethered, giving what feels like the closest simulation of actually being in space that you could ask fo
of absolute freedom he has here, both in terms
of budget and for his camera, Emmanuel Lubezki «s extraordinary cinematography floating untethered, giving what feels like the closest simulation of actually being in space that you could ask fo
of budget and for his camera, Emmanuel Lubezki «s extraordinary cinematography floating untethered, giving
what feels like the closest
simulation of actually being in space that you could ask fo
of actually being in space that you could ask for.
In our review, we called Papers, Please «a
simulation of that moment that a cog in the machine's heart finally stops beating, or a
kind of hidden object game where
what you're mostly looking for is a glimmer
of hope.»