First he's gimped - up to satisfy the
didacticism of the time (with the trucking industry presenting limited opportunity for a moral, the movie settles on putting the fear of God in us over falling asleep at the wheel), then his role is reduced to reaction shots:
When Paul finally takes the stand in the courtroom climax, all Bogart manages to squeeze out is «Wull yeah, but...» This is Raft's show, despite the film's studio - sanctioned absorption into the Bogey canon, though Bogart would have his revenge by stealing the lead in High Sierra — and in theory, every one of his Midas - touched career opportunities subsequent to High Sierra — out from under him.
When I agreed to write about the show, I was guided by a kind of
didacticism that told me I could use a new experience and shouldn't simply accept the opinions of a few negatively inclined friends.