Just as with Metroid, John Woo was purportedly signed on to the film at a time
when the screenplay went through numerous changes and re-writes.
When screenplay is active, he's at his best.
Director Gus Van Sant keeps the movie's focus on Steve's ever - growing crisis of conscience, even
when the screenplay seems to veer into territory that either seems to have no place (Steve's never - burgeoning relationship with Alice is unnecessary — not to mention Sue's with a local man — given how many people have a similar or worse reaction to him once Dustin starts spreading his propaganda) or puts everything into terms of on - the - nose simplicity.
Things come together
when the screenplay necessitates that the characters find the connections to move the story forward or keep another machination from falling apart too soon.
Where the film eventually goes astray is
when the screenplay by Carol Black («Growing Pains», «The Wonder Years») starts spewing forth scene after scene of well - intentioned, but completely patronizing material on how Mark shouldn't be punished for pretending to be Black because he learned that it isn't as fun as he thinks it is.
Farrell was first to get on board
when the screenplay, co-scripted with the director's usual writing partner Efthymis Filippou, was finished; the actor, who starred in Lanthimos's last film The Lobster, recalled how he felt «perturbed, confused and ultimately moved» when he read it, just as he had been by their previous collaboration.
He creates a pace that keeps attention, even
when the screenplay begins to slog.
And
when the screenplay slides ever so slightly into generic romance territory, Jonze reliably tweaks the formula.
The shame of it is that there is a solid idea or two about the symbiotic relationship between humanity and the aliens hovering around
when the screenplay by writer / director Andrew Niccol (based on the novel by Stephanie Meyer) temporarily drops its silliest trappings.
With the screenplay written by Sylvester Stallone, who first established worldwide recognition as a writer
when his screenplay Rocky, won the Academy Award ® in 1976 for Best Picture, Homefront is based on the book by Chuck Logan.
He remains too detached to show much enthusiasm, except for times
when the screenplay begins moralizing about what a sick world we live in.
It's a shame because Pollack is an old hand, his expertise unmatched
when the screenplay falls into place, as in Jeremiah Johnson (1972).
Not exact matches
We dream of being a musician and
when we're a musician we dream of writing a film score and
when write a film score, we dream of writing a
screenplay.
Rogers was in his twenties
when his first - ever
screenplay was made, «Hope Floats,» the 1998 romance movie starring Sandra Bullock and Harry Connick Jr. that has since become a staple on cable TV.
Van Dyke was director of the Friends Church media department
when he wrote the
screenplay, but his boss, Creative Arts Pastor Brent Martz (you met him earlier in this story) threatened to fire him if he didn't give him 50 % co-writer credit, the lawsuit said.
Bell admits she wasn't coming from an open - minded place
when she started writing the
screenplay (she chose a contract of seven years is because she heard about German politician Gabriele Pauli's call for a renewable seven - year contract in 2007).
In the original
screenplay by Edmund H. North, an alien ambassador named Klaatu (Michael Rennie) arrives in Washington, D.C., in his saucer - shaped spaceship (à la UFO convention of the time) with an eight - foot (2.4 - meter) humanoid robot named Gort (played by the 7 - foot, 7 - inch Lock Martin, who was working as a doorman at Grauman's Chinese Theater in Hollywood
when discovered).
When you sell your next
screenplay you can shell out for a Rolfing series - in the meantime, a group exorcism at Wanderlust will do just fine.
Same thing
when I read the
screenplay and
when I watched the movie.
When the armored rhinos came charging, it hit me how silly the screenplay was when it wasn't being prea
When the armored rhinos came charging, it hit me how silly the
screenplay was
when it wasn't being prea
when it wasn't being preachy.
The
screenplay is filled with small but perfect one - liners (as
when Andy is advised to emulate David Caruso in «Jade»).
Ringwald, who had learned French while attending a French high school in Los Angeles, remained there, dividing her time between reading (she has been a voracious reader since childhood
when she and her siblings would read stories to her blind father), writing short stories and
screenplays, cooking, and hanging out with her French husband.
Noxon, who also wrote the
screenplay, manages to explore dark and complex issues while frequently leavening them with unexpected moments of humor, such as
when Dr. Beckham organizes a family therapy session — with, besides Ellen's half - sister, also her step - mom, mom and mom's girlfriend present — and the doctor dryly remarks that this must be a «record number of moms» for a single family session.
When I said that the film hits particularly bland spells, I really did mean it, though I'd be lying if I said that the film ever slips into downright dullness, thanks to an adequate degree of colorful wit within Sherriff's, West's and Maschwitz's
screenplay, which, at the very least, delivers on engaging characterization that is made all the more engaging by the portrayals of the characters.
Tommy has never written a
screenplay, meaning that he has no concept of basic plot structure or dialogue (A character reveals she has breast cancer at one point, and
when people point out that the plot point is never raised again, Tommy says that it's «a twist»).
When he chooses to burn his
screenplays, to keep warm, this is a large miscalculation in the writer's part.
And it's worth noting that the
screenplay for «The Post» was purchased in 2016,
when it seemed there would be a different occupant in the White House.
Bobby believes his fortunes will change
when his accountant, Afrim, changes hats and writes a science - fiction alien invasion
screenplay that Bobby thinks all studios will clamor for.
The
screenplay is better
when it withholds — throughout The Post, characters walk and talk (the other credited writer, Josh Singer, who also co-wrote Spotlight, is a West Wing alum), and drop references to people or events that would have been familiar knowledge to those at the time.
Beatty, who, along with directing and starring in the movie, wrote the original story, co-wrote the
screenplay, and co-produced it (he probably worked as a Foley walker
when no one was looking), plays the likeable but maddening Bulworth as though he had prepared for this part all his acting life.
Original and adapted
screenplay awards are still separated out below for each individual awards organization (
when necessary).
Still, the character - driven
screenplay co-written by Braff and his brother Adam features some ambitious if calculated ideas that don't achieve either a consistent tone or a satisfying emotional resonance, especially
when it comes to the plight of its protagonist torn between personal dreams and family obligations.
She co-wrote the
screenplay When The Cat's Away with Brad Anderson, and cut a deal with Miramax for a
screenplay adaptation of one of F. Scott Fitzgerald's works.
It's hard to believe the
screenplay ever got beyond the outline stage
when you see such clumsy storytelling and to think three people couldn't come together to write something any more compelling is astonishing.
I see that Logan is on the list for Adapted
Screenplay with only 3 nominations
when there's actually 5 nods
Kushner first encountered the challenge of fact - based drama
when he wrote the
screenplay for Spielberg's 2005 film «Munich,» which recounted the terrorist attacks at the 1972 Olympics and their aftermath.
The
screenplay is nice, as it always is,
when the Coen Bros. write it.
The
screenplay, by Eric Pearson, Craig Kyle, and Christopher Yost, gives each of the characters something worthwhile to do and something amusing to say, and
when its various strands are tied together in time for the momentous finale, even the most superhero - wary viewers will have smiles on their faces.
When the action slows down just enough for dialogue that extends beyond gruff, hollered exchanges, Gregory Burke's brilliantly economical
screenplay doesn't mince words.
Robbie Collin, The Telegraph: ««London Has Fallen's»
screenplay is credited to four people, though I'd gently suggest that
when your hero's dialogue becomes indistinguishable from a Britain First Facebook thread, it's time to abandon further script polishes and turn to a box of matches and a flame - charred oil drum.»
It was the gaffe heard around the world, but
when the dust finally cleared on last year's fateful Oscars and this graceful indie was crowned Best Picture (with well - deserved awards for Mahershala Ali as Supporting Actor and Barry Jenkins and Tarell Alvin McCraney for Best Adapted
Screenplay), instead of the front - runner La La Land, liberal Hollywood breathed a collective sigh of relief.
When dealing with a blockbuster that comes complete with an uninspiring, unoriginal screenplay, and a collection of poor acting performances, when those two things are not going your way, at the very least you need to rely on the visual experience and the use of
When dealing with a blockbuster that comes complete with an uninspiring, unoriginal
screenplay, and a collection of poor acting performances,
when those two things are not going your way, at the very least you need to rely on the visual experience and the use of
when those two things are not going your way, at the very least you need to rely on the visual experience and the use of CGI.
Fest opener «Moonrise Kingdom» got a
screenplay nomination, while «The Hunt» and «Ernest & Celestine» would wind up adding two more to the count a year later
when they ended up in the 2013 foreign language and animated feature races.
It was in 1992, however,
when he wrote and directed THE CRYING GAME, which was nominated for six academy awards including Best Picture, Best Director, Best Actor (Stephen Rea), Best Supporting Actor (Jaye Davidson) and for which Neil won an Oscar for Best Original
Screenplay that the wider public became aware of him as a once in a lifetime directing talent.
One of the top moments from the gala came
when Jordan Peele won Best Original
Screenplay for Get Out
This prompted much defensiveness from not only from Nick Hornby, the author of the
screenplay and Saoirse Ronan, but also from Toibin, director John Crowley
when he arrived belatedly, and the moderator of the discussion.
Hans Zimmer could contend for Best Original Score and
when you toss in a possible Best Picture nod and the longshot possibility of a Director,
Screenplay, or Supporting Actor nod, this could be a double - digit nominee next January 2013.
Makes sense
when you realise that he co-wrote the
screenplay of the film.
But in these results there is a notable echo of last season, where the only roadblock for «La La Land» came at the WGA Awards
when «Moonlight» — categorized as an original
screenplay by the guild, yet adapted by the Academy's writers branch — upset the perceived best - picture frontrunner.
The rowdy
screenplay by Rhett Reese and Paul Wernick («The Real Villains» according to the opening credits) is full of viciously fun winks at countless pop culture references («Yentl» gets particular attention), but it's never funnier than
when it turns on itself.