Not exact matches
Another Super Bowl first - timer, Fiji Water makes its debut at the big game this year with an ad pitching the water as «
Nature's Gift»
while showing
images of the Fiji islands juxtaposed with urban cityscapes.
While those
images that relate to human experience in the domestic, economic and social spheres have been given prominence, Jesus» use
of agricultural imageries3 and analogies derived from
nature or divine action in
nature have not received adequate attention.4 This too, despite divine interaction with humanity taking place in the context
of the creation.
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While Jesus» use
of the
images from
nature holds on to its naturalness as
nature raw and real, his creative adaptation
of the function
of nature to emphasize the values
of the divine rule stands apart.
These biblical stories,
while not being accounts
of actual incidents, nevertheless have a connection with actuality which stories
of the ordinary kind do not need to have, Thus the creation story is true only if God is in fact the Creator
of the heavens and the earth and
of man in his
image, and the story
of the fall is true only if man is in fact alienated from God and thus actually falling short
of the glory
of his own true
nature and destiny.
Given the slow - changing
nature of international reputations the
image of France as a friend
of Arab states and
of the Palestinians endured,
while Britain drew hostile attention as the leading ally
of the United States in the «war against terror».
A claim
of an astoundingly easy way to make pluripotent stem cells reported online in two papers in
Nature on 29 January continues to unravel as one
of the co-authors called for a temporary retraction
of the papers
while their data and
images are verified.
While the long - term future
of studying exoplanet atmospheres surely rests in the next generation
of telescopes and instruments that will enable us to directly
image smaller and cooler exoplanets, transiting exoplanets like the ACCESS targets are the cosmic lighthouses that are providing the first insights into the
natures of other worlds.
When I saw the H&M Studio
images a little
while ago, I instantly connected with nearly every piece
of the collection: the soft fabrics used, the neutral colours and check prints and the raw
nature photography immediately spoke to me.
Bopape incorporates a slide projection
of a woman's hand moulding, touching, and throwing clay rocks, addressing the power
of the feminine, its relation to
nature, and race,
while creating a cacophony
of images, illusions, textures, and sounds.
While various commentaries can be drawn from these surprising visual analogies - for example on consumption, desire, and representations
of the human body - the real intrigue
of the work lies in its exploration
of the surreal and seductive
nature of images.
Many used the transparency and the lightness
of the tones to capture the shifts
of light occurring in
nature,
while others used the intensity
of color to produce
images which play with different tones, and values.
Combining traditional and contemporary techniques and mediums such as gesso and gold on vellum, award - winning photographer, Sandi Daniel goes beyond the
image, reinventing it into an alternate reality and evoking feelings
of romance
while addressing the fragility
of nature.
While her contemporaries staged the relations between painting and photography, Sillman chose instead to look at other mass media forms
of image making, selecting the diagram as her lever to open the historical
nature of painting to the present.
She engages in an active sculptural dispute between whether to humanly embrace or to rebelliously challenge materials and form,
while creating
images that suggest life - like hybrids
of form that remind us
of manmade construction juxtaposed alongside raw elements
of nature.
Recent subjects
of the artist's found
images — vintage portraits
of sailors, digital profile shots from online gay dating sites, newspaper obituaries — are charged with longing and desire,
while the depictions
of nature scenes such as seascapes and waterfalls nod to Romanticism and human identification with the natural environment.
While in residence at PICA, the artist researched the Multnomah Falls myth, collected
images of anthropomorphic land masses, and constructed a new vision
of mother
nature in the hopes to re-order the world.
While the abstracts hint at elemental imagery, earth, wind, fire, and water, the newer Everglow paintings capture actual
images of nature, woods, plants, animals in their natural environment.
Jesse Darling «s materialisation
of software's influence as owner and objectifier in Photoshop 1 (Healing Brush, Clone Stamp, Paint Bucket)(2013) confuses the point where the body ends and the
image begins,
while Harm van den Dorpel «s «Untitled assemblage (selfie)» (2013) mimics the cyclical
nature of identity creation and curation within its sphere
of digital prints on perspex
while still dangling within, and being dwarfed by the concrete structures surrounding it.
The
images explore the interior and exterior boundaries
of the earth
while the repetitive
nature of the grid format brings order to the unpredictable terrain.
These
images were originally based on photos Anderson took
while watching his father get a haircut, but photographs function for Anderson much as they do for the two artists who most evidently influence him, Luc Tuymans and Peter Doig (Doig is a former teacher
of Anderson's): not as objective documents but as points
of departure for painterly reveries about the
nature of history, whether personal or shared.»
Park pays homage to Ruscha
while musing on the
nature of the photographic
image through her artistic quest to scale up and recreate every page
of the book in watercolor paintings.
Here, the photographers behind the burgeoning discipline explain how it all came about —
while showing some extraordinary
images of nature that prove the power behind the discipline.
While we caution against watching the video viewing the
image in the gallery below due to its graphic
nature, several in the comments section
of the original post have taken Facebook to task for posting the video.