Sentences with phrase «when exhibition mode»

Not exact matches

When I started the game up I just went straight into an exhibition bout and then straight onto the Grand Prix mode.

As film production and exhibition rapidly embraces digital technologies, more and more contemporary films are paying homage to earlier modes of production when films were shot and screened on film.

When the game was loading I wasn't expecting much, tournament mode, exhibition mode, simple team tactics perhaps but nothing more.

This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.

When we meet, though, on a drizzly February morning in east London, he's deep in planning mode for his first major solo show in China, which opens in late March at the slick new Fosun Foundation exhibition space in the Bund Finance Center, Shanghai.

A central theme of the Gallery's exhibition is the increasing mobility of the art world as a result of new modes of transportation including jet aviation and the interstate highway system during the late 1950s and 1960s, when artists, dealers, and works of art moved more swiftly between the coasts and Europe and with increasing regularity.

Curated by Simonetta Fraquelli, an independent curator and specialist in early twentieth - century European art, the exhibition explores Pablo Picasso's work between 1912 and 1924, prior to, during, and after the tumultuous years of the First World War, when the artist began exploring both cubist and classical modes in his art.

They discuss curating as collaborative research, asking what happens when exhibition operates as a mode of research in its own right.