While other comic book movies have revelled in self - reflexive irony, The Dark Knight is never less than one hundred percent committed to character and story.
Ultimately, fans need to adapt to the fact that there are some comics that can be produced quickly on a monthly basis,
while some other comics will take longer because the artists involved have different working methods.
Not exact matches
Other enjoyable performances back Sandler's up: Emmanuelle Chriqui is a charming leading lady; Lainie Kazan's crack
comic timing put me in mind of her uproarious portrayal of the ultimate Jewish mom in 1982's My Favorite Year (and she doesn't look like she's aged a day since); as two of the Zohan's old foes, John Turturro is amusing (even if he's in danger of becoming this decade's answer to Vito Scotti if he takes on too many more ethnic roles),
while Sandler's longtime buddy and perpetual hanger - on Rob Schneider for once DOES N'T make you want to tear out either his hair or your own.
And
while the films plot may not be as good as some
other superhero films, it still is an enjoyable movie with that set aside and is pretty faithful to the
comics as is.
Baumbach, who's honed his
comic dialogue to a furious bebop point in recent films like Frances Ha and
While We're Young, keenly understands how these estranged relatives would speak to and around each
other, peppering in cultural name - drops (Warhol, Neruda, Kubrick) and insecurities alike.
While the pacing isn't as tight as some
other films on this list, the Russo Brothers prove here that they're the ones to beat when it comes to dynamic action sequences that seem to be lifted directly from the
comics.
While «Daredevil» most definitely is targeted to the more hardcore
comic fans that can show appreciation for keeping true to the
comic's storyline,
others should enjoy this one as well.
We've known for a
while now — ever since the title was released, really, given the famous
comic story it's being loosely adapted from — that the upcoming Captain America: Civil War would see Tony Stark and Steve Rogers tearing into each
other with gusto.
Some fans praised the movie as a mostly - faithful take on Alan Moore and Dave Gibbons» seminal
comic book series,
while others criticised the filmmaker's take on the material.
For a
while now, the sequel to Mark Millar
comic adaptation Wanted has been lost in limbo, unable to find its way as director Timur Bekmambetov concentrated on
other projects.
In the
comic books, some of them want to please Thanos,
while others are looking to use this opportunity to move up in the world.
Based on the hit
comic book of the same name, the film finds a bunch of colorful supervillains riffing off each
other while trying to save the world (or just themselves).
While our silver screen Guardians first defended Xandar from the Kree Ronan the Accuser, their
comic counterparts first assembled with a host of
other heroes to save the Kree.
Steve Carell possesses a unique comedic style that has catapulted him into Hollywood stardom
while serving a supporting role to
other top
comics like Will Ferrell, Jim Carrey and Jon Stewart.
Several sections are frankly dull,
while others depend on an attempt to allow Stark the same kind of character depth and developmental arc that lucky characters in the better
comic - book adaptations have enjoyed.
That said,
while Gringo is watchable, it doesn't do enough to separate itself from
other better
comic - crime thrillers.
There's no actual make it possible for another individuals of X-Force within the Deadpool sequel will go back in Goddard's movie both, given what number of different mutants had been a part of the crew at a
while or any
other within the
comics through now.
Some of these movies take place in a shared animated universe,
while others bring to animated life classic
comic book stories for fans to enjoy all over again.
Even
while other MMORPGs come and go, WoW continues to be a dominating worldwide force since 2004, spawning board games, a
comic series, and many expansions.
When Sin - Dee finds her boyfriend's woman - on - the - side (Mickey O'Hagan), the scene details a rather seedy and pathetic brothel inside a motel room, but Sin - Dee's laser - like focus on her goal gives the scene an unexpectedly
comic energy (It's also entertaining to watch her drag the
other woman through the city by the hair, the arm, her bag, and whatever else she can get her hands on,
while onlookers respond with indifference).
The performances from Hemsworth and Shannon are fine, barely rising above mediocre,
while other actors are used as
comic relief.
While other superhero
comics dealt with human character flaws that were lessened by the choice to become a superhero (Peter Parker's wimpy nature was negated by Spider - Man's presence, etc.), the «Watchmen» gave us a vision that those with superpowers would have their character flaws heightened exponentially along with their powers.
Some fans are calling for Shuri to become Iron Heart (the Riri Williams version of Iron Man from the
comics),
while others want to wait and see if Shuri will become a Black Panther herself.
«Some of the pieces are explicitly connected to science,
while others reflect reactions to science,» AAAS said of
comics.
While I have never written a word for
comics nor even drawn a straight line for that matter, I follow the same principle: Batman is THE hero for me even after coming across so many
other characters.
While several American comics creators, such as Frank Miller (The Dark Knight Returns,) and Wendy Pini (Elfquest) have acknowledged manga influences in their work, other American, Canadian and European creators have created original works that show a strong allegiance to the manga way of drawing and telling a story, while developing a style all their
While several American
comics creators, such as Frank Miller (The Dark Knight Returns,) and Wendy Pini (Elfquest) have acknowledged manga influences in their work,
other American, Canadian and European creators have created original works that show a strong allegiance to the manga way of drawing and telling a story,
while developing a style all their
while developing a style all their own.
The premise was simple: stores gave short, free sampler
comics to regular customers and newcomers alike, rewarding one group for their loyalty
while introducing the
other to the joy of reading
comics.
Because of the intensely collectible and visual nature of
comics, far greater than CDs or books of course,
comics sales are likely to remain far more dependent on physical sales than those
other media,
while the successful prices of digital
comics are, in my opinion, almost assuredly going to decrease consistently over time.
Two
other types of icons are scattered across the page: A film projector pops you out of the
comic to a film clip,
while a little tea label brings up audio clips by Angie McCartney, accompanied by a little text box with more information about whatever she is talking about.
Some are pretty solid,
while others, such as the Stephenie Meyer and Justin Bieber
comics, fall into the so - bad - they're - good category.
While Marvel and DC continue to focus on legacy properties that cater to a fairly narrow range of genre fans and are produced by artists who don't own the characters they work on, Image has gone in a different direction with an array of creator - owned
comics that include superhero, science fiction, and
other types of stories.
Some readers like to buy both the print and the digital version of a
comic,
while others might want to buy digital
comics to fill in back issues they can't find in print.
I spoke to Viz CEO Ken Sasaki at
Comic - Con in San Diego last July, and he told me that the app still accounts for the majority of their digital manga sales, but he expected sales on
other platforms to grow;
while Viz's slice might get smaller, the pie as a whole will get bigger, he said.
Clearly,
while comiXology and
Comics Plus are designed for
comics readers who are looking for a variety of new
comics, the Ape apps are designed for gamers and
other casual users who are very interested in one property.
Some Japanese publishers have tried and most initiatives have failed as they have done poor market research (mainly not understanding international purchasing habits, poor marketing, or even worse have blindly believed previous eBook booms to include similar sales for manga or
comics in general);
while others have simply had their stances thaw out hoping to gain revenue streams or to prevent piracy.
The number of
comics shops peaked in 1993 because of easy credit offered by the dozen distributors at the time — and
while it caused sales figures to skyrocket, it was no more indicative of health than any
other bubble market.
At The Webcomic Overlook, Larry Cruz tests out a handful of webcomics apps for smartphones and comes away mostly unimpressed; some are simply bookmarks that direct you to the
comic in a browser,
while others are crashy.
Creators such as Jen Quick, Kaiju, and Studio Kosen offered commissions,
while others such as Heldrad and Jenn Doyle offered backers to be extras in their
comics.
While originally conceived of by Todd MacFarlan, Spawn stories have been written by a number of
other comics luminaries such as Alan Moore and Brian Michael Bendis.
While many creators follow the usual trajectory of creator - owned projects to Marvel or DC, the Portland, Oregon - based writer went from the Big Two and found his true calling, making his own
comics and helping
others to do the same.
and (assuming this works like every
other digital
comics service)
while readers have to buy the
comics on the website, they should be able to read them on any device that has the Viz app.
The collapse of the US print manga market in 2009 - 2010 took opportunities for manga - influenced Western
comics down with it, but
while printed manga died,
other opportunities opened up.
Other web
comics also follow this template with success
while others first seek donations from their fans in order to publish collected versions of their web
comics.
I equivocate here because some
comics seem a bit too small when fit to the iPad's screen size,
while others don't.
(Some of these are original self - contained «graphic novels,»
while others are just collections of several issues of a monthly
comic.)
While ComiXology is already enjoying success in Europe with its library of American
comics, the international expansion will see the company pull in local language
comics that are popular in
other countries.
While Amazon's ComiXology has a solid lock on digital
comic distribution at the moment, it's a healthy trend seeing
others widening the competitive landscape.
In
other words, these
comics all feel an awful lot like one another, and
while this «sameness» would be diluted across the wider array of serials presented in the Japanese Weekly Shonen Jump, they absolutely dominate the English edition.
While it's likely that one might get used to this particular idiosyncrasy over the course of a volume, I personally found it very distracting, and it's not an issue I've been required to overcome for any of the
other digital
comics apps I've tried, including those from Viz and Yen Press.
While we're all waiting for the
other shoe to drop on the New 52, digital
comics are inching towards new developments that may make them even more native on digital platforms.