Sentences with phrase «while her painting developed»

While her painting developed alongside these stylistic trends of the 1960s and 70s, it is not readily categorized in terms of a specific formal language.

Not exact matches

The exterior's sharp, sculpted lines give it a strong stance, while the newly developed, premium Red Diamond5 paint radiates vibrant color.
Continuing to focus on packaging while employing a painterly approach, Smith would further develop the shaped canvasses until they became fully three dimensional, thus further undermining the distinction between painting and sculpture.
Little fingers will experiment with painting, gluing, sticking, printing, and creating while developing fine motor, language, and self - help skills.
Indulging his lifetime love of science fiction and fantasy, he's currently illustrating a new historical role - playing game for Iron Throne Publishing and developing life - sized promotional cutouts of zombies for WorldWorks Games while also putting the finishing touches on 30 oil paintings for a summer exhibition — all proof of his incredible comfort moving between the worlds of commercial and fine art.
At this time, she sharpened her drawing and painting skills while developing her fine art.
With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.
His early paintings and sculptures paid homage to the ready - mades of Marcel Duchamp, while the cross-hatching motif he developed in the 1970s found its origins in Edvard Munch's Self Portrait.
Employing grand religious subjects as familiar narratives for his works, Furnas has developed a suite of six large - scale paintings presented in the downstairs gallery which depict the Creation myth, while upstairs, a series of contemplative near - abstractions evoke the vast desolation of the final flood.
The interplay of jazz music, poetry and painting fed his soul and provided the necessary freedom to develop his own visual language, while rhythm and beat were constant, grounding him and inspiring many of his paintings.
George Charman and Tom Hackney are both based in London and have been exploring the possibilities of concrete while developing other sides of their practices, specifically drawing (Charman) and painting (Hackney).
This course introduces the materials, methods, and tools of oil painting while students develop observational painting skills.
She rapidly developed «a distinctive open - warp technique that was basically like drawing or painting with individual threads while leaving much of the fabric unwoven and transparent.
These works, while lacking the charge and momentum of the larger paintings, are a welcome change of pace for visitors, and a rare indication of how the artist's paintings develop.
Through this process Ferris developed a motif of masks to engage themes of identity while interrogating traditions of painting.
Untitled [glossy black painting](ca. 1951) is part of a body of work known as the Black paintings that Robert Rauschenberg began in 1951, while he was a student at Black Mountain College in North Carolina, and developed intermittently over the next two years.
My abstract art is conceived from my life experiences and observations then developed depending on my mood and other differing influences like listening music while I paint.
For thirty years she worked as a part - time lecturer in the School of Drawing and Painting while developing her own artistic practice.
John McCracken (1934 - 2011) developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s.
Oscar Moreno's paintings are developed from a process of addition, subtraction and reformulation in reaction to the painting while it's being formed.
Miotte developed a vocabulary of bold, quasi-calligraphic markings whose vaulting, liquid jets and arcs of paint were at once suggestive of the body in motion while at the same time denying corporality.
Weiss reaches this balance by relying on instinct and chance as well as repetition and order: staying grounded by consciously making artistic choices while letting the painting develop independently, creating unexpected moments of surprise.
But for years it has disdained actually saying anything about the state of the medium in exhibition form, and all the while painting has developed actively on numerous fronts.
Emphasis is placed on developing a personal painting process, while building and sustaining an extended body of work.
For years Angelina has developed a method of abstract work that alludes to stain and pour painting traditions of Frankenthaler and Louis, among other influences, while contemplating urban and interior structures that make up today's world.
John McCracken (1934 — 2011) developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s.
Post-graffiti, Conceptual and Optical Art, paintings, sculptures: all through the year, the David Bloch Gallery showcases the great names in Contemporary Art while successfully revealing and developing emerging talents.
While at Wingate Studio, the artist developed a process in which she painted directly on the copper plate with white ground, allowing her time to work, look, and rework by wiping away areas, diluting the ground with water, over-painting, and sculpting this paste - like mixture.
While Warhol didn't invent the photographic silkscreen process, he developed his own technique by combining hand - painted backgrounds with photographic silkscreen printed images to create unique works of art.
While painting using the model, students will develop strong explorations into the unique abilities of watercolor, applying several principles, which include: anatomy, the use of light over form, color sensitivities, movement through space and form over time, construction and deconstruction, abstraction and approaches to composition.
While Jackson Pollock and Jean Dubuffet influenced some of the painter's work in the 1950s and 1960s, Glasco developed his own vibrant style, especially with his lively acrylic and collage paintings.
LineWork is a departure from his better known murals and apparel depicting historic Bay Area landscapes, while continuing to develop and master his signature line drawing and painting techniques.
While maintaining her painting practice, Ms. Pijoan also developed an interest in public art, translating her signature filigree work from paper to metal.
The two exhibitions were developed separately — De Jong's sculptural figures dwell on the grotesque while Redwood's paintings take on portraiture, landscape and still life — but work in tandem.
Born on the American / Mexican border, Trillo lives and works in Philadelphia and frequently travels to Mexico and Europe for inspiration while continuing to develop as an artist with classes in painting and photography at PAFA and the University of the Arts.
While studying painting she continued to developed her love of wood working and has incorporated it into her practice of creating painted sculpture, and installation.
Farshid Moussavi's VR experience transports visitors into masterpieces of ecclesiastical architecture, which they can adapt and transform themselves, while creative technology and content studio Happy Finish have worked with Yinka Shonibare to develop a three - dimensional rendering of a neo-classical painting, featuring a cast of Venus dressed in Shonibare's trademark batik fabric.
While developing a career in wall painting and surface finishing, she explores the use of fresco as well as traditional painting techniques in contemporary practices, and works equally with murals, painting, drawing, photography and mixed media.
In this way, he is able to maneuver between modernism and post-pop representational painting, while developing a complex language that hearkens back to Milton Avery and Piet Mondrian.
While this impulse is characteristic of Lichtenstein's fully developed paintings, editions such as Ten Dollar Bill were his first to elevate such quotidian forms of commercial culture to the status of fine art.
Interested in a painting's potential to function as the very embodiment of the object it depicts, Kahn has also developed works in which the shaped stretchers combine to create the form of an actual object, while a synthesis of hand - drawn motifs and words epitomize its essential qualities.
At about the same time (c.1933 - 36), he began teaching art and the history of art, to earn a living while he developed his painting.
Thus, while landscape painting remains popular and continues to attract interest from artists and collectors alike, it has developed in diverse directions without maintaining the status it achieved during the nineteenth century.
While Francis and Bluhm approached their work with brush in hand, Jenkins developed a pouring technique that utilized gravity to produce vibrant washes of paint.
Over the last 30 years he has drawn upon the painting vocabularies of Velázquez, Tiepolo, Goya and Picasso, while developing a singular language of his own.
In creating paintings, Emin upholds the timeless legacy of figurative artworks, often modeled on her own body or on historical photographs, while developing a pictorial language and style that distinguishes her within this genre.
Dave McDermott's work embodies his distinctive approach to painting, consistently seeking to enlarge the medium's inherent boundaries and resisting easy categorization, while developing a recognizable visual vocabulary within its own pluralistic nature.
While his first paintings were very simple, he later went on to develop surprisingly complex paintings.
While it was around this time that Frankenthaler's canvases began to achieve a lightness — a kind of openness that allowed the composition to breathe — it was in the 1970s that the artist had moved away from the literal and figurative landscapes seen in her early work, such as the celebrated Mountains and Sea from 1952, and towards a more emotional and expressive representation of Color Field paintings where she developed a new sumptuousness and sensuality characterized in the present work.
These vibrant paintings develop ideas from past work but also present new challenges; some are purely abstract — a new development — while others give prominence to favourite motifs such as his dots and squiggles.
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