Sentences with phrase «when viewed in a gallery»

Not exact matches

They may excuse themselves from the religious element of the meeting, and — if they can face it — shuffle out and, when the moment seems right, slink in again in full view of the public gallery.

Obviously you would feel terrible... There have been times when I think that members have gone too far and actually there's a tendency sometimes for members to play to the gallery and to use emotive language that in my view pushes it, and is not terribly helpful for getting information out of a witness.

He thinks visitors should look up from their phones and put their trust in gallery curators when it comes to viewing works of art.

Global roaming in 220 countries Direct access from the lock screen to phone, camera, and text New home screen layout with enhanced launch bar Improved voice input: hold down the search key to dictate emails and text or navigate to an address Face unlock: the device uses the front - facing camera to automatically recognize you when you attempt to unlock Data usage: the new usage center allows you to monitor how much data is consumed each month Android Market for browsing and downloading thousands of free and paid apps Pre-loaded Android apps: Browser, Calculator, Calendar (Google or Corporate), Camera, Clock, Contacts, Email, Gallery, Messaging, Music, News & Weather, Phone, Settings, Video Player, Voice Dialer, Voice Search, YouTube Google applications: Gmail, Google Search, Google Voice Search, Google Latitude, Google Maps, Google Places, Google Talk Google Maps Navigation with spoken turn - by - turn directions showing real - time traffic and 360 ° views of the destination

• Set up your Google Clips camera in just a few minutes • Transfer your clips in seconds from your camera to your phone • View your clips to select your favorite moments • Save clips easily to Google Photos or your phone's photo gallery • Share clips directly with your friends and family • See what your camera sees with Live Preview • Remotely capture clips even when the camera is a few feet away • Pick the best frame from any clip and save as an auto - enhanced still photo

The train moves slowly and sweetly across the Sacred Valley of the Incas, offering the chance to take in some of the most scenic views one can imagine: mountains all around, some lovely villages, the Rio Urubamba on one side, galleries and the railways even follows the path of the Inca Trail for some parts (I remember seeing the train when I actually hiked the Inca Trail).

Inside, works from when they showed with Hudson are on view in each gallery's booths.

New Sternbau sculptures are destined for Hong Kong where they will be on view at Lehmann Maupin when the gallery opens there in March.

I've cycled nearly my entire program through that space, which means I have fresh installation views, which are so important in this digital age when we're sending JPEGs to people who don't actually come to the gallery.

This film — which was previously only available in the gallery when the exhibition was on view — includes manuscripts and photographs from The Gilder Lehrman Institute of American History, The Shapell Manuscript Foundation, and the Morgan Library & Museum.

Hamptons Art Hub has put together a list of photography exhibitions on view in New York City museums and galleries that showcase what's possible when working with light and the various ways photographers have made artistic choices with the photography medium and its possibilities.

Although Rozendaal is best known for his artworks in the form of websites, he sees no hierarchy between his websites and physical works: «The experience that you have when you are at home using Abstract Browsing on your computer is as authentic as viewing one of the tapestries in a gallery.

«In 1981, when the Chinese paintings galleries opened, we had only enough A-class paintings to rotate them once,» Mr. Hearn recalled, explaining that these works are light - sensitive and can not be continuously on view.

«It has the point of view you get in horror movies, where the angle of a camera can make something bucolic suddenly seem very threatening,» says Blazwick, who gave Doig his second solo show in 1986 when she ran London's Air Gallery.

Culture Type published an interview with Anderson earlier this year, when his work was on view at Michael Werner Gallery in New York.

She enjoyed a privileged, intimate view of the dynamic art world of those years, thanks to Greenberg, whom she met in 1950, when she organized an exhibition of work by Bennington alumni for Jacques Seligmann Gallery.

When Both Members of This Club by George Bellows was placed on view at the National Gallery of Art in January 1945 at the behest of Gallery benefactor Chester Dale, it became the first significant work by an American modernist painter to be featured in the permanent collection.

On view at the Michael Kohn Gallery in Los Angeles May 30 — July 11, 2009 Opening Reception, Saturday May 30, 5 — 7 pm Dark Night of the Soul began when Danger Mouse, who has been a fan of Lynch's for many years, approached the filmmaker -LSB-...]

A private Facebook message from Lucia Diego, director of LD50 (a small gallery in the East End), voiced vague equivocal support for alt - right principles and Donald Trump — «I'm not even sure if I disagree with the Muslim ban» — and led to a mass of Facebook responses when artist Sophie Jung (who was rightfully alarmed by Deigo's far - right leanings) posted it online for pubic view.

Many of these newly acquired works will go on view in 2018, when the High will expand the physical footprint of the folk and self - taught art galleries by 30 percent as part of a permanent collection reinstallation.

As she was in Soho during the late 1960s, Paula Cooper was a first mover, in 1996, when she opened her 21st Street space with a show of gallery stalwart Carl Andre (although the 24 - hour viewings of Christian Marclay's The Clock, 2010, are likely what the gallery is better known for these days).

So when Wright has completed the painstaking process of painting one of his neat abstract patterns on to a wall, ceiling or piece of coving in the gallery space, he insists that after an appointed viewing time, it must all be painted over again.

When that neighbor turned out to be Jasper Johns, Castelli — who had been already intrigued by the artist after seeing one of his green target paintings at the Jewish Museum — was staggered by the paintings of maps and targets on view in his studio and immediately asked him to show at his gallery.

When I first thought about an exhibition at Night Gallery my instinct was to tear down all the walls, which I thought created difficult triangular areas and didn't offer long distance viewing of the work that would be possible in an emptier space.

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

When the paintings are viewed together in the gallery, optically dense geometric patterns are seen in relation to flat monochromatic surfaces, photographic images, or faint contours disappearing under layers of luminescent diamond dust.

Grey Art Gallery Director Lynn Gumpert says, «In the early 60s, when Abby Weed Grey set out to collect non-Western modern art, she was intent on meeting, as she later wrote, artists who were «breaking with the past to cope with the present,» and whose «works best mark the advance from tradition to a contemporary view.»

The Infinity Net paintings on view at the gallery's uptown location are the latest works in a series begun in New York in the 1950s, when Abstract Expressionism was still the dominant style.

Brooklyn - based Torok, who showed his miniatures last fall at New York's Bill Maynes Gallery, paints everyone in expressionless front views because, he says, «You see more in a face when the person doesn't have an expression.

IT»S IN THE GAME might just be the most exciting new video work to grace a New York gallery since Arthur Jafa's Love Is the Message, The Message Is Death, which became a sensation when it went on view at Gavin Brown's Enterprise in 201IN THE GAME might just be the most exciting new video work to grace a New York gallery since Arthur Jafa's Love Is the Message, The Message Is Death, which became a sensation when it went on view at Gavin Brown's Enterprise in 201in 2016.

His work has been shown in recent exhibitions, including Barely There, Lesley Heller Workspace, New York, NY (2015); 2015:1947, Equity Gallery, New York, NY (2015); A Palace with a View, The Pool NYC, Venice, Italy (2015); you know it when you feel it, Art in General, New York, NY (2014); Drawing Up!

Goldstein made most of these paintings in the «80s, a time when he was ceasing to make what had become his trademark artworks — short, looping films like the sublime 1975 Shane, depicting a German shepherd barking, which is on view in a side gallery.

I ask, «Can you feel tender when viewing so much mimicry composed of mirrored surfaces and florescent coloration twinkling in the gallery landscape?»

In isolating this window view, silk - screening it as a series in different shades of gray, and hanging it on both walls next to their own version of Ensor's painting, BHQF made what would have otherwise evoked nothing more than a gallery after an opening when it's ready for the cleaning crew feel instead like some kind of eerie contemporary chapeIn isolating this window view, silk - screening it as a series in different shades of gray, and hanging it on both walls next to their own version of Ensor's painting, BHQF made what would have otherwise evoked nothing more than a gallery after an opening when it's ready for the cleaning crew feel instead like some kind of eerie contemporary chapein different shades of gray, and hanging it on both walls next to their own version of Ensor's painting, BHQF made what would have otherwise evoked nothing more than a gallery after an opening when it's ready for the cleaning crew feel instead like some kind of eerie contemporary chapel.

When O'Keeffe arrived at the gallery in April 1916 she discovered her work was already on view, but allowed the drawings to remain.

2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK

The works are on view at David Zwirner Gallery in Chelsea through next week, when they will be transferred to Christie's and exhibited there until the evening of the sale.

After bringing you a glimpse (when Murakami visited) of the inaugural show at the Gagosian in Hong Kong, the gallery has sent us a more detailed look at the installation of the show and views of the spacious interior.

When James Westcott, then a graduate student at New York University, learned that the artist Marina Abramovic was staging «The House With the Ocean View», a performance in which she lived in the Sean Kelly Gallery for twelve days, he rushed to catch the remaining days of the installation.

It was 5:30 pm on a Wednesday afternoon when I received the fateful, and equally grateful, opportunity to link up with New York based artist John Gordon Gauld to chat about his latest exhibition - «Interstellar Overdrive «now on view at Salomon Contemporary through May 10th in NYC's notable Chelsea Gallery district.

Although neither of them called the works on view at the two galleries «Constellations,» they created these corresponding series independently, without being able to communicate with one another in the early 1940s during World War II, when Calder was in the U.S. and Miró was in Spain.

Martial Raysse hadn't had a solo U.S. show for more than four decades when the 78 - year - old French artist's Pop paintings of neon - faced beauties went on view at Luxembourg & Dayan gallery in New York last May.

These are just a few of the legendary 20th - century artists whose artwork will be on view at the Art Gallery of Ontario in summer 2011 when the Gallery welcomes Abstract Expressionist New York, an exhibition drawn from the collection of The Museum of Modern Art (MoMA).

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

«I've become used to that dopamine release from likes and comments,» Cortright admits.And even if Prince's social media feed feels like an endless stream of schadenfreude — when the artist, who is in his 60s, printed his Instagram images onto canvas and presented his «New Portraits» at Gagosian Gallery in uptown Manhattan last year, a younger artist tweeted, «Watching Richard Prince do Instagram is like watching your dad try to rap» — it's notable that even he has embraced the idea that much of what is worth viewing in the art world is available online.

Haley Josephs, When Men are Fairy Tales in Books Written by Rabbits, 2018, exhibition view, Deli Gallery, New York

On the occasion of his show at Betty Cunningham, Bailey, in an interview published in the Huffington Post, mentions a wealth of figurative painting being done by young artists, «at a time when painting is being viewed more and more as a niche activity» and «with little recognition among the museum curators and the galleries.»

The paintings on view in the main lobby are representative of these movements and of the works that Denise Green would have encountered in mainstream galleries and museums when she arrived in New York in 1969.

According to Smithgall, Phillips traveled to the New York gallery to view paintings by Horace Pippin, but shifted course when he saw the series by Lawrence, then a young artist showing in a New York gallery for the first time.

Although the pieces are lit for gallery view, it is obvious that when the lights go out, the rings remain but the shadows disappear or alter depending on natural light coming in like reminders of life cycles.