Sentences with phrase «which other living artist»

Not exact matches

Other special events hosted at Brewery Ommegang include a summer concert series, which in 2012 featured artists such as Lyle Lovett and Wilco, the latter of whom recorded a live album there.

Into this season of the Serious Movie, when every other film seems to speak to the troubled times in which we actually live, the fact - based, yet farcical «The Disaster Artist» blows like a fresh breeze, throwing open a window through which we may escape, briefly, from ugly reality.

One particular fascination of Fassbinder's was the way the ghosts of the past, specifically those of World War II, haunted contemporary German life — an interest that wedded him to many of the other artists of the New German Cinema movement, which began in the late 1960s.

Students are encouraged to demonstrate empathy for others and open - mindedness to perspectives that differ from their own and to appreciate the diversity of cultures and contexts in which artists and audiences live.

Many visual artists, like myself have a tendency toward introversion which can make live social engagement in the flesh very challenging; one advantage to social media engagement is that it allows shy or socially awkward people to have some comfort space between themselves and other people while remaining in active relationship with «strangers».

Many provide room and board as a home - away - from - home; others offer not a place to live, but a community for local artists in which to work and be supported in the creation of new art.»

The work of artists, scientists, architects, philosophers and other thinkers provides a contextual discourse which helps usunderstand how proportions can inform the essential design of life in the present and how we may use this knowledge to create a blueprint for the future.

Proposals are evaluated on the basis of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal of supporting experimentation and innovation in all traditions and disciplines of live performance, especially work that brings insight to the issue of cultural difference, be that in class, gender, generation, race, religion, sexual orientation or other aspects of diversity The artistic strength of the proposed project The viability of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and artist statement, and work samples.

Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.

From 1935 to 1943, the Works Progress Administration (WPA) Federal Art Project gave them, and thousands of other artists nationwide, a living wage to do the work for which they were trained.

Houston artist Marzia Faggin made a splash in 2011 with her Nau - haus Art solo show of life - size painted cast - plaster still lifes of potentially addictive pills like Lithium, Xanax and Adderall, which she juxtaposed with equally convincing replicas of equally addictive chocolates, cookies and other sugary snacks.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Aliens, life after death, and other inexplicable phenomena are often the inspiration for Gamble's images, which depict strange landscapes and alien beings that the artist conjures in her imagination.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Whether those absences be the figure of Trayvon Martin and other African Americans whose lives were stopped short at the hands of institutionalized racism, as evoked through Hammons's hood; the artist's own body, coated in grease and pressed against paper to create silhouettes of his form in his early «bodyprint» series; or the bodies missing from behind the standing mics in Which Mike Do You Want to Be Like...?

Through a selection of major paintings, sculptures and works on paper spanning nearly a century, Flora, Fauna and Other Forms of Life offers a diverse sampling of the ways in which artists across generations have interpreted naturalistic imagery.

The exhibition will also feature other documents, including photographs and archives, which will shed light on a little - known aspect of this artist's life and work, that being the influence of the South of France and French painters (such as Paul Cézanne and Jean Lurçat), gleaned during Nash's various journeys to France in the 1920s and 1930s, including a short stay in Arles.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Painting has and continues to mean more to me than any other part of my expressive life and I am so grateful to have found this medium which allows me to dialogue with artists past and present as well as my faithful viewers and most of all to continue my own journey.

Gala goers also were treated to the opening of the exhibition, «Gertrude Vanderbilt Whitney: Sculpture,» the first survey of the artist's work in more than 75 years, which is on view through April 29, 2018 and features some 50 sculptures and drawings and other items from the artist's life.

Author Sayantan Mukhopadhyay says of the artist, «Her interventions — which start with materials and symbols inherently laden with meaning — speak about the itinerant lives in a manner that is refreshing when placed in conversation with the many other contemporaneous works dealing with identity crises posed by global nomadism.»

Throughout his life, Hansen was committed to encouraging and supporting the work of other artists through activities such as the Ultimate Akademie, an informal school inspired by Joseph Beuys's Free University - which was predicated on the idea that everyone is an artist - that he founded in 1987.

Author Sayantan Mukhopadhyay says of the artist, «Her interventions — which start with materials and symbols inherently laden with meaning — speak about the itinerant lives in a manner that is refreshing when placed in conversation with the many other contemporaneous works -LSB-.....]

The most comprehensive survey of the artist's work to date, this large - format volume compiles the fantastic Soundsuits, for which the artist is best known, together with his other sculptural work and related projects in video and live performance.

A still life photograph of a bouquet of flowers, referencing a work by Bas Jan Ader, is installed on a wall made to the artists specifications, which is based on a work by Christopher D'Arcangelo that involved the construction of a wall for the purpose of displaying others artworks.

The title of their new series of works — Self - Portraits — signals a personal layer in which each title of the other artist's work represents a special experience or emotional development in Elmgreen & Dragset's own lives.

Whiteley cites Hank Willis Thomas's new work made of starlit banners premiering in Frieze New York's Live section, the strong presence of work by Betye Saar at the fair, and author Kaitlin Greenidge's appearance on May 5th in Frieze Talks, as evidence for «the consistency with which artists are using their hard - won renown to initiate inroads for others.»

The exhibition shares its title with a Drake song in which the rapper looks back on his life, claiming his authenticity and lineage among other artists.

In his own work and in his promotion of other artists, he sought to prioritize visual and metaphorical abstraction — artworks which communicate the artist's inner vision and lived experience though a universal, intuitive and spiritually expressive language.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

The underground element in this nickname stemmed from her presence in New York downtown scene of the 60s during which the artist lived at the famed Chelsea Hotel and spent time with other influential figures such as Leonard Cohen, Ad Reinhardt, Arman, and Ray Johnson.

«As artists, we find commonality in our appreciation of the environment in which we live, and in our appreciation of each other as artists.»

A painter, sculptor, and printmaker, Sultan is regarded for his ongoing large - scale painted still lifes featuring structural renderings of fruit, flowers, and other everyday objects, often abstracted and set against a rich, black background; but he is also noted for his significant industrial landscape series that began in the early 1980s entitled the Disaster Paintings, on which the artist worked for nearly a decade.

The ninety - four paintings on view provide a broad selection of the artist's work, including the pulp - novel romance paintings which garnered Robinson critical recognition in the early 1980s, still lifes featuring over-the-counter pharmaceuticals, recent representations of Lands» End clothing models and online erotic selfies, and many others.

Tracing the artistic development of the British Surrealist artist and writer while she lived in Mexico (which became her lifelong home after she took refuge there in the 1940s), this exhibition consists of 180 paintings, sculptures, drawings, textiles, books and other documents.

Contemporary African art has become an assortment of international commodities, no less than many of the artists discussed in this book — who live and work in countries / continents other than the ones in which they were born.

Living here makes seeing a wide variety of art and connecting with other artists easy, which is essential to me.

On Being a «Lady» (February 10, 2013) was my solution for how to review a show I was in, «since the show is divided into two parts, installed along two separate sections of the space, with one side featuring the works of women artists who are deceased, and the other side featuring those of us still among the living, I feel that I can safely recommend the dead without incurring controversy among the other living artists in the show or referring to my own work in it or the ramifications of the word «lady,» which I know has stirred some controversy.»

Other works included Julie Mehretu's Rising Down, which sold for $ 3 million, and Icons of the Nile by Chant Avedissian, which set a record for a living Arab artist at $ 1.56 million.

In «Closer» the camera lens is the mirror through which the artist analyzes this changed persona, sometimes by adapting scenes from historical stories that made a deep impact on the artist, other times by metaphoric interpretations of the artists life experiences and even reliving this past works through his re-invented self.

Others, though, greeted it as a masterpiece and called for it to have a permanent life (which was not the artist's intention), comparing its destruction to the iconoclasm of the English Reformation.

In the long tradition of artist friendships, the group stands out as one in which the artists maintained lifelong relationships through good and bad times, encouraging and critiquing each other in their personal and professional lives.

Others seek to keep up a program born out of subjective endeavours and shared with a worldwide community: such as LIFE SPORT in Athens, which sells «critical wearables» — the LIFE SPORT joggers — as an attempt to generate alternative arts funding in a time and place where there is none; Opening Times, which is an online - only exhibition platform; Peach, an exhibition space and home in Rotterdam; and I: project space, which fills a gap in the Beijing art scene by presenting video art and supporting artist exchange via residencies.

1986, Paris): As a photographer, Fernández gained international recognition with his portraits of artists and intellectuals, from Salvador Dalí to Marcel Duchamp, which were published in The New York Times, Life, Time, Pagent and The Herald Tribune, among others.

Belonging to the generation that produced Abstract Expressionism (he was arguably the first champion of Jackson Pollock), Greenberg saw in that artist's personal tragedy a metaphor for the disasters of American life and art, in which people were alienated from real culture, were being forced to live off kitsch culture («one of faked sensations»... «because it was turned out mechanically») and he was resigned to the fact that at the other extreme, the so called avant - garde had taken off in another direction which was producing art for art's sake for themselves and the cultural elite.

Among other offerings, the performance artist Marina Abramovic joined the actor Willem Dafoe and the director Robert Wilson in 2011 in «The Life and Death of Marina Abramovic,» which comes to the Armory in December.

Olympia Stone's film about her father, «The Collector: Allan Stone's Life in Art,» which documents the rich life of the late New York art collector and dealer who nurtured the careers of Wayne Thiebaud, Eva Hesse, Richard Estes and other major artists, screens at 2 p.m. Sunday in the Lecture Hall at the San Francisco Art Institute, 800 ChestnutLife in Art,» which documents the rich life of the late New York art collector and dealer who nurtured the careers of Wayne Thiebaud, Eva Hesse, Richard Estes and other major artists, screens at 2 p.m. Sunday in the Lecture Hall at the San Francisco Art Institute, 800 Chestnutlife of the late New York art collector and dealer who nurtured the careers of Wayne Thiebaud, Eva Hesse, Richard Estes and other major artists, screens at 2 p.m. Sunday in the Lecture Hall at the San Francisco Art Institute, 800 Chestnut St.

With a constant emphasis being placed on the performative aspect of his work, Pistoletto's art is concerned with the active relationship between artwork and spectator — a bond the artist achieves by creating a virtual space in which art and life seamlessly interact with each other.

Gerhard Richter and Arvo Pärt, two of the world's most influential and important living artists, have made work inspired by and dedicated to the other, which will be shown and performed together for the first time at this year's Manchester international festival.

traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view, created between 1948 and 1972, focus on three specific series: the Pictographs, the Imaginary Landscapes and the Burst paintings.As Lilly Wei writes, «All three serve as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»