Sentences with phrase «while dance sequences»

Not exact matches

There are a few beguiling moments in Holy Motors, particularly a martial - arts sequence and an erotic dance while Mr. Oscar is dressed in a motion - capture body suit, but the road between those moments is so strewn with stalled ideas that audiences who care about character and plot are liable to take the exit to a movie that makes sense.

There is the aforementioned «angry dancing» sequence, and while they do a better job of setting up that scene as well, it's still silly.

Individual set pieces are amusing, but there are occasional lulls where sequences go on just a hair too long, such as when Fiona and Dom share a sensual dance on a boat and another when they fantasize about each other while separated.

And once in a while the movie absolutely soars: during an initial stop - and - start encounter between the boys, during a sequence where local teens dance to the Psychedelic Furs» «Love My Way,» and most mysteriously while Elio and Oliver wander around a memorial in a town square, sorting out issues while not quite naming them.

Lloyd Bacon directs the dramatic sequences while dance choreographer Busby Berkeley took this opportunity to completely reimagine the musical production number for the possibilities of cinema.

While the latter pair offer some laughs at the extent of their creepiness (If a style of dancing could be classified as that of a serial, it would be Donny's), it's unfortunate that the whole subplot brings the whole film to a standard, extended, and poorly paced chase sequence.

Costumes are all vibrant and rooted in charmingly tacky Americana like an 80s Jonathan Demme picture, while the action scenes take the idea of choreographing shootouts as dance sequences rather literally.

One of my favorite movie scenes of the 2010s is the «I'm gonna tear up the f — in» dance floor» sequence in «Ex Machina,» with Oscar Isaac and Sonoya Mizuno doing a bizarre, «Saturday Night Fever» - tinged routine while bathed in blood - red light.

An opening dance sequence set in a Cleaver American Fifties features more stunt people, professional dancers, and trampolines than Cirque du Soleil, its artificiality setting the tone for the rest of the film, while the scene's conclusion (with the picture's hero trapping the celebrants in a giant dance hall, dooming them to death should a fire break out) serves as a pretty succinct summary of the film's feckless themes and carelessness.

Nighy and West are probably the biggest names here, and they're both excellent in parts a long way from their usual type: the former is lovely and delicate as the shy, mild miner finding a new simmering rage at the government's treatment of his colleagues, while West gets to have flamboyant fun as the camp actor, particularly in an impressive dance sequence.

The story seamlessly interweaves inspired dance sequences, organized resistance and a little old - fashioned romance while touching on a litany of themes like love, loyalty, friendship and betrayal.

Tim Callahan: — I saw this movie, and while some people complain about Emo Pete or the dance sequence, I complain about Sandman getting shafted and having his part diminished so Venom could get wedged into the story along with X-Treme Goblin.

Once you complete the objectives within each GNOG, you are rewarded with a sequence in which the monster head sings out with deep, bellowing notes while vibrant colors dance around the screen.