Sentences with phrase «while cgi»

While the CGI might not have stood the test of time, Carrey's elastic performance as shy nice guy Stanley and his alter ego The Mask is just as enthralling.

Every fight sequence is the same with the various heroes firing or chainsawing the air, while CGI sharks are added later, often flying uncontrollably in the background.

Camera angles display a hard edge, while the CGI field lacks depth, but the sturdy, long - lived franchise still manages to chart a future course for the stars.

«The Finest Hours» has a strong cast and takes on a very traditional form of entertainment, and while the CGI is impressive and the quiet romance between the film's couple sweet, the drama just doesn't strike the right amount of inspiration or thrills.

While the CGI work was...

The menu plays excerpts of John Williams» iconic theme while a CGI plane crosses Raiders - specific maps and leads the way to clips coming at us in settings inspired by that installment.

Certainly fans of live theater would agree with this thinking, and while CGI and animation certainly have their place in cinema (Wonder Woman and Guardians of the Galaxy Vol.

The creature designs were cool, but they are mostly CGI, and while the CGI is fine for the most part, it relies a bit too much on it, and in a few scenes it looks rather bad.

But if it may not sound quite right, the production certainly looks splendid, with the natural live - action backdrops (filmed in England's Lake District as well as in Sydney, Australia) doing idyllic justice to Potter's world, while the CGI hits impressively photorealistic fresh heights — right down to the rabbit fur that oscillates convincingly in those gentle country breezes.

Bruce Campbell's Ash is both bad ass and hilarious in equal measure, and while the CGI falls flat compared to its otherwise tremendous practical effects, it's still worth checking out.

Not exact matches

The pact's intellectual property measures will protect CGI's proprietary technology, says company spokesman Lorne Gorber, while the enhanced mobility of skilled labour would allow it to more easily move workers across the Atlantic.

To this end, the CGI is to establish an electronic mail desk in his office that will be connected to all offices, while a Chief Superintendent of Immigration has already been appointed as desk officer.

The destruction of Erabor is a massive CGI set piece that reminds of LOTR, while the sequence in The Shire is almost as whimsical as you might expect, with Frodo (Elijah Wood) rushing off to meet Gandalf (Ian McKellen) as Bilbo putters about in his hobbit hole — and then, he begins to write, «In a hole in the ground there lived a hobbit...» and we see the younger Bilbo being approaching by Gandalf the Grey on the matter of an adventure.

As for performances, there's not much time between massive CGI battles (all of which have a nice depth, never coming off too cartoonish), but Radcliffe proves that he's come quite a long way since «Sorcerer's Stone» while Gambon and Fiennes knock their few scenes out of the park.

She then moved to eastern Europe for six months while shooting her second movie, Dragonheart, which was also a very physical role but also required her to deal with CGI special effects.

It takes way longer than was necessary to finally pick up its feet and get going but once it does the last couple of hours zips along fine, with the last two thirds of the movie basically being made up of a sequence of big set - pieces which vary in effectiveness, some relying too much on CGI or being repetitive while others are unique and eye - catching in their own right.

The textured CGI artwork leans on the soft side (more an issue with standard definition or the source material than a transfer problem), while colors are accurate and no edge enhancement is apparent.

Her newly appointed henchman Skurge (Karl Urban) is equally flat, while the flaming MacGuffin we meet at the start of the film is just same - old CGI nonsense.

While Harlin's big action sets in other films like Die Hard 2 suffered from an unfortunately dated sampling of CGI, everything you see in CutThroat Island has been constructed — and destroyed in grand fashion.

While sort of reminiscent of early B&W cartoon shorts of the 1920s and 30s, the style isn't anything really new, but compared to the overly realistic CGI that Hollywood has rammed down our throats for the past 10 - 15 years, this is a welcome change.

But if you're interested in watching some CGI creatures cause chaos while Johnson peppers in comments like, «Well, that's not good!»

The Haunting (1999), while not a dreadful film in itself, is one of those - for besmirching the good name of the original in a welter of bad acting and CGI nonsense.

While the 1963 film used sound and psychological suggestion to promote a feeling of terror, the newer version quickly abandons this in favor of an all - out CGI - effects-fest that, instead of being scary, look pretty cheesy and silly instead.

While Iron Man 2 had some ups and downs like a rollercoasters, it still delivers high quality entertainment with its action scenes, less CGI, and solved the problems of the first Iron Man.

While not particularly detailed and devoid of color, the animation is surprisingly able to convey emotion far more effectively than the aforementioned CGI animation of recent years.

It's a CGI - heavy fantasia that will zing your eyeballs while cramming your brain with zeroes and ones, but giddy as it is, it never quite sells its characters or gains much purchase on your emotions.

Also, while the film overall boasts bold visuals, certain wide shots of the ship at sea look hopelessly CGI'd and I'm certain that at one point the tip of a boom mike was visible in frame.

One moment there is a brutal zombie death using really gorgeous practical and CGI effects, the next you have a character grabbing the boobs of a well - endowed sexy zombie while taking selfies.

director Mike Mendez — that, while it has a charming sense of humor about itself, leans too heavily on CGI blood; The Girl With All The Gifts (B), a well - shot British zombie film that attempts to inject new life into a tired genre, and almost succeeds thanks to young star Sennia Nanua; and the disappointing Phantasm: Ravager (C --RRB-, a low - budget labor of love which, while it plays like a Phantasm fan film, ultimately undercuts the emotional closure it attempts to bring to the franchise by failing to resolve the central conflict between good and evil.

And while those were all very successful films, I don't really like the idea of a CGI Frankenstein because that would take away everything from the monster that made him so iconic.

While the previews suggest another CGI - heavy fantasy film with a dollop of mandatory - feeling «origin» beats, we're confident in Raimi's big bag of tricks to reach into the rich backstory of Frank L. Baum's writings and bring out something worthwhile.

Suffice it to say, he teams up with the princess (Lynn Collins) of one city which is struggling against the malignant advances of another, while a race of four - armed CGI warriors, the Tharks, act as a wild card between the two.

I like how the movie builds everything around Brolin's CGI - assisted but still fully inhabited performance as Thanos — an oddly wistful and lonely figure who is, essentially, a religious fanatic, yet carries himself with the calm certainty of a military man who's read the ancient Greeks and speaks tenderly to cadets while stepping on their necks.

So while Will Smith, Robert De Niro, Jack Black, and Renee Zellweger can have their CGI counterparts yuck it up on screen, most of the people off screen will watch in a bored manner.

The film's special effects are variable: some are highly effective, while the early, rudimentary CGI can be badly dated in spots.

With a sharp, knowing script and stunning visuals — Paddington is expertly rendered in flawless CGI, while London is portrayed as a vibrant, whimsical playground — and a cast packed with top drawer British talent, this truly magical film can't fail to delight audiences of all ages.

On the downside; the ending is quite rushed, the CGI effects on the vampires isn't great, and while some of the 3D is impressive, it darkens the whole image down to the point that the night scenes are almost pitch black.

The Mummy's glorious unwrapping while attached to the back of the Squad's jeep is one of the film's coolest moments, and the Gill Man's design is near - flawless, prompting one to wonder why studios are so concerned with CGI when there are people out there who can make the fantastical look incredibly lifelike using real - world tools.

So it's difficult to accept a joke here when Rogen's straight man is turned into a CGI rag doll after being ejected by an airbag somehow placed on his office chair, while being shown in a very Rogen-esque existence earlier, smoking weed and gorging on shrooms.

The comedy gets placed mostly on hold while Segal attempts to dazzle us with CGI - laden sequences that somehow never involve us in the process, as we know it's a comedy where the players never are in any danger of getting maimed or killed.

The 1.78:1 16x9 - enhanced widescreen transfer indeed dazzles and while the film's visuals aren't as stunning as some other CGI cartoons, they're easy on the eyes and filled with vivid, pleasing colors.

Ang Lee's big - screen adaptation of Yann Martel's bestseller «Life of Pi» opens this week, and while the film's main stars may be Suraj Sharma as Pi and a CGI tiger, actor Irrfan Khan almost steals the whole show as the older Pi, who narrates the story.

While their experience is limited with the new CGI process (this is a very different filmmaking than the traditional hand - drawn ways), it doesn't show as Moana has all the traits of a wonderful Disney movie.

While The Jungle Book was practically all CGI, the animals felt so real and lifelike.

While the script never acknowledges that the other Ghostbusters ever existed, there are plenty of homages to the original film, including the theme song and cameos by both actors and CGI characters that will be appreciated by diehards (with an open mind).

Disney cashes in on one of its most storied properties with this retrograde live - action fairy tale, which time - travels back to 1950 while adding plenty of sparkly 21st - century CGI effects.

This forgettable sequel to the forgettable «Journey to the Center of the Earth» stars Johnson as a stepdad who takes his kids on an incredible adventure to a CGI - island full of giant birds that poop on Luis Guzmán while he's riding a giant bee.

While there are definitely some entertaining moments and it's performing well so far at the foreign box office, the film lacks in most areas and only offers mild appeal for serious CGI action enthusiasts.

The CGI is groovy — while we can argue about how the gigantic wolf looks a bit tinny here and there — and the heart, as Dwayne goes to bat solely for George's innocence, is healthy enough to satisfy.

Zhang Ziyi is the manic pixie at the center of a swirl of CGI whimsy in this romantic comedy, which is weird because while she's no doubt a terrific actress, she'd previously shown no aptitude whatsoever for comedy.