Sentences with phrase «while flat paint»

While flat paint is more or less washable, you may want to keep some extra around for touch - ups if and when needed.

Not exact matches

While the Chief concept itself is not headed to showrooms, Allen is «very interested» in offering its new flat - blue paint on a future production model.

While no modifications were made to the suspension, the School of Rock Sedona rides on flat - black painted 20 - inch Vossen VFS - 6 wheels that are wrapped in aggressive Toyo Proxes 255 / 45R -20 tires.

A Track Handling Pack offers non-run flat performance tires, M Sport brakes and adaptive M suspension while the M Sport Package allows for individualized exterior paint and wheels as well as the adaptive suspension.

Exteriorly, you'll find 18 - inch AMG ® twin 5 - spoke wheels and grey - painted brake calipers, while the cabin boasts sport front seats, brushed - metal pedals with rubber studs, a flat - bottom steering wheel, and an AMG ® menu with RACETIMER ®.

While the walls of the museum are painted a flat black and covered from floor to ceiling with partially erased names of films, at Regen Projects, Simmons creates canvases in muted tones of gray that highlight the names of the actors who were featured in the films.

More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of color that read completely flat while other passages extrude and recede, impressions often complicated by the introduction of objects and her recent experiments with text.

What resulted remained true to painting's basic materials while turning its traditionally flat surface into a field of topographical undulations that, interacting with light, appear to change a great deal as the viewer moves around them.

He drew gestures similar to those one might make while using a touchscreen device into casting compound and then painted luminous shades of green, blue and yellow to create the illusion of a flat surface that glows like a computer screen.

While Newman's work reeled viewers into a color field, Swavely's paintings resist close inspection, for as one approaches, the brushstrokes that once felt voluminous fall flat, having been washed away by turpentine - soaked rags scrubbed across canvas heavy with oil.

While his paintings involve complex layering and the deliberately distorted treatment of light — suggesting three - dimensional space — the subjects are flat.

DeFeo often applied paint to canvas in thick layers, while Lawrence and Davis created flat planes of vivid color.

Jones favors lines, circles, squares, and ovals formed by shaped canvases that he carves, cuts, etches, and paints like a craftsman, while Slater layers the paint over the surface resulting in images that are never flat, line - driven, or hard - edge.

While the material and technical difference between the printed Fantasy Island and the painted Village HD may be impossible to distinguish when comparing the two on a computer screen, in person the formal and theoretical layering that enlivens work like Village HD literally falls flat in Fantasy Island's digital - to - digital translation.

While from a distance (or reproduced in images) my paintings may seem illusionistic, the technique denies neither the physical texture of the paint nor the flat surface of the canvas.

Pierogi intends to use the old location for one - person exhibition and Pierogi's Flat Files, while the more expansive Boiler allows Pierogi to mount larger - scale sculpture, painting, and installation exhibitions and present performances, readings and other events.

While Jackson Pollock is considered as the most well - known painter who created his abstract pieces by dripping paint onto a flat canvas, many before him experimented with this method as well.

Next to photographs by Albers of the actual Adobe houses in question, the paintings admit our passage through the depth of windows and doors while simultaneously asserting their plainly flat existence.

While some pieces are gnarly tree formations isolated atop pedestals to illustrate their status, others are flat wall - mounted compositions made of cast broom clippings and quinoa, that create large color field paintings of, in fact, large colorful fields.

I should add, that being able to talk through the process so well, while painting in such detail, and on a flat surface, is a gift all by itself.

Hafif, who has engaged for decades with monochrome painting, recalls painting a still life while studying with Richards Ruben: «I began using a single color and digging into it and making a kind of radiating form, treating it plastically rather than as flat.

Many of Cain's strokes, drips, and flat planes of paint recall movements past — largely male - dominated genres — while her specific colors, pleasurable and redolent of popular culture, music, fashion, and perceived grounds of femininity, invoke an artist navigating her lived world.

The wall flats adhere to the conventions of theatrical and filmic staging while taking on qualities of large - scale painting and sculpture.

The «billboard paintings» are in contrast to canvas works, more flat and featuring iconic or catchy imagery, while the drawings are the most natural for the artist.

The 60s paintings are often packed tighter with more angles and movement, while the newer paintings are more open with a combination of flat and painterly brush strokes and surfaces that frequently include circular shapes.

Ralf Winkler, the German artist who rose to fame in the 1970s with his caterwauling, violent, humorous, rigorously flat paintings of stick figures, animals and monsters that he signed with the pseudonym A. R. Penck (the better to elude unsympathetic East German officials, at least for a while), has periodically made stuffed felt sculptures.

The walls themselves, painted with layers of flat, burnished blue - black paint, seem to recede like a dark sea into the night, while the line, lit with blue light (a technique she has used before), appears to hover untethered in the space.

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.

Stella's works created between 1960 and 1961 call attention to the flat nature of the medium, while breaking with the set parameters of painting through the use of abnormally shaped canvases.

The ruler on the left lies flat against the painting's two - dimensional surface, while the middle one tapers upward, suggesting that it is tilting away from the painting's surface, and moving back in space.

Here the blazing figures form a tight, bright jigsaw, while landscape and sky benefit from more variegated brushwork, as if Thompson at the end of his life was toying with the idea of breaking up his big flat shapes and painting in a more spontaneous manner.

Using the logic of radical material transformation, lightweight panels lean flat against the wall, while others, warped by the application of water - based paint, stand independently in space.

While the painting may look more or less flat and monochromatic from afar, it is indeed textured and multi-colored.

Paintings are worked on while flat.

While these paintings give the illusion of corporeal volume and fullness, closer scrutiny reveals the surfaces to be smooth and flat.

Jenny Saville's self - portrait feels painful to look at while Celia Paul chooses to paint herself as model and painter (she is on the cover of the catalogue in a more flattering painting, painted by her then lover Lucian Freud).

In the exhibition catalogue, Carolyn Lanchner, retired Curator of Painting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a pPainting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a paintingpainting.

They often portray autobiographical images of interior domestic scenes, while his landscape and figure painting was inspired by the countryside around Connemara, his Belfast home and his London flat.

Rubbed areas suggestive of floorboards indicate that the works weren't painted so much as they simply accumulated, while lying flat, and that different activities — whether culinary, medicinal, or ritual — were conducted on top of them.

Encapsulating his distinctive «push and pull» technique of implying space while asserting the primacy of the flat canvas, Auxerre demonstrates the robust way in which Hofmann's paintings dramatize the dynamic oscillation between volumes and voids on the one hand and two - dimensional color planes on the other.

I was looking for a way to construct a series of paint moves that could open the picture space into a vista and while continuing to maintain its flat compression, which is Cézanne.

There are several different types of line paintings presented in Curvilinear: some feature central, narrow fields of color while others have flat unmodulated backgrounds; some contain only uniform lines, or lines with sharp spikes, or «claws,» as Feitelson called them; and others have thick, curving lines of multiple colors that bend together in a gentle sway.

Similarly, flat finish paints tend to contain fewer VOCs than glossy finish paints, while white or pale paints have less VOCs than brightly colored or dark paints.

The door knob was preventing the door from laying flat while the epoxy dried, so I set it on top of four paint cans.