Sentences with phrase «when big galleries»

In the immediate post-war period, when the biggest galleries were still in Paris, the foremost dealer of Abstract Expressionists, Sidney Janis, relied on selling European art to make rent, and never had more than nine American artists at any one time.

Not exact matches

When I first saw Katharina Grosse's paintings at Gagosian, my reaction was that they were too big, and that the surfaces were too flat — that they looked better on the computer screen than they did at the gallery.

His biggest break came in 1975, when he had a solo exhibition at the Albright - Knox Art Gallery in Buffalo.

Occupying all three galleries, six of the works will be installed in pairs, the juxtaposition of which question whether it is the collision and union of two elements that creates a new reality when considering phenomena such as the Big Bang Theory, particle physics, or human procreation.

In the artworld, this translates into big dollars spent at the big November and May auctions, and at the top galleries, especially those that don't feel the need to vie for the top spot in this magazine's yearly rankings — that is, the Goodmans, the Gladstones, the Coopers, the Marks — because they're confident the money will be there when all is said and done.

When a young dealer opens a gallery downtown you'd expect her to show artists from among her peers, but Bridget Donahue makes a big statement with her first show - a mini-retrospective of Lynn Hershman Leeson.

When a young dealer opens a gallery downtown you'd expect her to show artists from among her peers, but Bridget Donahue makes a big statement with her first show — a mini-retrospective of Lynn Hershman Leeson.

When the bigger European and / or North American art galleries come to Australia they will have public relations teams, production budgets and a reach only surpassed by the juggernauts of Christie's (US 5.9 bn turnover 2013) & Sotheby's (US 5.1 bn turnover 2013).

When it comes to his transformation of abstract painting into oversized household objects, James Hyde works better in a big, private gallery than in this holding pen.

His gallery floor, however, takes a much bigger hit, and it will not so easily come to an end when the show closes.

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When it comes to large - scale artistic interventions into the natural world, the movement that usually leaps to mind is Land Art — huge, muscular sculptures carved or pulled from the earth by heavy machinery at the command of men like Robert Smithson and Walter De Maria, self - styled «gruff individualists» who claimed the studio and gallery were simply too small to contain their big ideas.

When newspapers give a list of the artists represented by Jay Jopling at the White Cube gallery - Damien Hirst, Tracey Emin, Antony (Angel of the North) Gormley, Marcus (Myra Hindley) Harvey, Marc (blood head) Quinn - the name of Gary Hume, one of the gallery's biggest money - spinners and currently probably its most fashionable artist, is always missing.

KB: I think a great aspect of the Affordable Art Fair is the way they put extra effort into supporting galleries who are championing emerging artists as well as well bigger names, it's so important to be given these platforms to exhibit your work when you're starting out as an artist.

His first big break came in 1962, when dealer Richard Bellamy, with the support of his backer, collector Robert Scull, invited Poons to show his work at the nascent Green Gallery.

The notion of a Northwest School, like most labels, was devised from outside Seattle during the late»30s and war years, when Tobey — eldest and most traveled of the Big Four — and Graves first drew notice in New York museums and galleries.

When the gallery hosted a bigger teamLab show in its Silicon Valley space last year, its 200,000 visitors paid $ 20 each for tickets — of which 80 per cent goes to the gallery itself.

- THE BIG STORY - When Gerhard Richter comes to town it's news, as the throngs of Europeans who mobbed his traveling retrospective overseas can tell you, and his impact was certainly felt when he opened his fascinating - and, in the estimation of Peter Schjeldahl, «important» - new show at Marian Goodman Gallery this wWhen Gerhard Richter comes to town it's news, as the throngs of Europeans who mobbed his traveling retrospective overseas can tell you, and his impact was certainly felt when he opened his fascinating - and, in the estimation of Peter Schjeldahl, «important» - new show at Marian Goodman Gallery this wwhen he opened his fascinating - and, in the estimation of Peter Schjeldahl, «important» - new show at Marian Goodman Gallery this week.

Tracey Emin has said: «When I'm not making art, I feel like I'm dying,» as her first big London retrospective, Tracey Emin: Love is What You Want, opens at the Hayward Gallery tomorrow until 29 August.

Among other distinctions, he represented Britain at the Sao Paulo Bienal in 1967, when that big international jamboree still carried a certain weight in the world's artistic affairs, and in 1973 his work was accorded a full retrospective at the Tate Gallery in London.

But when a gallery has a stable as deep and star - studded as Gagosian Gallery, the multinational representative of many of the biggest names in contemporary art, the possibilities are more progallery has a stable as deep and star - studded as Gagosian Gallery, the multinational representative of many of the biggest names in contemporary art, the possibilities are more proGallery, the multinational representative of many of the biggest names in contemporary art, the possibilities are more promising.

There are two paintings in the front room [When Time Ran Out and Beach Blanket Babylon] that are lower than the ones in the main gallery, but those are so big — they're so high — that you don't really see it.

But it seems vaguely disgraceful and unquestionably absurd that such a minor artist has such a big Tate exhibit when Richard Serra, who really could fill the Tate Turbine Hall authoritatively, and has created masterworks of imposing weight and scale in comparable public spaces in America and Europe, is kept waiting in the wings with yet another exhibition at the commercial Gagosian gallery.

In 1993, an artwork by Rachel Whiteread was the subject of the biggest scandal in British art since the notorious Tate bricks affair of 1976, when the gallery was publicly pilloried for having squandered public funds on a sculpture by Carl Andre consisting of 120 firebricks.

Second, in January, when the Schack completed its mezzanine - level gallery expansion, executive director Judy Tuohy contacted Close directly, told him she had a venue big enough to do his career justice and asked him for ideas.

What to do when an artist appropriates your hard work and flips it for big money at a high - end gallery?

When in 2012 the Tate Gallery in London staged a big exhibition of Klein's work together with Moriyama's, the latter took this as a singular honor.

It actually happened in the following two years, when I was about eight years old, my parents took me to see an exhibit at the Ontario Art Gallery — I believe it was a big abstract color field painting show, which included a huge red stained painting.

Those were years when spaces in between museum and big commercial gallery proliferated, generating a huge flow of counter-cultures and innovative «movements».

Artists: Saber Location: The Outsiders Newcastle Dates: Friday 6th of September 2013 to Saturday 5th of October 2013 En garde for one of the biggest names in international urban art, when Saber makes his European solo exhibition debut at The Outsiders Newcastle gallery this September.

The gallery's current exhibition is a case in point: the Italian Divisionists, an Italian translation of Georges Seurat's Neo-Impressionism, and a jumping - off point for the better - known Futurists (few of the artists are well - known outside of Italy, and when Boccioni appears in the final room it's as startling as seeing your elderly aunt in the Big Brother house).

While the fair itself certainly offers enough input for the weekend, not only with the presentations, but also with an exciting program of events taking place on Saturday and Sunday (more info here), we can't overlook the big Friday gallery night when all participating Berlin galleries open exhibitions in their gallery spaces.

And yet, the Barbican's curators are showing their colleagues in Britain's biggest and best public art galleries how to put on a show with verve and intelligence, and at a time of year when everyone else seems to have given up.

When Brett chooses the work and it goes on to the High, that is proof of the importance of the gallery as a channel for artists to make their way into the big time.»

It's the biggest week in Britain's art calendar when thousands of visitors come to check out the fair and London's galleries unleash their big guns.

A contribution to the Art Censorship: the bigger picture forum Museum of Contemporary Art, Sydney, 12 June 2008 Clive Hamilton When I looked at the twenty or so Bill Henson photos on the Roslyn Oxley9 Gallery website just hours before they were taken down I could see immediately that they were not pornographic.

When big box stores got into the gallery wall game with pre-made sets — with their matching frames and art — something was lost.

My big breakthrough came in 1993 when some of my work was exhibited in a gallery in London.