Sentences with phrase «when modernity»

In fact, Incorporations is beautiful for its wishful ignorance of what really happens on the street when modernity is, so to say, going down.

When modernity finally put the question, most Protestants proved unable to give a compelling answer, took refuge in moralism and religious subjectivism, and waited.

Vatican II indeed opened the windows to the world, Weigel agrees, but just at the moment when modernity «barrel [ed] into a dark tunnel full of poisonous fumes.»

Not exact matches

We should not expect each civilization to react in the same way when it encounters modernity: Some might be more allergic, others more sympathetic.

I think it really is true that Pat Deneen could be viewed as a perfectly dogmatic Straussian when it comes to Locke and modernity's three waves.

Put differently, the project of modernity was to produce people who believe they should have no story except the story they choose when they have no story.

Of course believers are tempted, when they hear postmodern deconstructions of modernity, to argue in support of modernity.

Some say marriage is a dissolving institution, just par for the course in this sea of modernity we're swimming in, and still others seem to hold it on an impossibly high pedestal, as though one's life doesn't begin until one's wedding day: when you find your soulmate, your «other half,» you will have found your ultimate fulfillment, the one who will dispel your loneliness forever.

Even now when the limits of resources and problems of pollution have forced themselves on the attention of everyone, our inheritance from modernity counts heavily against an adequate response.

But if you remain within the framework of critical thinking decade after decade after decade, and you can stay in it your whole life, it becomes a very arid place in which to live when it's wedded to the framework of modernity, and it becomes a desolate place, T.S. Eliot's wasteland.

The impact of modernity did not show itself again in Catholicism until Pope John XXIII called Vatican II, when Catholicism took a sudden but cautious leap into the modern world with its policy of aggiornamento (updating).

The author reviews a book by Stanley Hauerwas: When Hauerwas asserts that liberal Christians are those who take «humans, not God, as the center of Christian faith,» or when he says that one of «the most cherished conceits of modernity» is that «humans are the measure of all that is,» he reveals that he has not thought hard enough about what liberalism and modernity mean to their proponeWhen Hauerwas asserts that liberal Christians are those who take «humans, not God, as the center of Christian faith,» or when he says that one of «the most cherished conceits of modernity» is that «humans are the measure of all that is,» he reveals that he has not thought hard enough about what liberalism and modernity mean to their proponewhen he says that one of «the most cherished conceits of modernity» is that «humans are the measure of all that is,» he reveals that he has not thought hard enough about what liberalism and modernity mean to their proponents.

When Hauerwas asserts that liberal Christians are those who take «humans, not God, as the center of Christian faith,» or when he says that one of «the most cherished conceits of modernity» is that «humans are the measure of all that is,» he reveals that he has not thought hard enough about what liberalism and modernity mean to their proponeWhen Hauerwas asserts that liberal Christians are those who take «humans, not God, as the center of Christian faith,» or when he says that one of «the most cherished conceits of modernity» is that «humans are the measure of all that is,» he reveals that he has not thought hard enough about what liberalism and modernity mean to their proponewhen he says that one of «the most cherished conceits of modernity» is that «humans are the measure of all that is,» he reveals that he has not thought hard enough about what liberalism and modernity mean to their proponents.

One can encapsulate the change with a single contrast: there is something surprising and cringe - inducing about the fact that Cary Grant, that masculine icon of intermediate modernity, did a lot of acid in the late 50s and early 60s towards the end of his career, but there is something expected and perhaps inspiring about the fact that Steve Jobs, that man of full modernity, did so also, just when he was starting out.

Yet modernity has changed, which is why so few readers of Laudato Si will think of Pius IX when they read Francis.

«When you have a liberal way of being a Christian and a conservative way of being a Christian that are both modern, and modernity is over,» McLaren reasons, «you've got to find another way of being a Christian.»

A key element in Kurzweil's thinking is the notion of «late return,» which occurs when an individual, caught in the web of modernity, seeks to escape his situation by turning back to a life of pristine faith.

The fact is, we shouldn't be surprised at Bible (non) reading practices when we look at the nature of modernity's Bible.

Everything depended on the Church, when the time had arrived, truly coming to grips with modernity on her own terms, and not on the terms modernity inevitably sought to impose.

In this age when the culture of modernity has been fast eroding the traditional belief in God, along with the transcendent spiritual world supposedly surrounding him, the conservative devotees of the religious past hold ever more firmly to the most tangible form of the past: Holy Scripture.

What happens when we go deeper is that we see that globalization is part of a larger and broader concept of postmodernity — as an emergence from modernity into an as yet defined era in history in which a distinctive rationality of plurality and fallibilism sets in.

When the hot media of modernity are the primary shaping force in our culture we become more uniform and mechanized with low participation — or in Heidegger's terms the «standing - reserve.»

Argument often verges on lament in this book, especially when Kugel is articulating his opposition to modernity.

And in each case, when the tidal wave of modernity hit, it swept all before it within a generation.

When general or theological historians refer to the «modern world» or «modernity,» they mean the Western era dominated by the strategies and organizations of instrumental and critical reason.

(I exclude Bould from this, as he is not ALLOWED to be influential) Devotion though, is nowhere near enough; you need modernity in thinking, the ability to be flexible when the game is in play, tactically aware and able and the clear thinking to play players in their most suited positions.

When westerners think about China, the concept that springs more and more to mind is modernity.

Olivia Palermo: Chic and breezy, Olivia donned a Diane von Furstenberg polka - dot maxi skirt that had a distinct ladylike modernity when paired with a lace ruffle blouse and metallic - accented sandals.

When the picture's young protagonist sings an ancient Maori song to a dark ocean, there is an indescribable power to the film that springs from firelight — what we've lost in modernity as orphans to our collective past.

«It was a dark and stormy night when the teenage vampires began, despite their seeming modernity, to behave in a manner most similar to the characters of their literary heroine, Jane Austen.»

Starting out in that fateful year for religion, 1492, when Ferdinand and Isabella expelled the Jews and the Muslims from Spain and opened virgin Christian missionary territory in America, Armstrong tells the story of fundamentalism in the world's great monotheisms and argues that it is as much a product of modernity as the materialism and empiricism against which it fearfully reacts.

And even though the city has turned to modernity, it hasn't lost touch with its base and you could still feel the same traditional essence when you are here.

I wasn't surprised when we drove by the architecturally stunning Rajiv Ghandi sea link (bridge) reflecting the modernity of...

In the moments when «The Arcades» exhibition succeeds, it shines brilliantly, casting an illuminating spotlight on our continuing struggle to absorb, comprehend, and maybe most of all, defend modernity.

An End to Modernity, McElheny's largest and most ambitious sculpture, finds its origins in a meeting in New York in1965 - the year the Big Bang Theory was first introduced - when the architect for the Metropolitan Opera commissioned a Viennese design firm to create a chandelier with a «galactic appearance.»

Oscar Wilde helped usher in modernity when he said that «all art is utterly useless.»

The result is a curious blend of modernity with nostalgia for an era when artists set out to «crash your browser with content,» testing the limits of what an internet experience could be.

The 1960s remain, for most, a romantic dream, a time when the radical left and grassroots collectives might force larger systems to make good on promises of inclusion and liberation — the completion of the project of modernity itself.

When We Build Let Us Think We Build Forever can be seen as Mark Titchner's attempt to explore legacies of Modernity and it illusions towards permanence.

It was an era when Hollywood, Palm Springs and Beverly Hills were the place to be, and be seen — and houses with ample windows and open floor plans, luscious green lawns and inviting turquoise pools became symbols of modernity.

The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Diane Arbus; Cady Noland / Gagosian / 976 Madison @ 77th (new location) / thru 5/23 (extended) Richard Prince; Alexander Calder / Ed Rusha / Gagosian / 980 Madison @ 77th / thru 6/14 Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Poetics of the Gesture: Schiele; TTwombly; Basquiat / Nahmad / 980 Madison — floor 3 / thru 6/14 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Opening 5/28 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 Opening 5/29 Sigmar Polke / Werner / 4 E 77 / thru 6/7 Hugo McCloud / Roitfeld / 5a E 78 / thru 6/7 Andrew Kuo / Half / 43 East 78 / thru 6/2 Casting Modernity / Mnuchin / 45 E 78 / thru 6/7 Jean - Michel Basquiat / Acquavella / 18 E 79 / thru 6/13 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Dean Levin / Blumenthal / 1045 Madison @ 80 / thru 5/30 Lucas Samaras thru 6/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Opening 6/11 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29

When Francesco Bonami, director of last summer's Venice Biennale, famously wrote in his exhibition catalogue that «The «Grand Show» of the 21st century must allow multiplicity, diversity and contradiction to exist inside the structure of an exhibition... a world where the conflicts of globalization are met by the romantic dreams of a new modernity,» it was reasonable to imagine that he was responding to structural and thematic questions posed by Okwui Enwezor in his Documenta 11 of the preceding year.

Opening 5/1 Idiosynchronism curated by Alex Glauber / Dickinson / 19 E 66 / thru 4/24 (extended) 1st 20 Yrs.: Selections / Baumgold / 60 E 66 / thru 5/3 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Opening 5/6 Mary McDonnell / Graham / 32 E 67 / thru 5/13 Emilio Chapela / Faria / 35 E 67 / thru 5/10 Hector Fuenmayor / Hunter / West Building, 68 & Lexington (SW corner) / thru 5/3 Mira Schendel / Hauser & Wirth / 32 E 69 / thru 4/26 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Helen Frankenthaler / Jacobson / 17 E 71 / thru 4/30 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Opening 4/24 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Opening 4/24 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 James Brooks / Van Doren Waxter / 23 E 73 / thru 4/25 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Aftershock / Edelman / 136 E 74 / thru 5/12 Urs Fischer / Gagosian / 821 Park @ 75 (new, additional location / thru 5/8 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kim Keever / Waterhouse & Dodd / 958 Madison @ 76 / thru 5/6 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 Opening 4/25 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/8 Opening 5/8 Diane Arbus; Cady Noland / Gagosian / 976 Madison @ 77th (new location) / thru 4/23 (extended) Victorire de Castellane / Gagosian / 980 Madison @ 77th / thru 4/26 (extended) Artie Vierkant / Higher Pictures / 980 Madison @ 77 / thru 5/10 Raymond Pettibon / Venus Over Manhattan / 980 Madison @ 77 / thru 5/17 Andy Warhol / Blain - DiDonna / 981 Madison @ 77 / thru 5/17 Sigmar Polke / Werner / 4 E 77 / thru 6/7 Rachel Harrison / Institute of Fine Arts / 1 E 78 / thru 5/11 Opening 4/27 Nicolas Pol / Roitfeld / 5a E 78 / thru 5/6 Peter Coffin / Half / 43 East 78 / thru 5/1 Casting Modernity / Mnuchin / 45 E 78 / thru 6/7 Reception 4/24 Jean - Michel Basquiat / Acquavella / 18 E 79 / thru 6/13 Opening 5/1 Martin Kippenberger / Skarstedt / 20 E 79 / thru 4/26 Ain'tings curated by Ryan Steadman / Blumenthal / 1045 Madison @ 80 / thru 4/26 William Kentridge thru 5/11, Lucas Samaras thru 6/1; Dan Graham thru 11/2 Opening 4/29; Etc. / Met Museum / 5th Avenue @ 82nd Carrie Mae Weems thru 5/14; Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 Philip Pearlstein; Anders Zorn; Edwin Blashfield / National Academy / 1083 Fifth Avenue @ 89 / thru 5/18 Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29

Des Moines Art Center, Des Moines, IA, Matthew Kluber, curator, Jeff Fleming, (brochure), 2011 Museum of Contemporary Art Shanghai, Shanghai, China, Animamix Biennial: Metaphors of Un / Real, curator, Victoria Lu, 2010 Faulconer Gallery, Grinnell College, Grinnell, IA, John F. Simon, Jr. and Matthew Kluber: Hybrid Media (catalog), 2010 Bemis Center for Contemporary Art, Omaha, NE, Borderland Abstraction, Curator, Hesse McGraw (brochure), 2010 Urban Institute for Contemporary Art, Grand Rapids, MI, Matthew Kluber: Half - Day Closing, 2010 FOCUS09 / Art Basel, Basel, Switzerland, Cool Stories for When the Planet Gets Hot II, curators, Corinne Erni, New York and Anne - Marie Melster, Spain; traveled to: Valencia Museum of Illustration and Modernity, Valencia, Spain: Pavilion City Hall, Copenhagen, Denmark, UN Climate Conference COP 15, 2009 Grand Rapids Art Museum, MI, So Much Water So Close To Home, (film installation / exterior projection), 2009

That is, the earliest anatomically modern humans had the cognitive capacity for behavioral modernity when their fossils first appeared in the record.

Hopefully we are beginning the winds of change when it comes science over climate alarmism and hypocritically blaming modernity for destroying the Earth.

Executives are facing issues such as ageism in the workplace so when we write a an executive resume, our focus is on modernity and fighting against ageism.