Sentences with phrase «while architecture exhibitions»

While architecture exhibitions have a tendency to be drab affairs with poorly displayed poster boards and reams of intellectualized text spouting pseudo-complex ideas, the Chicago Architecture Biennial stands out for its undeniable sense of playfulness.

Not exact matches

It features a two - room layout that preserves many aspects of its historic use and distinctive architecture, while updating the space with contemporary exhibitions.
While highlighting works by some of the most celebrated Japanese print artists from the 18th and 19th centuries, this exhibition also offers insight into this source of inspiration for Wright's architecture.
The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding...
The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding into ideas of history and place.
Commemorating one of the earliest documented moments of cross-cultural exchange between Japan and the West, this exhibition will unveil a new series by revered photographer Hiroshi Sugimoto while also juxtaposing his monumental black - and - white photographs of early modern European art and architecture with traditional Japanese artworks.
While our first exhibition Architecture as Muse: The Grand Tour featured architectural subjects that artists encountered while traveling abroad, our newest iteration in the series turns its attention to the dynamic and eclectic architecture of the United StWhile our first exhibition Architecture as Muse: The Grand Tour featured architectural subjects that artists encountered while traveling abroad, our newest iteration in the series turns its attention to the dynamic and eclectic architecture of the United Stwhile traveling abroad, our newest iteration in the series turns its attention to the dynamic and eclectic architecture of the United States.
By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.
Fowler's walls are at once architecture, a sculpture, an exhibition space, an object, and a subject, while Rees's paintings are simultaneously performative site - specific installations and painterly objects that are tethered to the gallery space and the temporality of the show.
Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on video and immersive installations combined with video.The exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».
In conjunction with the exhibition architect and draughtsman, Benedict O'Looney is running sketching tours of buildings by Shaw and his followers local to the RA — so you can learn about Shaw's architecture while trying out some of his stunning techniques!
This exhibition traces the evolution of his practice across each of its major stages, while asserting ongoing themes, most notably, the changing relationship of the individual to society as filtered through American mass media and architecture at the end of the 20th century.
Santos plays with the architecture of the exhibition space to reflect on the particular conditions of being an artist temporarily displaced from her customary work space, while she also considers the evolution of her work in a hand - drawn map for a new website.
While there he held his solo exhibition in Stedelijk Museum, Amsterdam (Nov - Dec 1934), and designed the large Fair in Utrecht (March 1935) for Dutch Rayon Industry, the manufacturers of artificial silk, which offered a new approach to exhibition architecture and which, a year later, found its continuation in the Courtauld Exhibit at the Industrial Fair in London.
The exhibition Béton (Concrete) emphasises the perpetually modern aspect of this material, while shining light on the social and ideological implications of past concrete architectures at the same time.
This exhibition will provide a rare opportunity to experience two large - scale presentations by Flavin and Judd that demonstrate both artists» unique ability to unify form and material while incorporating — through their deliberate installation and use of light and color — the surrounding architecture into the perception of the works themselves.
The inaugural exhibition of significant large - scale works by Flavin and Judd will showcase the versatility of the building's innovative architecture, while initiating the gallery's ambitious program.
Titled «While We Wait,» the exhibition investigated the possibility of erecting a meditation space combining innovative stone design and evoking the vernacular architecture in the Cremisan Valley, a lush patch of land wedged between the West Bank and Jerusalem.
While the architecture influences exhibition making, it's definitely not the only factor.
While Cuadra San Cristóbal is as a mecca for architecture buffs as well as a popular location for photo shoots, this is the first time the landmark is being used as an exhibition space.
Comprising approximately 60 prints from the MoMA collection that were included in the 1938 book or exhibition, the installation maintains the bipartite organization of the originals: the first section portrays American society through images of its individuals and social contexts, while the second consists of photographs of American cultural artifacts — the architecture of Main streets, factory towns, rural churches, and wooden houses.
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