Sentences with phrase «when painting your pattern»

Not exact matches

This is when my sketchbook comes out and I trawl through all my ideas and decide what pattern to paint.

When he wasn't playing with them, he'd finger paint with them... driving them through the paint, making patterns from the tires... then the painted vehicles would join him in the tub to play car wash.

When the wasps were returned to their nests, those with the altered markings were attacked more often than wasps whose paint jobs coincided with their original patterns — even though they retained the chemical cues that they belonged in the nest, Tibbetts reports in the 22 July issue of the Proceedings of the Royal Society.

I will note that the wall that has Addilyn's crib is supposed to be painted in a floral pattern, but the roller never came in time and then Addilyn was a week early, so it has yet to be done, but when we do it, I will be sure to post (this floral paint roller is another amazing Etsy find).

When Erin couldn't find a design she liked, she hand - painted this floral pattern and had custom wallpaper created just for the Walkers.

With the help of striping tape, create random lines so that when painted over an olive nail polish, it results in geometric patterns.

I had been wanting to add some word art to my Christmas decor using that pattern and when I finally found a saying I loved on a (very expensive) hand painted sign from West Elm, my mind lit up with the perfect idea.

Just grab one of those cheap unfinished frames from your favorite craft store and use some beachy colored paint in random patterns... When it dries paint... [Read more...]

This beige nail art is very elegant but it becomes more fashionable when some floral patterns are painted with the black nail polish.

When Switch is docked or in Tabletop mode, players will paint with the Joy - Con controller's motion controls by moving it in the desired pattern.

When you're touring prospective homes, don't get sidetracked by paint color, wallpaper patterns, decorations and furniture.

The two are combined when a deep neural network extracts the style from the painting and an algorithm then combines the two patterns together.

When you look at works such as Sobel's untitled 1944 painting shown, the temptation is not to see the vegetation like drip pattern blending with the figure as much as to see the dripped paint obscuring the figure — just as circumstances conspired to obscure the figure of Janet Sobel for more than half a century.

But when Lyrical Abstraction waned and Pattern Painting petered out, Seery and Zakanitch continued to explore the manners and motifs that had initially motivated them, only released from the expectations of the art world (most especially, and perhaps dauntingly, their peers).

ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract design.

While drawing on the language of 20th century abstraction, White's pattern paintings temper that language's impulse towards epic, auratic significance, and emphasize, rather, the endless adjustments that are made when abstract forms encounter the world of the everyday.

The other day, when I came out of the C - Town at Wyckoff and Dekalb, I saw a woman wearing beige leggings made of polyester lace that featured a big repeating flower pattern, and I thought of your paintings.

A LETTER TO TAMARA GONZALES FROM SHARON BUTLER Dear Tamara, The other day, when I came out of the C - Town at Wyckoff and Dekalb, I saw a woman wearing beige leggings made of polyester lace that featured a big repeating flower pattern, and I thought of your paintings.

ABF: When looking at some of your paintings I get the feeling that there are people under the patterning.

Completed between 2014 and 2016, this suite of works consists of abstract patterns painted on top of color copies of Binion's birth certificate, and pages from the address book he kept from the 1970s to 1992, when he left New York to teach in Chicago.

Physically moving around a black - on - black painting of a cubic grid will reveal layers of optical illusions, while simply blinking when standing in front of a canvas covered in a complex navy - and - white pattern tricks the eye into seeing an oscillating, three - dimensional piece of art.

It is a large - scale painting with the trademark blend of abstraction, anthropomorphic forms, and wood - grain patterns Dunham orchestrated in lively paintings in the 1980s, the period when he emerged as one of the leading postmodern artists.

Rarely do these commissions make any kind of larger statement about American art, but last fall, when Barack Obama selected Kehinde Wiley — a figurative painter who deploys the techniques, poses and patterns of the grand tradition of Baroque European paintings to portray contemporary black and brown men he finds on the street — to paint his official portrait for the Smithsonian, it at least reflected the Obamas» well - developed connections to the world of culture.

At a time when we have become desensitised to an image - saturated world, Tony Swain (born Northern Ireland, 1967) uses familiar sections of newspaper that are pieced together as a support for paintings of fragmented landscapes and abstract patterns.

He was only 23 when he arrived in New York, straight out of Princeton, and produced his now - historic «Black Paintings,» a series of large - scale, austerely monastic canvases divided into right - angled patterns of horizontal and vertical stripes.

Eschewing traditional methods of painting, in one of his critically acclaimed series Estep used an industrial kiln to sterilize soil before he sifted it in careful patterns through a metal screen onto the glue coated canvases, smearing them when he removed the screen.

So when Wright has completed the painstaking process of painting one of his neat abstract patterns on to a wall, ceiling or piece of coving in the gallery space, he insists that after an appointed viewing time, it must all be painted over again.

Even in his abstract paintings, when he abandons geometry and stylised elements and spreads out the paint on canvases in an «illogical» way, it is possible to recognise shapes and patterns that have always characterized his work.

They all have their genesis in overspray patterns on the tape Davis uses when spray painting.

Collectively, the works portray a tantalizing range of patterns and surfaces; they are often installed directly in relation to the architecture in which they are exhibited in order to purposively propel the direction of the viewer's movement in space, so that the paintings themselves address the viewer when they are both standing in front of them and passing by.

When the paintings are viewed together in the gallery, optically dense geometric patterns are seen in relation to flat monochromatic surfaces, photographic images, or faint contours disappearing under layers of luminescent diamond dust.

When he relocated to Munich in 1898 at the age of 19 to study painting, artists were beginning to move away from representing what they could see, and beginning to paint psychologically charged subject matter (Van Gogh), and studies in color, pattern, and light (Matisse).

When we spoke with him, he related his work to abstract painting and finding balance in shape, color, and pattern.

When Adams makes a pattern of irregular, diamond - like shapes across the entire painting, as she does in the title work, «Soft Power,» she alternates repeating and non-repeating colors and shapes.

When speaking about her process, «My paintings are constructed using a rule - based system to generate a series of interwoven layers of meticulous repeating patterns of dots, dashes, and grids in highly saturated, vibrant and illusory colors.

Her paintings are usually dominated by symmetrical linear patterns fashioned with bright acrylic colors except when figural forms emerge, which have the effect of decentralizing the composition.

When he began painting watercolors he employed bright color patterns with bold black lines to delineate shapes.

This emotive «inner world,» described by fuzzy gestures, liquid washes and subtle patterns, hints at vague pictorial structuring, but Caivano is at her best when creating a fluid and shifting space held together by patches of color and paint, «pictures» that question their own premise.

Some connections are open to debate — we can't be sure that Diebenkorn was thinking of the blue striped shirt of Matisse's Blue Eyes (1934) when he used a similar pattern on a dress, but we're convinced that both artists were keenly attuned to such details, and the virtue of such comparisons is to bring viewers into contact with the paintings at the same intimate level.

Particularly intriguing is the possibility that Mr. Katz's use of expanses of saturated color reflects not only the influence of Abstract Expressionism, the prevailing style when he was coming of age as an artist in New York City in the early 1950's, but also the impact of his parents, bohemian Russian emigres who tended to paint the rooms of their Sheepshead Bay home in Brooklyn in strange, intense colors and unusual patterns.

The first application would have been the matt black paint that creates the black and white pattern covering the entire stretched face of the canvas and the left and right edges (i.e. the two edges that can be seen when the painting is on display).

Fractured planes and a Cubist style of portraiture are prominent in most of Cedric's work, and he is equally adept at incorporating vibrant palettes and intricate linear patterns when working two - dimensionally in drawing or painting or three - dimensionally when sculpting ceramic masks.

The use of repeating motifs parallels life's patterns and these echoing images are made active when transposed within layers of hand - painted and collaged elements.

Thomas Downing, like Anthony Caro, was a great explorer of forms and movement, and this untitled painting on canvas of repeat dot irregular patterns is historically a fascinating picture when you consider it was executed prior to 1960, over forty years before Yayoi Kusuma's overall dot paintings and Damien Hirst's recent massive spot paintings.

9/28/17: «When It Comes to Gender, Let Confusion Reign» by Holland Cotter,»... the fine netlike patterns in Ellen Lesperance's gouache paintings are inspired by photographic close - ups of clothing worn by female activists, past and present.»

When brought together, Shemza's prints and Aram's paintings attest to the repeated patterns of construction and destruction that have shaped the narrative of art history.

According to the artist, the «shadows» in the painting were conceived accidentally when he saw that scraps of cut - out coloured paper had formed a chance arrangement of abstract patterns.

JS: At that time, when I visited your studio, you were making abstract paintings with a lot of pattern and tessellation.

A few feel quiet and mysterious, especially when patterns have been painted, or glued, on the reverse, so images emerge dimly from the back.

He made a defining breakthrough between 1986 and ’87 when he began to use paint rollers incised with floral and geometric designs to transfer patterns in severe black enamel to a white ground.