Sentences with phrase «what work of art»

What work of art would you most like to own?

The conceptual artist Sol LeWitt (b. 1928) argued: «What the work of art looks like isn't too important.

What work of art first made you feel the wow factor?

During this relatively brief interval, Irwin interrogated the most essential premises of art and, in the process, redefined what a work of art could be, proposing that art not be limited to objects but be considered a way of seeing.

Battling exhaustion and the flu on the Monday after the opening, Goldstein, sitting in the Stedelijk's popular restaurant with a cup of fresh mint tea, considered for a moment, then said, «If artists make arguments about what a work of art can do, and if artists give us an opportunity to have insights through their own eyes and words to culture we all share, I think Mike, in a most profound and almost impossibly comprehensive way, gave us not only a window [into] but in some ways a means to rethink art and to examine our relationship to our culture and our society.»

The exhibition's logic incorporates that of the nomadic cultural incubator, cross-continental happening, and moving earthwork Station to Station, 2013, which, like so many of Aitken's works, embraced a collaborative spirit beyond disciplines and beyond walls to reimagine the nature of what a work of art can be, of what an art experience can do.

What work of art do you wish you owned?

Minimalism Appearing in the 1960s, Materialism's abstract aesthetic required the audience to no longer attempt to imagine what a work of art represented, but rather to react to what they see.

Of Warhol in particular, Craig - Martin said: «Warhol is possibly the most important figure in the fundamental change that occurred in art in the early 60s... [he] changes the whole notion about what a work of art is and how one deals with it.»

I can not stress what a work of art this game is.

What a work of art and nature is Marilyn Monroe.

What a work of art!

Oh my gosh, what a work of art!

BTW, my parents got both the Penney's and Sears catalogs throughout that glorious decade; who knows what works of art lurk in the backs of their closets.

The curator believes the works prompt viewers to consider how history appoints dominant artistic voices and who decides what works of art are fit for canonization and continued study.

What became ever clearer to me in organizing this exhibition was that I could never second - guess the artists in terms of what works of art they would focus on.

Not exact matches

A new book from the author of «The Art of Nonconformity» asks: What if today was your last day of working for someone other than yourself?

No matter who you are or what your business is, Episode 105 with Vanessa Van Edwards is a must - hear interview to learn the art and science of how people work.

The art of integration kept it all working together, under one brand and one brand experience, with me as brand ambassador at each touch point, which is exactly what I teach today.

From cleaning a Mark Rothko painting to deconstructing and reassembling Claes Oldenburg's «Floor Burger» (which is exactly what it sounds like), Phillips has had privileged access to invaluable works of art.

«That's still an area where it's an art, not a science, understanding the patterns of what's likely to work and not, and how companies navigate that,» she said.

[1:20] How the kindness of a stranger changed Tony's life [3:35] Peter Diamandis talks about the origins of X Prize [6:30] Technology helping the agricultural industry [7:00] Sequencing genomes [8:55] Life - work integration [11:15] Finding your highest calling in life [12:00] Reframing what is «impossible» [14:00] Strategy vs. psychology [15:00] Changing your state [16:00] The science of achievement, the art of fulfillment [19:00] Living in a beautiful state [24:00] Thinking 10x bigger [28:00] Surrounding yourself with a «nothing is impossible» community [29:00] The news pollutes your mind [31:00] Tony's natural gifts and core beliefs [33:30] Overcoming failure and criticism [37:45] Defining your environment [40:00] Life happens for you, not to you [42:00] Rituals and practices to up your game [46:30] Tony's priming process

Part of what makes art so necessary in today's culture is that the artists behind great works don't allow themselves to be boxed in by conventionality.

It is a well - crafted work of art, well worth studying for the formalistic criteria it suggests regarding what should count as good dramatic structure, literary composition, conceptual coherence, and affective import.

We aren't told what Thompson believes now» and his art does not require us to place him in any doctrinal camp» but by the end of Habibi he seems to have least worked his way to a beautiful observation: «God's followers worship not out of the hope for reward nor fear of punishment but out of love.»

When I consider thy heavens, the work of thy fingers, The moon and the stars, which thou hast ordained; What is man, that thou art mindful of him?

I may do what I see fit with my own works of art, but it is another matter altogether when someone else invades my studio and smashes them to bits!

«If there occurs in the work of art a disclosure of a particular being, disclosing what and how it is, then there is here an occurring, a happening of truth at work.»

This would involve long listenings, the end of the first - impression review, a dedication to research and a horribly articulable purpose: to shed light on difficult works of art, reveal their inner unity, describe their structure and articulate in clear terms what the artist is trying to say.

Whether the stars are as near as they seemed to the Psalmist or are removed by the millions and billions of light years to which we must accustom our imagination, still the question is the same: «When I look at thy heavens, the work of thy fingers, the moon and the stars which thou hast established; what is man that thou art mindful of him, and the son of man that thou dost care for him?»

Thou ow» st the worm no silk, the beast no hide, the sheep no wool, the cat no perfume... Thou art the thing itself; unaccommodated man is no more, but such a poor, bare forked animal as thou art,» Lear strips all humanity naked with his words of terror and abandonment as he works to discover what it means to be a man, not a king.

I enjoy doing my art, and it provides me with hours of relaxation, contemplative time, hard work that has visible results (unlike the ministry), and extra income to supplement what I make as a pastor.

Flat, blank facades on buildings conceived as commodities — or just oddities — rather than works of civic art; flat modernist pictorial abstractions; the flattening of cultural history into pseudo-history packaged as what Henry dismissed as «applied sociology» — all spoke to him of something far more ominous, the abasement of man and the crude negation of his proper relationship to nature as embodied in the great tradition.

Green himself is a subscriber to the belief that the best works of art are partly defined by what you bring to them, and while on the surface this is a book about death, it's actually a book about life, though never a sentimental one.

After it was published I experienced what literary critics often point out, that any work of art — a poem, a painting, even a book of theology — quickly escapes its creator's hand and takes on a life of its own.

Thus it has been the bearer of wisdom about what is good in human life, about sexuality, about being young and growing old, about work and money, children and family, duty and sacrifice, about friendship and love, art, literature, and music.

I couldn't tell who was having more fun, Brian or Joe, but they were working together, making their own kind of art, Anne riding her bike, exploring, and I've noticed my tinies just like to be with us, it doesn't matter what we're doing, they just like to be there, and there is no greater longing of their hearts than to help, let me help, let me be a part of it all.

When I consider thy heavens, the work of thy fingers, The moon and the stars, which thou hast ordained; What is man, that thou art mindful or him?

Artists in every medium have an imagination and an intelligence that enables them to pull together what they perceive in the world and contemplate in their souls in the process of creating new works of art that in turn help the rest of us apprehend reality in entirely new ways.

(One wonders what the Reinhold Niebuhr of Moral Man and Immoral Society would have thought about the working premises of Kiefer's art.)

With the approach of Updike's 50th birthday, and with the publication of this his 25th book, it is time to offer an assessment of his work as a whole: to trace his natively Lutheran vision of life as cast by God into an indissoluble ambiguity, to examine his treatment of death and sex as the two phenomena wherein the human contradiction is most sharply focused, to set this new novel in relation to the earlier «Rabbit» books, and to determine what is religiously troubling and compelling about Updike's art.

In so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has created.

Basically, a new way of looking at old texts or works of art, grounded in a sense of inferiority vis - a-vis what the Ancients achieved in science and the arts.

Thus what is expressed in the work of art obscures from our vision that complex working process by which the artist forms the feeling for himself.8 The feeling is not formed in advance, awaiting externalization.

A true work of art is coherent with other instances and modes of apprehending what is and what ought to be; that is to say, it illuminates the meaning of life.

What is irreplaceable in the work of art?

Today, in our second On the Square essay, Patricia Snow reflects on the work of Diego Velázquez and what the recent discovery of a lost Velázquez painting at Yale University Art Gallery might tell us about the artist:

In this respect, his approach is very different from that of another distinguished literary critic, Robert Alter, author of The Art of Biblical Narrative, who deprecates what he calls the excavative techniques of professional biblical scholarship and works with the text as it is, in its final form.

What do praise bands and church orchestras and bell choirs and octaves of tuned bells and multi-rank pipe organs and grand pianos and synthesizers and adult choirs and children choirs and choir auditions and choir robes and music folders and the search and review and selection analysis and purchase of new music and multi-line PA systems and multi-screen video systems and live broadcasts and recorded broadcasts and hours of rehearsal time and church bulletins and church bulletin art work and church bulletin paper and designer fonts and newsletters and mailing lists and advertising and advertising placement and multi-media web sites and visits by unique IP addresses and the use of and the presence on new media have to do with living and sharing the Good News?

In the opinion of the Times» photography editor, the curator of a university museum «came closest to the truth when she told the prosecutor..., «It's the tension between the physical beauty of the photograph and the brutal nature of what's going on in it that gives it the particular quality that this work of art has.